Scripts
Citizen Kane poster

1940

Citizen Kane script

After newspaper tycoon Charles Foster Kane dies whispering "Rosebud," reporter Jerry Thompson investigates its meaning by interviewing Kane's former associates. Through these interviews, Thompson uncovers Kane's rise from humble beginnings, his idealistic publishing career, failed marriages, political ambitions, and isolated later life. Despite gathering extensive details about Kane's life, Thompson concludes that "Rosebud" remains an unsolved mystery. However, as Kane's possessions are cleared from Xanadu, a worker burns an old sled, revealing the word "Rosebud" painted on it, symbolizing Kane's lost childhood.

Writer
Herman J. Mankiewicz & Orson Welles
IMDb ID (imdb_id)
tt0033467
Script date
1940
74Scenes
10Characters
121Pages
8Dialogue samples

Save the Cat beat sheet

Citizen Kane Save the Cat analysis

Citizen Kane opens with the death of media magnate Charles Foster Kane, prompting reporter Thompson to investigate the meaning of Kane’s dying word, “Rosebud.” Through flashbacks and interviews, we see Kane’s rise from an orphan to a powerful publisher, his failed marriage to Susan, and his political ambitions.

Open full beat sheet
85

Key characters

Charles Foster Kane

Charles Foster Kane is listed as Protagonist. Newspaper tycoon, wealthy, complex, driven by power and a need for love. In the parsed data, Charles Foster Kane is connected to 55 scenes, 83 dialogue lines, 86 text mentions, first appearing around scene 2.

55 scenes / 83 dialogue lines

Jedediah Leland

Jedediah Leland is listed as Friend/Critic. Kane's oldest friend and former dramatic critic. In the parsed data, Jedediah Leland is connected to 25 scenes, 13 dialogue lines, 13 text mentions, first appearing around scene 28.

25 scenes / 13 dialogue lines

Mr. Bernstein

Mr. Bernstein is listed as Business Manager. Kane's loyal business manager and long-time associate. In the parsed data, Mr. Bernstein is connected to 23 scenes, 9 dialogue lines, 13 text mentions, first appearing around scene 13.

23 scenes / 9 dialogue lines

Susan Alexander Kane

Susan Alexander Kane is listed as Second Wife. One-time opera singer, Kane's second wife. In the parsed data, Susan Alexander Kane is connected to 20 scenes, 50 dialogue lines, 50 text mentions, first appearing around scene 5.

20 scenes / 50 dialogue lines

Jerry Thompson

Jerry Thompson is listed as Investigator. Reporter for a news digest, tasked with uncovering the meaning of 'Rosebud'. In the parsed data, Jerry Thompson is connected to 17 scenes, 18 dialogue lines, 18 text mentions, first appearing around scene 3.

17 scenes / 18 dialogue lines

Raymond

Raymond is listed as Butler. Butler at Xanadu. In the parsed data, Raymond is connected to 13 scenes, 7 dialogue lines, 11 text mentions, first appearing around scene 18.

13 scenes / 7 dialogue lines

Walter P. Thatcher

Walter P. Thatcher is listed as Banker. Kane's legal guardian, representative of the bank. In the parsed data, Walter P. Thatcher is connected to 8 scenes, 6 dialogue lines, 6 text mentions, first appearing around scene 9.

8 scenes / 6 dialogue lines

Emily Monroe Norton

Emily Monroe Norton is listed as First Wife. President's niece, Kane's first wife. In the parsed data, Emily Monroe Norton is connected to 6 scenes, 1 dialogue line, 1 text mention, first appearing around scene 45.

6 scenes / 1 dialogue lines

Rawlston

Rawlston is listed as Producer. Head of the news digest. In the parsed data, Rawlston is connected to 2 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 3.

2 scenes / 3 dialogue lines

Mary Kane

Mary Kane is listed as Mother. Kane's mother. In the parsed data, Mary Kane is connected to 1 scene, 1 dialogue line, 1 text mention, first appearing around scene 7.

1 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. Xanadu - DAWN

    A slow approach to the mysterious castle of Xanadu, ending at a lighted window.

  2. 2. INT. Kane's Bedroom - DAWN

    Kane dies in his bed, whispering 'Rosebud' as a glass snow globe falls and breaks.

    Charles Foster Kane
  3. 3. INT. Motion Picture Projection Room - DAY

    Editors and producers watch a newsreel about the life and death of Charles Foster Kane.

    Charles Foster Kane, Jerry Thompson, Rawlston
  4. 4. INT. Projection Room - DAY

    Rawlston and Thompson discuss the meaning of Kane's dying words and the direction of the newsreel.

    Rawlston, Jerry Thompson
  5. 5. EXT. El Rancho Cabaret - NIGHT

    Thompson attempts to interview Susan Alexander Kane.

