Scripts
CHANGELING poster

1928

CHANGELING script

In 1928 Los Angeles, Christine Collins's son, Walter, vanishes, and months later, the LAPD presents an impostor, which Christine immediately refutes, leading Captain J. J. Jones to have her committed to a psychopathic ward. Simultaneously, Detective Lester Ybarra investigates child murders at Northcott Ranch, where an accomplice implicates Northcott in the deaths of several boys, including one matching Walter's description. Public outrage, fueled by Pastor Gustav Briegleb, secures Christine's release, leading to legal action against Jones and Davis, and the impostor boy confesses his deception, while Northcott is apprehended and sentenced to death. Despite Northcott's denial of knowing Walter before his execution, Christine later learns of a potential sighting of her son at the ranch, offering a renewed hope for his survival.

Writer
J. Michael Straczynski
IMDb ID (imdb_id)
tt0824747
Script date
1928
110Scenes
14Characters
109Pages
8Dialogue samples

Save the Cat beat sheet

CHANGELING Save the Cat analysis

Christine Collins’s ordinary life as a single mother and switchboard supervisor is shattered when her son goes missing.

Open full beat sheet
85

Key characters

Christine Collins

Christine Collins is listed as Protagonist. A telephone company supervisor in her thirties, mother of Walter Collins. In the parsed data, Christine Collins is connected to 84 scenes, 87 dialogue lines, 92 text mentions, first appearing around scene 4.

84 scenes / 87 dialogue lines

Gustav Briegleb

Gustav Briegleb is listed as Activist Pastor. A fire-and-brimstone preacher who uses his radio show to expose police corruption. In the parsed data, Gustav Briegleb is connected to 15 scenes, 7 dialogue lines, 7 text mentions, first appearing around scene 26.

15 scenes / 7 dialogue lines

J. J. Jones

J. J. Jones is listed as Antagonist. Captain of the Lincoln Park Juvenile Division. In the parsed data, J. J. Jones is connected to 14 scenes, 20 dialogue lines, 22 text mentions, first appearing around scene 40.

14 scenes / 20 dialogue lines

Arthur Hutchins

Arthur Hutchins is listed as Imposter. A runaway boy who claims to be Walter Collins. In the parsed data, Arthur Hutchins is connected to 14 scenes, 6 dialogue lines, 7 text mentions, first appearing around scene 38.

14 scenes / 6 dialogue lines

Walter Collins

Walter Collins is listed as Missing Child. Christine's nine-year-old son. In the parsed data, Walter Collins is connected to 10 scenes, 17 dialogue lines, 24 text mentions, first appearing around scene 4.

10 scenes / 17 dialogue lines

Ben Harris

Ben Harris is listed as Floor Manager. Christine's supervisor at the Pacific Telephone Company. In the parsed data, Ben Harris is connected to 9 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 6.

9 scenes / 11 dialogue lines

Gordon Northcott

Gordon Northcott is listed as Serial Killer. The owner of the Northcott Ranch in Wineville. In the parsed data, Gordon Northcott is connected to 9 scenes, 8 dialogue lines, 9 text mentions, first appearing around scene 92.

9 scenes / 8 dialogue lines

S. S. Hahn

S. S. Hahn is listed as Attorney. A prominent attorney who represents Christine Collins pro bono. In the parsed data, S. S. Hahn is connected to 8 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 89.

8 scenes / 11 dialogue lines

Carol Dexter

Carol Dexter is listed as Patient. A fellow patient in the psychopathic ward. In the parsed data, Carol Dexter is connected to 8 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 71.

8 scenes / 4 dialogue lines

Lester Ybarra

Lester Ybarra is listed as Detective. A police detective who investigates the Northcott Ranch. In the parsed data, Lester Ybarra is connected to 8 scenes, 1 dialogue line, 1 text mention, first appearing around scene 75.

8 scenes / 1 dialogue lines

Jonathan Steele

Jonathan Steele is listed as Hospital Administrator. Head doctor at the LA County General Hospital psychopathic ward. In the parsed data, Jonathan Steele is connected to 7 scenes, 14 dialogue lines, 15 text mentions, first appearing around scene 73.

7 scenes / 14 dialogue lines

James E. Davis

James E. Davis is listed as Antagonist. Hard-edged Police Chief of the Los Angeles Police Department. In the parsed data, James E. Davis is connected to 5 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 94.

