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BODY OF EVIDENCE poster

Screenplay data

BODY OF EVIDENCE script

District Attorney John Cardenas investigates the murder of Andrew Marsh, suspecting the manipulative Rebecca Lawson, who is defended by attorney Frank Dulaney. Dulaney's affair with Rebecca compromises his ethics, while he uncovers evidence implicating Marsh's secretary, Joanne Braslow, as a potential killer. After Rebecca's acquittal, Dulaney confronts her, discovering her drug use and realizing her true dangerous nature. A violent confrontation with Dr. Alan Paley results in Paley's death and Rebecca's re-arrest, leaving Dulaney to face the repercussions of his involvement.

Writer
Brad Mirman
IMDb ID (imdb_id)
tt0106453
Script date
second draft
85Scenes
20Characters
78Pages
8Dialogue samples

Save the Cat beat sheet

BODY OF EVIDENCE Save the Cat analysis

A tough lawyer, Frank Dulaney, agrees to defend Rebecca Lawson in the suspicious death of her lover, Andrew Marsh.

Open full beat sheet
80

Key characters

Frank Dulaney

Frank Dulaney is listed as Defense Attorney. Powerful, self-assured, mid-thirties. In the parsed data, Frank Dulaney is connected to 75 scenes, 273 dialogue lines, 273 text mentions, first appearing around scene 10.

75 scenes / 273 dialogue lines

Rebecca Lawson

Rebecca Lawson is listed as Defendant. Stunningly beautiful woman in her late twenties, manipulative, sexual. In the parsed data, Rebecca Lawson is connected to 36 scenes, 92 dialogue lines, 105 text mentions, first appearing around scene 10.

36 scenes / 92 dialogue lines

John Cardenas

John Cardenas is listed as District Attorney. Handsome Latin man in his thirties, ambitious, hard-working. In the parsed data, John Cardenas is connected to 23 scenes, 100 dialogue lines, 101 text mentions, first appearing around scene 2.

23 scenes / 100 dialogue lines

Sharon Dulaney

Sharon Dulaney is listed as Frank's Wife. Attractive woman in her early thirties. In the parsed data, Sharon Dulaney is connected to 14 scenes, 32 dialogue lines, 32 text mentions, first appearing around scene 18.

14 scenes / 32 dialogue lines

Joanne Braslow

Joanne Braslow is listed as Marsh's Secretary. Attractive, mid-thirties, corporate look, jealous. In the parsed data, Joanne Braslow is connected to 10 scenes, 50 dialogue lines, 59 text mentions, first appearing around scene 36.

10 scenes / 50 dialogue lines

Charlie Biggs

Charlie Biggs is listed as Investigator. Tall, wiry black man, street-wise. In the parsed data, Charlie Biggs is connected to 10 scenes, 29 dialogue lines, 29 text mentions, first appearing around scene 21.

10 scenes / 29 dialogue lines

Judge Burnham

Judge Burnham is listed as Judge. Confident black man in his fifties, tough but fair. In the parsed data, Judge Burnham is connected to 8 scenes, 24 dialogue lines, 24 text mentions, first appearing around scene 43.

8 scenes / 24 dialogue lines

Roger Troxell

Roger Troxell is listed as Assistant District Attorney. Short, baby-faced man. In the parsed data, Roger Troxell is connected to 8 scenes, 1 dialogue line, 1 text mention, first appearing around scene 84.

8 scenes / 1 dialogue lines

Detective Reese

Detective Reese is listed as Homicide Detective. Looks more like an accountant than a detective. In the parsed data, Detective Reese is connected to 7 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 2.

7 scenes / 2 dialogue lines

Michael Dulaney

Michael Dulaney is listed as Frank's Son. Eight-year-old boy. In the parsed data, Michael Dulaney is connected to 6 scenes, 12 dialogue lines, 12 text mentions, first appearing around scene 18.

6 scenes / 12 dialogue lines

Raymond Sattler

Raymond Sattler is listed as Attorney. Tall, distinguished-looking man in his sixties, uses a cane. In the parsed data, Raymond Sattler is connected to 5 scenes, 1 dialogue line, 1 text mention, first appearing around scene 34.