    Jerry Thompson, Susan Alexander Kane
  6. 6. INT. Thatcher Memorial Library - DAY

    Thompson gains access to Thatcher's memoirs.

    Jerry Thompson, Walter P. Thatcher
  7. 7. EXT. Mrs. Kane's Boardinghouse - DAY

    Young Kane is signed over to Thatcher's guardianship.

    Charles Foster Kane, Walter P. Thatcher, Mary Kane
  8. 8. INT. Train - NIGHT

    Young Kane cries for his mother while traveling with Thatcher.

    Charles Foster Kane, Walter P. Thatcher
  9. 9. INT. Enquirer City Room - DAY

    Thatcher confronts Kane about his sensationalist journalism.

    Charles Foster Kane, Walter P. Thatcher, Mr. Bernstein, Jedediah Leland
  10. 10. INT. City Room - DAY

    Kane and Bernstein dictate a cable to Wheeler while Thatcher looks on with disapproval.

    Charles Foster Kane, Jerry Thompson, Walter P. Thatcher, Mr. Bernstein
  11. 11. INT. Kane's Office - DAY

    Kane and Thatcher argue about Kane's business practices and his role as a publisher.

    Charles Foster Kane, Walter P. Thatcher
  12. 12. INT. Vault Room - Thatcher Memorial Library - DAY

    Thompson finishes reading Thatcher's journal and is confronted by Miss Anderson.

    Jerry Thompson
  13. 13. INT. Bernstein's Office - DAY

    Bernstein recounts memories of Kane to Thompson.

    Jerry Thompson, Mr. Bernstein
  14. 14. INT. City Room - Chicago Enquirer - NIGHT

    Bernstein and staff wait for Leland's review of Susan's opera performance.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  15. 15. INT. Leland's Office - NIGHT

    Kane finds Leland drunk and finishes his negative review of Susan's performance.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  16. 16. INT. City Room - Enquirer Building - DAY

    Kane takes over the Enquirer and meets his staff.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  17. 17. INT. Kane's Office - DAY

    Kane argues with Carter about the newspaper's editorial direction.

    Charles Foster Kane, Jedediah Leland
  18. 18. INT. Kane's Office - DAY

    Kane discusses newspaper strategy with Carter and Bernstein, asserting his new editorial direction and demanding the paper price be lowered.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland, Raymond
  19. 19. INT. Primitive Composing and Pressroom - NIGHT

    Kane forces a late remake of the newspaper pages by physically destroying the existing forms.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland, Raymond
  20. 20. INT. Kane's Office - DAWN

    Kane writes his Declaration of Principles while Bernstein and Leland look on.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  21. 21. EXT. New York Street / Chronicle Building - DAY

    Kane, Bernstein, and Leland observe the Chronicle building and discuss circulation figures.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  22. 22. INT. City Room - NIGHT

    Kane celebrates the Enquirer's circulation success with a banquet and entertainment.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  23. 23. EXT. Cunard Docks - NIGHT

    Kane departs for a trip, joking about his promises to stop buying art and interfering with the paper.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  24. 24. INT. City Room - Enquirer Building - DAY

    Kane returns from vacation and announces his engagement to Emily Monroe Norton to the staff.

    Charles Foster Kane, Mr. Bernstein
  25. 25. INT. Society Editor's Desk - DAY

    Kane informs Miss Townsend of his engagement to Emily Monroe Norton.

    Charles Foster Kane, Mr. Bernstein
  26. 26. EXT. Street outside Enquirer Building - DAY

    Kane departs in a barouche with Emily Norton.

    Charles Foster Kane, Emily Monroe Norton
  27. 27. INT. Bernstein's Office - DAY

    Bernstein discusses Kane's past with Thompson.

    Mr. Bernstein, Jerry Thompson
  28. 28. EXT. Hospital Roof - DAY

    Thompson interviews Leland about Kane.

    Jedediah Leland, Jerry Thompson
  29. 29. INT. City Room - Enquirer - NIGHT

    Flashback to the Enquirer party where Kane makes a speech.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  30. 30. INT. Georgie's Place - NIGHT

    Kane introduces Leland to Georgie and her girls.

    Charles Foster Kane, Jedediah Leland
  31. 31. INT. Rector's - NIGHT

    Kane, Leland, and others laugh at dinner.

    Charles Foster Kane, Jedediah Leland
  32. 32. EXT. Cunard Locks - NIGHT

    Kane departs for Europe.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  33. 33. INT. The White House - President's Office - DAY

    Kane confronts the President regarding oil leases.

    Charles Foster Kane
  34. 34. INT. President's Office - DAY

    Kane confronts the President regarding oil leases, leading to a heated argument.

    Charles Foster Kane, Walter P. Thatcher
  35. 35. INT. Composing Room - Enquirer - NIGHT

    Kane and his staff prepare the headline about the oil theft.