5 scenes / 2 dialogue lines

Earl W. Tarr

Earl W. Tarr is listed as Corrupt Physician. A child specialist who consults for the police. In the parsed data, Earl W. Tarr is connected to 4 scenes, 5 dialogue lines, 6 text mentions, first appearing around scene 50.

4 scenes / 5 dialogue lines

Sanford Clark

Sanford Clark is listed as Witness/Accomplice. Gordon Northcott's nephew, held captive and forced to participate in murders. In the parsed data, Sanford Clark is connected to 3 scenes, 6 dialogue lines, 6 text mentions, first appearing around scene 75.

3 scenes / 6 dialogue lines

Scene outline

  1. 1. EXT. COLLINS HOME - PRE-DAWN

    Establishing shot of the Collins home in 1928.

  2. 2. INT. COLLINS HOME - CHRISTINE'S BEDROOM - PRE-DAWN

    Christine wakes up to her alarm.

    Christine Collins
  3. 3. INT. BATHROOM - PRE-DAWN

    Christine gets ready for the day.

    Christine Collins
  4. 4. INT. WALTER'S BEDROOM - MORNING

    Christine wakes Walter for school.

    Christine Collins, Walter Collins
  5. 5. EXT. PASADENA AVENUE - MORNING

    Christine takes Walter to school on the street-car.

    Christine Collins, Walter Collins
  6. 6. INT. PACIFIC TELEPHONE COMPANY - SWITCHBOARD ROOM - DAY

    Christine works as a supervisor at the telephone company.

    Christine Collins, Ben Harris
  7. 7. EXT. PACIFIC TELEPHONE COMPANY - LUNCH AREA - DAY

    Christine eats lunch and looks at a drawing from Walter.

    Christine Collins
  8. 8. EXT. SCHOOL - AFTERNOON

    Christine picks up Walter from school.

    Christine Collins, Walter Collins
  9. 9. EXT. COLLINS HOME - LIVING ROOM - NIGHT

    Christine puts Walter to bed.

    Christine Collins, Walter Collins
  10. 10. INT. COLLINS HOME - CHRISTINE'S BEDROOM - MORNING

    Christine gets a call to work on her day off.

    Christine Collins
  11. 11. INT. COLLINS HOME - LIVING ROOM - MORNING

    Christine tells Walter she has to work.

    Christine Collins, Walter Collins
  12. 12. EXT. COLLINS HOME - MORNING

    Christine leaves for work.

    Christine Collins, Walter Collins
  13. 13. INT. PACIFIC TELEPHONE COMPANY - SWITCHBOARD ROOM - DAY

    Christine works a busy shift.

    Christine Collins
  14. 14. INT. PACIFIC TELEPHONE COMPANY - HALLWAY - DAY

    Mr. Harris talks to Christine about a promotion.

    Christine Collins, Ben Harris
  15. 15. EXT. PACIFIC TELEPHONE COMPANY - DAY

    Christine misses her streetcar.

    Christine Collins
  16. 16. INT. STREET-CAR - EARLY EVENING

    Christine rides home.

    Christine Collins
  17. 17. EXT. STREET - EARLY EVENING

    Christine arrives home to find it dark.

    Christine Collins
  18. 18. INT. COLLINS HOME - LIVING ROOM - EVENING

    Christine searches for Walter.

    Christine Collins
  19. 19. INT. KITCHEN - EVENING

    Christine checks the kitchen.

    Christine Collins
  20. 20. INT. WALTER'S ROOM - EVENING

    Christine checks Walter's room.

    Christine Collins
  21. 21. EXT. COLLINS HOUSE - EVENING

    Christine searches outside.

    Christine Collins
  22. 22. EXT. RILEY HOUSE - EVENING

    Christine asks Mrs. Riley if she has seen Walter.

    Christine Collins
  23. 23. INT. COLLINS HOME - LIVING ROOM - EVENING

    Christine calls the police.

    Christine Collins
  24. 24. EXT. STREET - EVENING

    Christine continues searching.

    Christine Collins
  25. 25. INT. COLLINS HOME - LIVING ROOM - MORNING

    Police arrive at the Collins home.