5 scenes / 1 dialogue lines

Dr. Henry McCurdy

Dr. Henry McCurdy is listed as Medical Examiner. Portly man with windblown cheeks and bloodshot eyes. In the parsed data, Dr. Henry McCurdy is connected to 4 scenes, 14 dialogue lines, 14 text mentions, first appearing around scene 3.

4 scenes / 14 dialogue lines

Dr. Alan Paley

Dr. Alan Paley is listed as Doctor. Well-groomed man in his thirties, vindictive. In the parsed data, Dr. Alan Paley is connected to 3 scenes, 25 dialogue lines, 26 text mentions, first appearing around scene 50.

3 scenes / 25 dialogue lines

Andrew Marsh

Andrew Marsh is listed as Deceased victim. Frail man in his early sixties, wealthy, heart condition. In the parsed data, Andrew Marsh is connected to 2 scenes, 1 dialogue line, 11 text mentions, first appearing around scene 76.

2 scenes / 1 dialogue lines

Jeffery Roston

Jeffery Roston is listed as Witness. Handsome man in his late fifties, salt and pepper hair, ex-lover of Rebecca. In the parsed data, Jeffery Roston is connected to 1 scene, 22 dialogue lines, 23 text mentions, first appearing around scene 59.

1 scenes / 22 dialogue lines

Margaret Sellers

Margaret Sellers is listed as Nurse. Attractive woman in her mid-twenties. In the parsed data, Margaret Sellers is connected to 1 scene, 11 dialogue lines, 12 text mentions, first appearing around scene 64.

1 scenes / 11 dialogue lines

Dr. Wong

Dr. Wong is listed as Doctor. Oriental medicine practitioner. In the parsed data, Dr. Wong is connected to 1 scene, 9 dialogue lines, 10 text mentions, first appearing around scene 64.

1 scenes / 9 dialogue lines

Ester Crawford

Ester Crawford is listed as Maid. Black woman in her thirties, former maid for Marsh. In the parsed data, Ester Crawford is connected to 1 scene, 9 dialogue lines, 9 text mentions, first appearing around scene 54.

1 scenes / 9 dialogue lines

Dr. Steven Trammel

Dr. Steven Trammel is listed as Cardiologist. Marsh's doctor. In the parsed data, Dr. Steven Trammel is connected to 1 scene, 6 dialogue lines, 6 text mentions, first appearing around scene 45.

1 scenes / 6 dialogue lines

Joseph Koehler

Joseph Koehler is listed as Estate Attorney. Heavy-set man in his fifties. In the parsed data, Joseph Koehler is connected to 1 scene, 4 dialogue lines, 5 text mentions, first appearing around scene 78.

1 scenes / 4 dialogue lines

Scene outline

  1. 1. INT. BEDROOM - NIGHT

    Police investigate the scene of Andrew Marsh's death, where he was found dead in bed after a sexual encounter.

    Andrew Marsh, Detective Reese
  2. 2. EXT. RESIDENTIAL STREET - NIGHT

    John Cardenas arrives at the crime scene and meets Detective Reese.

    John Cardenas, Detective Reese, Joanne Braslow
  3. 3. INT. HOUSE, BEDROOM - NIGHT

    Cardenas inspects the crime scene and discusses the cause of death with the Medical Examiner.

    John Cardenas, Detective Reese, Roger Troxell, Dr. Henry McCurdy
  4. 4. INT. HALLWAY - NIGHT

    Cardenas interviews Joanne Braslow about the victim and Rebecca Lawson.

    John Cardenas, Joanne Braslow
  5. 5. INT. HALLWAY, CITY HALL BUILDING - DAY

    Cardenas and McCurdy discuss the toxicology report and the cause of death.

    John Cardenas, Dr. Henry McCurdy
  6. 6. INT. CARDENAS' OFFICE - DAY

    Cardenas strategizes with his team about building a case against Rebecca Lawson.

    John Cardenas, Detective Reese, Roger Troxell, Dr. Henry McCurdy
  7. 7. EXT. CEMETERY - MORNING

    Cardenas confronts Rebecca Lawson at Marsh's funeral.

    Rebecca Lawson, John Cardenas, Detective Reese, Joanne Braslow, Raymond Sattler
  8. 8. INT. HOUSE, LIVING ROOM - NIGHT

    Frank Dulaney and his family discuss the case and his potential involvement.

