Opening Image
Scene 1 / Page 1 / 1% target
Al Stump struggles with writing, setting a tone of creative frustration.
The muse has not descended, Lucille.
Cobb script analysis
Sportswriter Al Stump reluctantly embarks on a biography with baseball legend Ty Cobb, confronting Cobb’s volatile nature and dark past. Their journey on the road and through flashbacks reveals Cobb’s hidden traumas and Stump’s own conflicts about truth and hero worship. As Cobb’s behavior spirals, Stump secretly writes a more honest version of the story. Ultimately, Stump must decide between protecting his subject’s myth or exposing a painful reality.
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Scene 1 / Page 1 / 1% target
Al Stump struggles with writing, setting a tone of creative frustration.
The muse has not descended, Lucille.
Scene 4 / Page 1 / 5% target
Cobb’s invitation hints at the cost of greatness and the question of legacy.
Cobb wants to see me.
Scenes 1-3 / Pages 1-2 / 10% target
We see Stump’s domestic life, his odd commute by pogo stick, and his entry into Cobb’s world.
Scene 4 / Page 2 / 12% target
Stump receives Cobb’s call, launching the biography assignment.
Cobb wants to see me.
Scenes 7-8 / Pages 3-4 / 20% target
Stump hesitates over Cobb’s demands and unpredictable behavior at the lodge.
Yes, Mr. Stump -- you do need this job that bad.
Scene 10 / Page 5 / 25% target
They officially begin work on the biography as Cobb dictates opening lines.
Chapter one, Page one... 'Know ye that a prince and a great man has fallen this day.'
Scene 31 / Page 8 / 30% target
Willie appears, offering a subplot about innocence and competition.
Help me. Please help me.
Scenes 15-29 / Pages 9-12 / 40% target
On the road, Cobb entertains with stories and flashbacks showcasing baseball exploits.
It's only another hour -- plenty of time to tell you my story before we find us some...
Scene 39 / Page 15 / 50% target
Stump’s notes are exposed in a heated argument, forcing a critical rift.
'Pathetic, paranoid, lost in the past!' What is this shit?!
Scenes 47-48 / Pages 18-19 / 65% target
Cobb’s jealousy erupts over Ramona, and he terrorizes her alone in his room.
You two-timing bastard! You God damn Judas Iscariot! You stealing my girl! I'll kill you!
Scene 87 / Page 23 / 75% target
Cobb’s violent rage over Stump’s manuscript and his health crisis signal collapse.
You don't have a point of view, Stumpy, you ain't worth killing...
Scenes 89-92 / Pages 24-25 / 80% target
Stump finds Cobb gone, visits the hospital, and reflects on his moral dilemma.
Exactly what I say...
Scene 93 / Page 26 / 85% target
Stump narrates Cobb’s last moments, leading him to choose which manuscript to publish.
Y'see how it works, Stumpy... they boo ya your whole career, then when you're about to kiss off,...
Scenes 96-99 / Pages 27-29 / 95% target
Stump lies to his friends, buries the truth, and visits the empty stadium, resolving his inner conflict.
I published the lie and put the truth in a closet...
Scene 99 / Page 29 / 99% target
Archival footage of Cobb plays as Stump reflects, bookending the story on legacy.