    Christine Collins
  26. 26. INT. ST. PAUL'S CHURCH - DAY

    Pastor Briegleb speaks about the case on the radio.

    Gustav Briegleb
  27. 27. INT. POLICE CHIEF JAMES DAVIS' OFFICE - DAY

    Chief Davis listens to the radio.

    James E. Davis
  28. 28. INT. COLLINS HOME - CHRISTINE'S BEDROOM - MORNING

    Christine wakes up.

    Christine Collins
  29. 29. INT. WALTER'S BEDROOM - MORNING

    Christine visits Walter's room.

    Christine Collins
  30. 30. INT. PACIFIC TELEPHONE COMPANY - HALLWAY - DAY

    Christine returns to work.

    Christine Collins, Ben Harris
  31. 31. INT. SWITCHBOARD ROOM - DAY

    Christine returns to the switchboard.

    Christine Collins
  32. 32. INT. SWITCHBOARD ROOM - LATER

    Christine addresses her coworkers.

    Christine Collins
  33. 33. EXT. PHONE COMPANY LUNCH AREA - AFTERNOON

    Mr. Harris looks for Christine.

    Ben Harris
  34. 34. INT. PHONE COMPANY - BACK OFFICE - MOMENTS LATER

    Mr. Harris finds Christine.

    Christine Collins, Ben Harris
  35. 35. EXT. PHONE COMPANY LUNCH AREA - AFTERNOON

    Mr. Harris searches for Christine in the lunch area.

    Ben Harris
  36. 36. INT. PHONE COMPANY - BACK OFFICE - MOMENTS LATER

    Christine makes repeated calls to missing persons departments while Mr. Harris watches.

    Christine Collins, Ben Harris
  37. 37. EXT. DINER - AFTERNOON

    A man and a boy stop at a diner in De Kalb, Illinois.

    Arthur Hutchins, Gordon Northcott
  38. 38. INT. DINER - CONTINUOUS

    The man leaves the boy as collateral for a meal he cannot pay for.

    Arthur Hutchins, Gordon Northcott
  39. 39. INT. DINER - LATER

    The cook calls the sheriff after the man fails to return.

    Arthur Hutchins
  40. 40. INT. PACIFIC TELEPHONE COMPANY - SWITCHBOARD ROOM - DAY

    Captain Jones informs Christine that her son has been found.

    Christine Collins, J. J. Jones
  41. 41. EXT. UNION STATION - DAY

    Christine and Jones arrive at the station amidst a media frenzy.

    Christine Collins, J. J. Jones
  42. 42. INT. TRAIN - DAY

    The boy identified as Walter travels to Los Angeles.

    Arthur Hutchins
  43. 43. INT. UNION STATION - TRAIN PLATFORM - DAY

    Christine meets the boy and realizes he is not her son.

    Christine Collins, James E. Davis, J. J. Jones, Arthur Hutchins
  44. 44. INT. POLICE CAR - MOMENTS LATER

    Christine and the boy ride home in silence.

    Christine Collins, Arthur Hutchins
  45. 45. INT. COLLINS HOUSE - KITCHEN - NIGHT

    Christine observes the boy at dinner.

    Christine Collins, Arthur Hutchins
  46. 46. INT. BATHROOM - LATER

    Christine discovers the boy is circumcised.

    Christine Collins, Arthur Hutchins
  47. 47. INT. HALLWAY - LATER

    Christine confronts the boy about his height.

    Christine Collins, Arthur Hutchins
  48. 48. INT. POLICE STATION - HALLWAY - DAY

    Christine confronts Jones about the discrepancies.

    Christine Collins, J. J. Jones
  49. 49. INT. JONES' OFFICE - CONTINUOUS

    Jones dismisses Christine's concerns.

    Christine Collins, J. J. Jones
  50. 50. INT. COLLINS HOME - DAY

    Dr. Tarr arrives to examine the boy.

    Christine Collins, Arthur Hutchins, Earl W. Tarr
  51. 51. EXT. COLLINS HOUSE - CONTINUOUS

    Dr. Tarr tests the boy's recognition with neighborhood children.

    Christine Collins, Arthur Hutchins, Earl W. Tarr
  52. 52. EXT. Neighborhood Street - DAY

    Dr. Tarr attempts to have neighborhood children identify the imposter as Walter Collins.