    Frank Dulaney, Sharon Dulaney, Michael Dulaney
  9. 9. INT. SATTLER'S OFFICE - MORNING

    Sattler asks Dulaney to represent Rebecca Lawson.

    Raymond Sattler, Frank Dulaney
  10. 10. INT. CONFERENCE ROOM - DAY

    Dulaney meets Rebecca Lawson to discuss the case.

    Rebecca Lawson, Frank Dulaney
  11. 11. INT. HALLWAY, D.A.'S OFFICE - DAY

    Troxell introduces Cardenas to Dr. Alan Paley.

    John Cardenas, Roger Troxell, Dr. Alan Paley
  12. 12. INT. DULANEY'S BEDROOM - NIGHT

    Dulaney and Sharon discuss the case and his potential representation of Rebecca.

    Frank Dulaney, Sharon Dulaney
  13. 13. INT. CARDENAS' OFFICE - MORNING

    Cardenas arrests Rebecca Lawson.

    Rebecca Lawson, John Cardenas, Detective Reese, Frank Dulaney
  14. 14. INT. CITY JAIL, BOOKING COUNTER - AFTERNOON

    Dulaney waits for Rebecca to be processed.

    Rebecca Lawson, Frank Dulaney
  15. 15. INT. CITY JAIL, BOOKING COUNTER - AFTERNOON

    Dulaney meets Rebecca at the jail for her release.

    Frank Dulaney, Rebecca Lawson
  16. 16. EXT. CITY HALL BUILDING - AFTERNOON

    Dulaney and Rebecca are swarmed by reporters.

    Frank Dulaney, Rebecca Lawson
  17. 17. EXT. RIVER - AFTERNOON

    Dulaney and Rebecca discuss the upcoming trial and her sexual nature.

    Frank Dulaney, Rebecca Lawson
  18. 18. INT. DULANEY'S HOUSE, DINING ROOM - EVENING

    Dulaney is distracted during dinner with his family.

    Frank Dulaney, Sharon Dulaney, Michael Dulaney
  19. 19. INT. DEN - EVENING

    Sharon confronts Dulaney about his neglect of Michael.

    Frank Dulaney, Sharon Dulaney
  20. 20. INT. MICHAEL'S BEDROOM - EVENING

    Dulaney reconciles with Michael.

    Frank Dulaney, Michael Dulaney
  21. 21. INT. DULANEY'S OFFICE - MORNING

    Dulaney tasks Biggs with investigating the Marsh case.

    Frank Dulaney, Charlie Biggs
  22. 22. INT. RESTAURANT - DAY

    Dulaney and Rebecca have lunch.

    Frank Dulaney, Rebecca Lawson
  23. 23. EXT. REBECCA'S HOUSE - AFTERNOON

    Dulaney follows Rebecca into her home.

    Frank Dulaney, Rebecca Lawson
  24. 24. INT. REBECCA'S LIVING ROOM - AFTERNOON

    Rebecca seduces Dulaney.

    Frank Dulaney, Rebecca Lawson
  25. 25. INT. RESTAURANT - NIGHT

    Dulaney is distracted during dinner with Sharon.

    Frank Dulaney, Sharon Dulaney
  26. 26. INT. RESTAURANT, HALLWAY - NIGHT

    Dulaney calls Rebecca.

    Frank Dulaney, Rebecca Lawson
  27. 27. EXT. CABIN, KLAMATH LAKE - AFTERNOON

    Dulaney and Rebecca visit Marsh's old cabin.

    Frank Dulaney, Rebecca Lawson
  28. 28. EXT. LAKE - DUSK

    Dulaney and Rebecca discuss Dr. Paley.

    Frank Dulaney, Rebecca Lawson
  29. 29. EXT. CABIN - DUSK

    Dulaney and Rebecca sit on the porch.

    Frank Dulaney, Rebecca Lawson
  30. 30. EXT. REBECCA'S HOUSE - EVENING

    Dulaney enters Rebecca's house while being watched.

    Frank Dulaney, Rebecca Lawson, Detective Reese
  31. 31. INT. REBECCA'S LIVING ROOM - EVENING

    Dulaney and Rebecca engage in a sexual encounter.

    Frank Dulaney, Rebecca Lawson
  32. 32. INT. DULANEY'S BEDROOM - NIGHT

    Dulaney returns home.

