Opening Image
Scene 1 / Page 1 / 1% target
The script opens on Corky bound and unconscious in a woman’s closet, establishing danger and suspense.
BOUND script analysis
Corky, a savvy ex-con and plumber, is drawn into Violet’s dangerous world when she helps plan a heist on mob money. Their bond deepens as they navigate torture, betrayal, and a high-stakes robbery, culminating in a daring escape from the violent Caesar. In the end, Corky and Violet drive off together, free at last.
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Scene 1 / Page 1 / 1% target
The script opens on Corky bound and unconscious in a woman’s closet, establishing danger and suspense.
Scene 3 / Page 1 / 5% target
Violet’s introduction hints at themes of connection and identity as she reminds Corky where they met.
Hi. My name is Violet. We sort of met in the elevator --
Scenes 1-6 / Page 1 / 10% target
We see Corky’s daily life—her work, her apartment, her routines—and her world before Violet’s influence.
Scene 7 / Page 1 / 12% target
Violet openly seduces Corky, upending her guarded existence and setting the story in motion.
Isn't it obvious? I'm trying to seduce you.
Scenes 8-12 / Page 1 / 20% target
Corky wrestles with trust and her growing feelings for Violet, highlighted by their heated argument about differences.
I had this image of you, inside of me ...
Scene 16 / Page 1 / 25% target
After witnessing torture, Corky commits to Violet’s plan to steal the mob’s money, crossing into act two.
Scene 7 / Page 1 / 30% target
The romantic subplot between Corky and Violet begins with the seduction scene, deepening their bond.
Scenes 17-29 / Page 1 / 40% target
The duo plan and execute the heist, showcasing the ‘promise of the premise’ with clever maneuvers and tension.
Scene 29 / Page 1 / 50% target
Corky successfully steals the money, a false victory that raises the stakes.
Scene 31 / Page 1 / 65% target
Caesar discovers the money is missing and erupts in anger, tightening the noose around Corky and Violet.
That fuck! That rat-fuck! Little shit rat-fuck!
Scene 37 / Page 1 / 75% target
A violent shootout erupts in Caesar’s apartment, leaving the protagonists seemingly trapped.
All right, Johnnie, you want to play it this way, I can play it this way. You want...
Scene 38 / Page 1 / 80% target
Caesar and Violet clean up the mess while the police arrive, and Corky feels the weight of their situation.
I had to do it, Violet. You saw it. I had no choice. It was Johnnie. That lying...
Scene 47 / Page 1 / 85% target
Violet uses a deceptive phone call to Mickey, creating a new plan to overcome Caesar.
Hello, Caesar. This is Gino.
Scenes 50-60 / Page 1 / 95% target
An intense escape sequence ensues: paint clues, a chase through stairwells, and a final standoff in the empty apartment.
It's over, Caesar. I called Mickey. He's on his way.
Scene 64 / Page 1 / 99% target
Corky and Violet drive away together, a mirror to the opening but now free and united.