    Christine Collins, Walter Collins, Earl W. Tarr
  53. 53. EXT. Riley's House - Foyer - DAY

    Mrs. Riley identifies the imposter as Walter Collins after struggling to see.

    Christine Collins, Walter Collins, Earl W. Tarr
  54. 54. INT. Collins Home - Kitchen - DAY

    Christine confronts the imposter after a heated phone call with the police.

    Christine Collins, Walter Collins
  55. 55. INT. Walter's Bedroom - NIGHT

    Christine pleads with the imposter to tell the truth.

    Christine Collins, Walter Collins
  56. 56. INT. St. Paul's Church - Rectory - PRE-DAWN

    Pastor Briegleb discovers a newspaper article about the boy.

    Gustav Briegleb
  57. 57. INT. Collins Home - Bedroom/Living Room - PRE-DAWN

    Christine receives a call from Briegleb.

    Christine Collins, Gustav Briegleb
  58. 58. EXT. St. Paul's Church - Garden - MORNING

    Briegleb advises Christine on how to fight the police.

    Christine Collins, Gustav Briegleb
  59. 59. INT. Dentist's Office - DAY

    Dr. Montgomery confirms the boy is not Walter due to dental differences.

    Christine Collins
  60. 60. INT. Classroom - MORNING

    Mrs. Fox confirms the boy is not Walter.

    Christine Collins
  61. 61. EXT. City Hall - MORNING

    Christine publicly declares the boy is not her son.

    Christine Collins, Gustav Briegleb
  62. 62. INT. Lincoln Heights Station - DAY

    Captain Jones orders Christine to be brought in.

    J. J. Jones
  63. 63. INT. STATION - BULLPEN - DAY

    Christine is brought to the station and sits with the imposter while Ybarra takes a call about a juvenile in Wineville.

    Christine Collins, Arthur Hutchins, J. J. Jones, Lester Ybarra
  64. 64. INT. JONES' OFFICE - DAY

    Jones confronts Christine, accuses her of being an unfit mother, and has her committed to the psychopathic ward.

    Christine Collins, J. J. Jones
  65. 65. INT. LA COUNTY GENERAL HOSPITAL - RECEIVING AREA - DAY

    Christine is processed into the psychopathic ward against her will.

    Christine Collins
  66. 66. INT. HOSPITAL - EXAMINING ROOM - DAY

    Christine undergoes a humiliating physical examination.

    Christine Collins
  67. 67. INT. HOSPITAL ROOM - NIGHT

    Christine is locked in a room with another patient who screams throughout the night.

    Christine Collins, Carol Dexter
  68. 68. EXT. OLD ROAD - EVENING

    Ybarra encounters Gordon Northcott on the road and asks for directions to the Northcott Ranch.

    Lester Ybarra, Gordon Northcott
  69. 69. EXT. NORTHCOTT RANCH - EVENING

    Ybarra raids the Northcott Ranch and captures Sanford Clark.

    Lester Ybarra, Sanford Clark
  70. 70. INT. ST. PAUL'S PRESBYTERIAN CHURCH - NIGHT

    Pastor Briegleb broadcasts a radio show about Christine's disappearance.

    Gustav Briegleb
  71. 71. INT. HOSPITAL - MENTAL WARD - DINING AREA - MORNING

    Christine meets Carol Dexter, who explains that the police use the ward to silence people.

    Christine Collins, Carol Dexter
  72. 72. INT. HOSPITAL - MENTAL WARD - HALLWAY - DAY

    Christine is escorted by a nurse to Dr. Steele's office.

    Christine Collins
  73. 73. INT. HOSPITAL - STEELE'S OFFICE - CONTINUOUS

    Dr. Steele interviews Christine, attempting to force her to admit she is delusional regarding her son.

    Christine Collins, Jonathan Steele
  74. 74. INT. JUVENILE DETENTION HALL - DAY

    Detective Ybarra meets with the Administrator to see Sanford Clark.

    Lester Ybarra
  75. 75. INT. INTERROGATION ROOM - MOMENTS LATER

    Sanford confesses to Ybarra about the murders at the Northcott Ranch.

    Sanford Clark, Lester Ybarra
  76. 76. INT. JONES' OFFICE - DAY

    Captain Jones orders Ybarra to stop investigating the murders and return to the station.