    Frank Dulaney, Sharon Dulaney
  33. 33. INT. DULANEY'S BATHROOM - NIGHT

    Dulaney discovers scratches on his back.

    Frank Dulaney
  34. 34. INT. HALLWAY, LAW OFFICES - MORNING

    Dulaney and Biggs discuss the case.

    Frank Dulaney, Charlie Biggs, Raymond Sattler
  35. 35. EXT. RESIDENTIAL STREET - DAY

    Dulaney visits Joanne Braslow.

    Frank Dulaney, Joanne Braslow
  36. 36. INT. JOANNE'S TOWN HOUSE - DAY

    Dulaney interviews Joanne.

    Frank Dulaney, Joanne Braslow
  37. 37. INT. COURTROOM - DAY

    Dulaney cross-examines Joanne Braslow regarding her knowledge of Rebecca's drug use and her relationship with Marsh.

    Frank Dulaney, Joanne Braslow
  38. 38. INT. REBECCA'S HOUSE - DAY

    Dulaney confronts Rebecca about the cocaine allegation.

    Frank Dulaney, Rebecca Lawson
  39. 39. INT. LAUNDRY ROOM, DULANEY HOUSE - DAY

    Sharon discovers blood on Dulaney's shirt.

    Sharon Dulaney
  40. 40. INT. DULANEY'S HOUSE, LIVING ROOM - DAY

    Dulaney acts nervously while Michael is on the phone.

    Frank Dulaney, Michael Dulaney
  41. 41. INT. BEDROOM - NIGHT

    Sharon discovers scratches on Dulaney's back while he sleeps.

    Frank Dulaney, Sharon Dulaney
  42. 42. INT. HALLWAY, COURTHOUSE - MORNING

    Dulaney questions Rebecca about her weekend.

    Frank Dulaney, Rebecca Lawson
  43. 43. INT. COURTROOM - MORNING

    Opening statements by Cardenas and Dulaney.

    John Cardenas, Frank Dulaney, Rebecca Lawson, Judge Burnham
  44. 44. INT. COURTROOM - DAY

    Dr. McCurdy testifies about the cause of Marsh's death.

    Dr. Henry McCurdy, John Cardenas, Frank Dulaney, Rebecca Lawson
  45. 45. INT. COURTROOM - DAY

    Dr. Trammel testifies about Marsh's heart condition.

    Dr. Steven Trammel, John Cardenas, Frank Dulaney
  46. 46. INT. COURTROOM - DAY

    Joanne Braslow testifies about Marsh's fear of Rebecca.

    Joanne Braslow, John Cardenas, Frank Dulaney, Rebecca Lawson
  47. 47. INT. UNDERGROUND PARKING LOT - LATE AFTERNOON

    Rebecca and Dulaney have a sexual encounter.

    Frank Dulaney, Rebecca Lawson
  48. 48. INT. REBECCA'S BEDROOM - NIGHT

    Rebecca and Dulaney share a moment with honey.

    Frank Dulaney, Rebecca Lawson
  49. 49. INT. DULANEY'S BEDROOM - NIGHT

    Dulaney returns home to Sharon.

    Frank Dulaney, Sharon Dulaney
  50. 50. INT. COURTROOM - MORNING

    Dr. Paley testifies against Rebecca.

    Dr. Alan Paley, John Cardenas, Frank Dulaney, Rebecca Lawson
  51. 51. INT. REBECCA'S BEDROOM - NIGHT

    Rebecca handcuffs Dulaney and uses candle wax on him.

    Frank Dulaney, Rebecca Lawson
  52. 52. INT. Rebecca's Bedroom - NIGHT

    Rebecca seduces and manipulates Dulaney with wax and psychological games.

    Rebecca Lawson, Frank Dulaney
  53. 53. INT. Dulaney's House - NIGHT

    Dulaney returns home and has a heated confrontation with his wife, Sharon.

    Frank Dulaney, Sharon Dulaney
  54. 54. INT. Courtroom - DAY

    Ester Crawford testifies about Marsh and Rebecca's relationship.

    Ester Crawford, John Cardenas, Frank Dulaney, Roger Troxell, Judge Burnham
  55. 55. INT. Judge Burnham's Chambers - MOMENTS LATER

    Judge Burnham reprimands Dulaney for his conduct.