    Charles Foster Kane, Jedediah Leland
  36. 36. INT. Kane's Office - Enquirer - NIGHT

    Kane and his staff react to the news of the President's assassination.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  37. 37. INT. Kane's Office - Enquirer - NIGHT

    Kane and Leland have a deep, drunken conversation about love and principles.

    Charles Foster Kane, Jedediah Leland
  38. 38. EXT. Enquirer Building - NIGHT

    Kane and Leland leave the building and are attacked by the crowd.

    Charles Foster Kane, Jedediah Leland
  39. 39. INT. Kane's Bedroom - EARLY MORNING

    Kane tries to convince Emily not to leave him.

    Charles Foster Kane, Emily Monroe Norton
  40. 40. INT. Kane's Office - NIGHT

    Kane receives Leland's torn-up check and destroys his own Declaration of Principles.

    Charles Foster Kane
  41. 41. INT. MADISON SQUARE GARDEN - NIGHT

    Kane finishes his campaign speech at a rally, attacking Boss Rogers.

    Charles Foster Kane, Emily Monroe Norton
  42. 42. INT. MADISON SQUARE GARDEN - SPEAKER'S PLATFORM - NIGHT

    Kane receives congratulations after his speech and discusses the election with Reilly and Bernstein.

    Charles Foster Kane, Jerry Thompson, Mr. Bernstein, Jedediah Leland
  43. 43. EXT. MADISON SQUARE GARDEN EXIT - NIGHT

    Kane meets Emily and Junior, then leaves with Emily to confront a situation.

    Charles Foster Kane, Susan Alexander Kane, Emily Monroe Norton
  44. 44. INT. SUSAN'S APARTMENT - NIGHT

    Kane and Emily confront Rogers and Susan; Rogers blackmails Kane.

    Charles Foster Kane, Susan Alexander Kane, Walter P. Thatcher, Emily Monroe Norton
  45. 45. INT. LIVING ROOM - NIGHT

    Emily and Leland discuss the election results and Kane's downfall.

    Jedediah Leland, Emily Monroe Norton
  46. 46. INT. CHICAGO OPERA HOUSE - NIGHT

    Susan makes her opera debut, terrified.

    Susan Alexander Kane
  47. 47. INT. LELAND'S OFFICE / CITY ROOM - NIGHT

    Leland discovers Kane is writing the review of Susan's performance.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  48. 48. INT. CITY ROOM - CHICAGO ENQUIRER - NIGHT

    Kane finishes writing a review for Leland, then fires him.

    Charles Foster Kane, Mr. Bernstein, Jedediah Leland
  49. 49. EXT. HOSPITAL ROOF - DAY

    Thompson and Leland discuss Kane's life and Xanadu.

    Jerry Thompson, Jedediah Leland
  50. 50. INT. EL RANCHO CABARET - EARLY DAWN

    Susan tells Thompson about meeting Kane.

    Jerry Thompson, Susan Alexander Kane
  51. 51. EXT. CORNER DRUG STORE AND STREET - NIGHT

    Kane and Susan meet after a street accident.

    Charles Foster Kane, Susan Alexander Kane
  52. 52. INT. SUSAN'S ROOM - NIGHT

    Kane and Susan bond in her room.

    Charles Foster Kane, Susan Alexander Kane
  53. 53. INT. EL RANCHO CABARET - EARLY DAWN

    Susan continues her story about her singing career.

    Jerry Thompson, Susan Alexander Kane
  54. 54. INT. LIVING ROOM OF KANE'S HOUSE - DAY

    Kane forces Matisti to continue training Susan.

    Charles Foster Kane, Susan Alexander Kane
  55. 55. INT. CHICAGO OPERA HOUSE - NIGHT

    Susan's disastrous opera debut.

    Charles Foster Kane, Susan Alexander Kane, Mr. Bernstein
  56. 56. INT. STUDY - KANE'S NEW YORK HOME - DAY

    Kane insists Susan continue singing despite her protests.

    Charles Foster Kane, Susan Alexander Kane
  57. 57. INT. SUSAN'S BEDROOM - KANE'S NEW YORK HOME - LATE NIGHT

    Kane discovers Susan has attempted suicide.

    Charles Foster Kane, Susan Alexander Kane, Raymond
  58. 58. INT. SUSAN'S ROOM - LATE NIGHT

    Dr. Corey assures Kane that Susan will recover.

    Charles Foster Kane, Raymond
  59. 59. INT. SUSAN'S ROOM - LATE NIGHT

    Kane visits Susan after her suicide attempt, speaking with Dr. Corey.

    Charles Foster Kane, Susan Alexander Kane, Raymond
  60. 60. INT. SUSAN'S ROOM - DAY

    Susan expresses her unhappiness to Kane.

    Charles Foster Kane, Susan Alexander Kane
  61. 61. INT. THE GRAND HALL IN XANADU - NIGHT

    Susan and Kane argue about their isolated life in Xanadu.