    J. J. Jones, Lester Ybarra
  77. 77. INT. POLICE STATION - HALLWAY - DAY

    Briegleb confronts Jones about Christine's whereabouts.

    Gustav Briegleb, J. J. Jones
  78. 78. INT. HOSPITAL - MENTAL WARD - DAY ROOM - AFTERNOON

    Christine refuses medication and is confronted by Dr. Steele.

    Christine Collins, Jonathan Steele, Carol Dexter
  79. 79. INT. HOSPITAL - STEELE'S OFFICE - CONTINUOUS

    Steele tries to force Christine to sign a confession.

    Christine Collins, Jonathan Steele
  80. 80. INT. HOSPITAL - MENTAL WARD - HALLWAY - CONTINUOUS

    Christine is forcibly sedated, and Carol Dexter is punished for intervening.

    Christine Collins, Jonathan Steele, Carol Dexter

Dialogue examples

Our thoughts go out again to Mrs. Christine Collins, of Lincoln Heights -- whose young son, Walter Collins, disappeared almost two weeks ago. Though she is not a member of our congregation, we pray for her today as we have every day since we first learned of her situation on the radio, and in the newspapers. We are told that the Los Angeles Police Department is doing the best it can to reunite mother and child, and I am sure that is true. But given its position as the most violent, corrupt and incompetent police department this side of the Rocky Mountains, that's not saying a great deal. Every day, new bodies show up along Mulholland, or in ditches, the work of Police Chief James Davis and his so-called "gun squad." Every day the needs of honest citizens are put second to greed and personal gain. Every day, the city sinks deeper into a cesspool of fear, intimidation and corruption. Once the City of Angels, Los Angeles is now a place where our protectors have become our brutalizers...where to be the law...is to be above the law...where none dare speak truth to power. But we will not be silent. We will continue to put their offenses and their failures in full view of the public. We will not be intimidated.

Gustav Briegleb / Scene 26

Excuse me, can I have your attention? Listen, everyone, I appreciate your consideration, but I'm not made of porcelain. I won't break down and cry if the station to station call to Kankakee doesn't go through. Actually, I...promised myself that I wouldn't cry...wouldn't let myself cry...until I knew, one way or another, what.... Point is...I like the noise here. So don't be afraid to talk and...push buttons, and drop things. If it wasn't noisy, how would I know I was in the right place?

Christine Collins / Scene 32

Whether or not this was in fact the correct boy was not relevant to my decision. Throughout this period, she acted strangely. She was often cool, aloof and unemotional, especially when presented with the boy we located in De Kalb, and in our subsequent conversations. It was because of her disturbing behavior that I submitted her for observation to the psychopathic ward of Los Angeles County General Hospital.

J. J. Jones / Scene 100

Yeah, I want to make a statement. I want to make it real clear that I never once got a fair shake from you, your "honor," or this court. The only one of you here worth a goddamn is her -- 'cause she's the only one never badmouthed me to the press. She understands what it is when the police frame you for something you didn't do and throw you in the hole. Isn't that right?

Gordon Northcott / Scene 104

so after much effort, we were able to identify this boy, who was has been responsible for so much recent trouble, as Arthur Hutchins of Cedar Rapids, Iowa. Between this, and the arrest of the man suspected of murdering the real Walter Collins, we have cleared up two of the biggest mysteries in the history of Los Angeles.

James E. Davis / Scene 101

That's odd, because according to the head nurse, when you were admitted you accused the police of conspiring to do this deliberately, to punish you. So either she and the interns are also conspiring against you...or you're changing your story. Do you often have trouble telling reality from fantasy, Mrs. Collins?

Jonathan Steele / Scene 73

My cousin's Gordon Northcott. He owns the ranch where you found me. He let me live there in exchange for watching the place when he was gone, doing chores, stuff like that. Said I could stay on as long as I wanted to. I figured that also meant I could leave whenever I wanted to, but he wouldn't let me.

Sanford Clark / Scene 75

Walter, I decided a long time ago that I would always tell you the truth, that I would treat you like a grown-up. I can't expect you to respect me unless I respect you. I've never lied to you. Your father leaving had nothing to do with you, and everything to do with what was in the responsibility box.

Christine Collins / Scene 8

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