    Judge Burnham, Frank Dulaney, John Cardenas
  56. 56. EXT. Courthouse - AFTERNOON

    Cardenas confronts Dulaney about his personal involvement with Rebecca.

    John Cardenas, Frank Dulaney
  57. 57. INT. Dulaney's Office - MORNING

    Biggs shows Dulaney a tape that reveals Joanne Braslow was with Marsh.

    Charlie Biggs, Frank Dulaney
  58. 58. EXT. Parking Lot - DUSK

    Dulaney confronts Joanne Braslow about her affair with Marsh.

    Frank Dulaney, Joanne Braslow
  59. 59. INT. Courtroom - DAY

    Jeffery Roston testifies about his past relationship with Rebecca.

    Frank Dulaney, Rebecca Lawson, John Cardenas, Jeffery Roston, Judge Burnham
  60. 60. INT. Rebecca's House - LATE AFTERNOON

    Dulaney confronts Rebecca about her potential guilt.

    Rebecca Lawson, Frank Dulaney
  61. 61. INT. Dulaney's House, Dining Room - NIGHT

    Dulaney, Sharon, and Michael eat dinner in tense silence until the doorbell rings.

    Frank Dulaney, Sharon Dulaney, Michael Dulaney
  62. 62. INT. Living Room - NIGHT

    Biggs informs Dulaney that Joanne Braslow has been buying cocaine.

    Frank Dulaney, Charlie Biggs
  63. 63. INT. Courtroom - MORNING

    Dulaney arrives at court and sits with Rebecca.

    Rebecca Lawson, Frank Dulaney
  64. 64. INT. Courtroom - LATER

    Dulaney questions Dr. Wong and Margaret Sellers.

    John Cardenas, Roger Troxell, Frank Dulaney, Judge Burnham, Dr. Wong, Margaret Sellers
  65. 65. INT. Dulaney's Office - DUSK

    Biggs tells Dulaney that Joanne Braslow visited an estate attorney.

    Frank Dulaney, Charlie Biggs
  66. 66. INT. File Room - EVENING

    Dulaney and Biggs discover Joanne was in the old will.

    Frank Dulaney, Charlie Biggs
  67. 67. INT. Dulaney's House, Bathroom - EVENING

    Dulaney realizes he needs to go to the drug store.

    Frank Dulaney, Sharon Dulaney
  68. 68. INT. Courtroom - MORNING

    Dulaney cross-examines Joanne Braslow.

    John Cardenas, Joanne Braslow, Frank Dulaney, Judge Burnham
  69. 69. INT. Dulaney's Den - EVENING

    Dulaney and Sharon have a violent confrontation.

    Frank Dulaney, Sharon Dulaney, Michael Dulaney
  70. 70. EXT. Band Shell, Park - NIGHT

    Dulaney sits alone in the rain.

    Frank Dulaney
  71. 71. EXT. Dulaney's House - NIGHT

    Dulaney and Sharon reconcile in the rain.

    Frank Dulaney, Sharon Dulaney
  72. 72. INT. Courtroom - DAY

    Closing arguments are presented.

    Rebecca Lawson, John Cardenas, Frank Dulaney, Judge Burnham
  73. 73. INT. Waiting Room, Courthouse - DAY

    Dulaney and Rebecca wait for the verdict.

    Rebecca Lawson, Frank Dulaney
  74. 74. INT. Courtroom - DAY

    The jury delivers a not guilty verdict.

    Rebecca Lawson, John Cardenas, Roger Troxell, Raymond Sattler, Frank Dulaney, Charlie Biggs
  75. 75. INT. Underground Parking Lot - AFTERNOON

    Dulaney and Biggs walk to the car.

    Frank Dulaney, Charlie Biggs
  76. 76. INT. COURTROOM - DAY

    The jury delivers a not guilty verdict for Rebecca Lawson. Dulaney leaves immediately.

    Rebecca Lawson, John Cardenas, Roger Troxell, Raymond Sattler, Frank Dulaney, Charlie Biggs
  77. 77. INT. UNDERGROUND PARKING LOT - AFTERNOON

    Dulaney and Biggs discuss the case; Joanne confronts Dulaney.

    Joanne Braslow, Frank Dulaney, Charlie Biggs
  78. 78. EXT. HOUSE - EVENING

    Dulaney confronts Koehler about his contact with Joanne.