    Charles Foster Kane, Susan Alexander Kane
  62. 62. INT. XANADU - LIVING ROOM - DAY

    Kane and Susan, now older, argue about a planned picnic.

    Charles Foster Kane, Susan Alexander Kane, Mr. Bernstein
  63. 63. INT. LARGE TENT - EVERGLADES CAMP - NIGHT

    A heated argument leads to Susan deciding to leave Kane.

    Charles Foster Kane, Susan Alexander Kane
  64. 64. INT. KANE'S STUDY - XANADU - DAY

    Raymond informs Kane that Susan is leaving.

    Charles Foster Kane, Raymond
  65. 65. INT. SUSAN'S ROOM - XANADU - DAY

    Kane tries to stop Susan from leaving.

    Charles Foster Kane, Susan Alexander Kane
  66. 66. INT. EL RANCHO CABARET - NIGHT

    Susan talks to Thompson about her life with Kane.

    Jerry Thompson, Susan Alexander Kane
  67. 67. INT. GREAT HALL - XANADU - NIGHT

    Raymond tells Thompson about Kane's final years.

    Jerry Thompson, Raymond
  68. 68. INT. CORRIDOR AND TELEGRAPH OFFICE - XANADU - NIGHT

    Raymond sends a press release about the divorce.

    Charles Foster Kane, Raymond
  69. 69. INT. SUSAN'S BEDROOM - XANADU - NIGHT

    Kane destroys Susan's room in a rage.

    Charles Foster Kane, Raymond
  70. 70. INT. KANE'S CHAPEL - XANADU - LATE AFTERNOON

    Kane visits the crypts of his family.

    Charles Foster Kane, Raymond
  71. 71. INT. Xanadu Hallway - NIGHT

    Raymond and Thompson discuss the departure while packing continues.

    Jerry Thompson, Raymond
  72. 72. INT. The Great Hall - Xanadu - NIGHT

    Newspaper staff catalog Kane's possessions while Thompson reflects on Kane's life.

    Jerry Thompson, Raymond
  73. 73. INT. Cellar - Xanadu - NIGHT

    Laborers burn the remaining junk, including the sled.

    Raymond
  74. 74. EXT. Xanadu - NIGHT

    Final shot of the estate gates and the No Trespassing sign.

Dialogue examples

Well - it's become a very clear picture. He was the most honest man who ever lived, with a streak of crookedness a yard wide. He was a liberal and a reactionary; he was tolerant - 'Live and Let Live' - that was his motto. But he had no use for anybody who disagreed with him on any point, no matter how small it was. He was a loving husband and a good father - and both his wives left him and his son got himself killed about as shabbily as you can do it. He had a gift for friendship such as few men have - he broke his oldest friend's heart like you'd throw away a cigarette you were through with. Outside of that -

Jerry Thompson / Scene 72

You don't propose to have yourself made ridiculous? What about me? I'm the one that has to do the singing. I'm the one that gets the razzberries. Last week, when I was shopping, one of the salesgirls did an imitation of me for another girl. She thought I didn't see her, but - Charlie, you might as well make up your mind to it. This is one thing you're not going to have your own way about. I can't sing and you know it - Why can't you just -

Susan Alexander Kane / Scene 56

That's the kind of thing we are going to be interested in from now on, Mr. Carter. Right now, I wish you'd send your best man up to see Mr. Silverstone. Have him tell Mr. Silverstone if he doesn't produce his wife at once, the Enquirer will have him arrested. Have him tell Mr. Silverstone he's a detective from the Central Office. If Mr. Silverstone asks to see his badge, your man is to get indignant and call Mr. Silverstone an anarchist.

Charles Foster Kane / Scene 18

I guess maybe I'm not as hard to see through as I think. Anyway, I never even answered his letter. Maybe I should have. I guess he was pretty lonely down there those last years. He hadn't finished it when she left him - he never finished it - he never finished anything. Of course, he built it for her -

Jedediah Leland / Scene 49

As a matter of fact, we sent a man to the Silverstone home yesterday afternoon. Our man even arrived before the Chronicle reporter. And there's no proof that the woman was murdered - or even that she's dead.

Raymond / Scene 18

Not one of you has been hired because of his loyalty. It's your talent I'm interested in. That talent that's going to make the "Enquirer" the kind of paper I want - the best newspaper in the world!

Charles Foster Kane / Scene 29

I think we'll have to send our friend Wheeler a cable, Mr. Bernstein. Of course, we'll have to make it shorter than his, because he's working on an expense account and we're not. Let me see -

Charles Foster Kane / Scene 10

I'll provide the people of this city with a daily paper that will tell all the news honestly. And no special interests will be allowed to interfere with the truth of that news.

Charles Foster Kane / Scene 20

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