Opening Image
Scene 1 / Page 1 / 1% target
Introduces the glitzy, cutthroat world of Chicago vaudeville through Velma’s 'All That Jazz' performance.
COME ON, BABE WHY DON’T WE PAINT THE TOWN AND ALL THAT JAZZ
CHICAGO script analysis
Roxie Hart, frustrated by her stalled vaudeville career, shoots her lover and lands in Cook County Jail, where she vies for attention alongside seasoned performer Velma Kelly. With the help of slick lawyer Billy Flynn, Roxie navigates publicity stunts, courtroom battles, and shifting alliances. Ultimately, she and Velma transform rivalry into partnership, culminating in a vaudeville triumph.
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Scene 1 / Page 1 / 1% target
Introduces the glitzy, cutthroat world of Chicago vaudeville through Velma’s 'All That Jazz' performance.
COME ON, BABE WHY DON’T WE PAINT THE TOWN AND ALL THAT JAZZ
Scene 2 / Page 2 / 5% target
Fred dismisses Roxie’s talent, stating the theme of ambition versus reality.
Face it, Roxie. You’re a two-bit talent with skinny legs. And I’m just a furniture salesman.
Scenes 1-3 / Pages 1-3 / 10% target
We meet Roxie, see her envy Velma, then witness the shooting of Fred and her processing in jail.
Scene 2 / Page 2 / 12% target
Roxie’s impulsive murder of Fred Casely propels her into the jailhouse world.
Scenes 4-7 / Pages 4-7 / 20% target
Roxie grapples with prison life, jealousy of Velma and her own ability to survive behind bars.
Scene 10 / Page 10 / 25% target
Roxie discovers Billy Flynn’s trial date and legal strategy by eavesdropping, committing her to the publicity game.
Billy Flynn's set your trial date for March 5th. March 7th you'll be acquitted, and March 8th -...
Scene 20 / Page 20 / 30% target
Amos’s 'Mr. Cellophane' number underscores Roxie’s personal relationships and emotional stakes.
Scene 5 / Page 5 / 40% target
The inmates’ 'Cell Block Tango' offers the musical payoff and showcases jailhouse life’s absurdity.
HE HAD IT COMING HE HAD IT COMING HE ONLY HAD HIMSELF TO BLAME
Scene 18 / Page 18 / 50% target
Roxie’s fake pregnancy stunt raises the stakes and shifts momentum in her favor.
Oh, don't worry about...me. I just hope the fall didn't hurt the baby!
Scene 23 / Page 23 / 65% target
The execution of The Hunyak reminds Roxie that jail’s dangers remain real despite her publicity.
Scene 28 / Page 28 / 75% target
Billy publicly cross-examines Velma, threatening Roxie’s exclusive spotlight and potential acquittal.
Sit down. You're only making it worse.
Scene 30 / Page 30 / 80% target
Roxie is acquitted but realizes her victory hasn’t brought the fame she craves.
Baby? What baby? Jesus, what do you take me for? There ain't no baby!
Scene 31 / Page 31 / 85% target
Velma proposes teaming up, giving Roxie a new path to stardom beyond solo ambition.
Think about it, Roxie. Our faces back in the papers. Our names on the marquee. Velma Kelly and...
Scene 32 / Page 32 / 95% target
Roxie and Velma debut their joint vaudeville act, resolving their rivalry in showbiz success.
Thank you. Me and Roxie would just like to thank you.
Scene 32 / Page 32 / 99% target
The closing onstage shot mirrors the glamor of the opening image but now as a duet of triumph.