    Frank Dulaney, Joseph Koehler
  79. 79. INT. DULANEY'S CAR - NIGHT

    Dulaney receives a call from Rebecca.

    Rebecca Lawson, Frank Dulaney
  80. 80. EXT. REBECCA'S HOUSE - NIGHT

    Dulaney arrives at Rebecca's house.

    Frank Dulaney

Dialogue examples

You all can see the defendant, Rebecca Lawson. But as this trial proceeds you will see that she is not only the defendant -- she is the murder weapon itself. Is that possible? Can a person actually be a weapon? The answer is yes. If I hit you and you die -- I am the cause of your death. But can sex be called a weapon? Yes. And what a deadly weapon Rebecca Lawson made of it. The State will prove that Miss Lawson seduced Andrew Marsh -- that she put increasing sexual demands on him while she secretly administered cocaine. All the while knowing that he had a severe heart condition. She is a beautiful woman -- but when this trial is over you will see her no differently than a gun, or a knife or any other instrument used as a weapon. She is a killer. And the worst kind -- one who disguised herself as a loving partner.

John Cardenas / Scene 43

I know what you're thinking -- and it's a mistake. You look at Miss Lawson and you see a beautiful woman who was involved with an older man -- and you think she looks like the type. She could've done it. And that's exactly what the District Attorney wants you to think. Yes, she is beautiful. So what? Does that make her a killer? Of course not. This case is not about appearances. It's about facts. As Mr. Cardenas presents his case you will see that there are very few facts -- that the bulk of the States evidence is circumstantial. I'm confident that by the conclusion of this trial you will not just have a reasonable doubt. You will have no doubt at all -- that Rebecca Lawson is innocent of the charges against her.

Frank Dulaney / Scene 43

She started touching herself and telling me how much she wanted me. She reached down and put me inside her. My doctor had warned me about exerting myself -- but you really don't think of those things at a moment like that. You just think about how beautiful this woman is -- how much you want her. How deeply you want to please her. At first it started off slowly -- but the rhythm built and built. Every time I got close to an orgasm she would stop. Eventually I started to have trouble breathing. Rebecca just kept going -- faster and faster. No matter what I said she wouldn't stop. I really thought for a moment I was going to die.

Jeffery Roston / Scene 59

Maybe you don't know what it's like where Mrs. Crawford comes from -- but I do. I came from a neighborhood just like hers. This is a whole other world for her. She's a poor working woman who has been thrust into a room full of highly educated and mostly unsympathetic people. So, she puts on her best dress, fixes her hair and tries to present herself as intelligently as possible. Being poor and having pride is not a crime, Mr. Dulaney -- and before you attempt to impeach another witness' testimony in my courtroom -- your foundations better be based on something other than semantics.

Judge Burnham / Scene 55

Of course we are. Our primal urges are still there -- but we've taken sex and intellectualized it, refined it down to its most essential components. It's bland, easy, mechanical. There's great passion in the struggle -- such craving in denial. Do you know what it's like to yearn for something? I'm not talking about wanting, or needing. I'm talking about an urge so deep that your skin burns and every cell in your body pulses with desire?

Rebecca Lawson / Scene 17

I am who I am. I can't deny it, anymore than you can deny who you are. I like sex different -- I like it wild. That's not a crime. I loved Andrew. We made love together. We made it differently, but we still made love. It was our way. It was private -- and now the whole world wants to look in through the pretense of justice. If I was some middle-aged divorcee who screwed him once a week do you think this would be happening to me?

Rebecca Lawson / Scene 17

What's the issue here? That Rebecca Lawson likes wild sex? No. But the District Attorney is trying to make you think if Rebecca Lawson could stray from the path of normal, accepted sexual behavior, then she could be capable of murder. Did she force Andrew Marsh to make love to her? Did she hold a gun to his head? No. Andrew Marsh wanted her -- and why wouldn't he? She's beautiful, alluring -- the type of woman men dream about.

Frank Dulaney / Scene 72

The Prosecution's case is built on theory -- speculation. Could Rebecca Lawson have done this? Is it possible that she did that? Where are the facts? The evidence. The State has presented two spurned lovers and a jealous secretary. Hardly what I would call impartial witnesses. Where is one shred of conclusive, irrefutable evidence? I don't see it -- and I don't think you do either. Do you know why? Because there isn't any.

Frank Dulaney / Scene 72

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