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Blood Simple poster

Screenplay data

Blood Simple script

Abby and Ray, having an affair, are caught by Abby's jealous husband, Marty, who hires private investigator Loren Visser to kill them. Visser, however, double-crosses Marty by killing him instead and framing Ray, leading Ray to believe he has accidentally killed Marty after a confrontation. Ray attempts to bury Marty, but Marty is still alive and Ray is forced to finish the job, which he confesses to Abby, making her increasingly suspicious and fearful. Visser continues to manipulate the situation, attempting to kill Abby and retrieve the money he stole from Marty, while Abby tries to piece together the truth. In a final confrontation, Abby kills Visser, believing him to be Marty, and is left to deal with the bloody aftermath of the tangled web of deceit and murder.

Writer
Joel Coen and Ethan Coen
IMDb ID (imdb_id)
tt0086979
Script date
Not specified
43Scenes
10Characters
64Pages
8Dialogue samples

Save the Cat beat sheet

Blood Simple Save the Cat analysis

Blood Simple follows private detective Marty’s spiraling schemes against unfaithful spouses Ray and Abby, leading to a web of violence and betrayal.

Open full beat sheet
70

Key characters

Ray

Ray is listed as Bartender. An employee of Marty who becomes involved with Abby. In the parsed data, Ray is connected to 21 scenes, 70 dialogue lines, 85 text mentions, first appearing around scene 1.

21 scenes / 70 dialogue lines

Abby

Abby is listed as Marty's wife. Unhappily married to Marty, having an affair with Ray. In the parsed data, Abby is connected to 18 scenes, 72 dialogue lines, 84 text mentions, first appearing around scene 1.

18 scenes / 72 dialogue lines

Julian Marty

Julian Marty is listed as Bar owner. A jealous, vindictive man who hires a private investigator to track his wife. In the parsed data, Julian Marty is connected to 13 scenes, 32 dialogue lines, 32 text mentions, first appearing around scene 4.

13 scenes / 32 dialogue lines

Meurice

Meurice is listed as Bartender. A muscular black man who works for Marty. In the parsed data, Meurice is connected to 12 scenes, 28 dialogue lines, 37 text mentions, first appearing around scene 7.

12 scenes / 28 dialogue lines

Loren Visser

Loren Visser is listed as Private Investigator. A cynical, unshaven man in a yellow leisure suit. In the parsed data, Loren Visser is connected to 9 scenes, 37 dialogue lines, 37 text mentions, first appearing around scene 3.

9 scenes / 37 dialogue lines

Debra

Debra is listed as Geologist. A friend of Meurice. In the parsed data, Debra is connected to 2 scenes, first appearing around scene 4.

2 scenes / 0 dialogue lines

Mrs. Esteves

Mrs. Esteves is listed as Landlady. An Hispanic woman who shows Abby an apartment. In the parsed data, Mrs. Esteves is connected to 1 scene, 12 dialogue lines, 13 text mentions, first appearing around scene 14.

1 scenes / 12 dialogue lines

Dusty Rhodes

Dusty Rhodes is listed as Motel clerk. A man with a weathered face. In the parsed data, Dusty Rhodes is connected to 1 scene, 8 dialogue lines, 8 text mentions, first appearing around scene 43.

1 scenes / 8 dialogue lines

Kyle

Kyle is listed as Motel guest. A heavyset man sitting in the motel lobby. In the parsed data, Kyle is connected to 1 scene, 6 dialogue lines, 6 text mentions, first appearing around scene 43.

1 scenes / 6 dialogue lines

Mr. Garcia

Mr. Garcia is listed as Former tenant. The landlady's former brother-in-law. In the parsed data, Mr. Garcia is connected to 1 scene, 2 text mentions, first appearing around scene 14.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. EXT. ROAD - NIGHT

    Ray and Abby drive down a rain-swept road, discussing their relationship and Marty.

    Ray, Abby
  2. 2. INT. MOTEL ROOM - MORNING

    Ray and Abby wake up in a motel room to a mysterious phone call.

    Ray, Abby
  3. 3. INT. BAR BACK OFFICE - NIGHT

    Visser shows Marty photos of Ray and Abby.

    Julian Marty, Loren Visser
  4. 4. INT. MARTY'S BAR - NIGHT

    Marty interacts with Meurice and Debra at the bar.

    Julian Marty, Meurice, Debra
  5. 5. INT. MARTY'S HOUSE - NIGHT

    Ray and Abby prepare to leave Marty's house.

    Ray, Abby
  6. 6. EXT. BACK OF MARTY'S BAR - NIGHT

    Ray confronts Marty behind the bar.

    Ray, Julian Marty
  7. 7. INT. Bar - NIGHT

    Marty and Meurice discuss the bar and Marty's mood before Meurice leaves.

    Julian Marty, Meurice, Debra
  8. 8. EXT. Ray's Bungalow - NIGHT

    Ray watches his bungalow from his car while his phone rings inside.

    Ray
  9. 9. INT. Ray's Living Room - NIGHT

    Abby answers a silent phone call from Marty, then Ray arrives home.

    Abby, Ray, Julian Marty
  10. 10. INT. Ray's Bedroom / Living Room - NIGHT

    Abby and Ray sleep together.

    Ray, Abby
  11. 11. INT. Ray's Living Room - PRE-DAWN

    Marty breaks into the house and attacks Abby.

    Abby, Julian Marty
  12. 12. EXT. Ray's Bungalow - PRE-DAWN

    Abby fights back against Marty; Ray intervenes.

    Abby, Julian Marty, Ray
  13. 13. EXT. Mount Bonnel - EVENING

    Marty hires Visser to kill Abby and Ray.

    Julian Marty, Loren Visser
  14. 14. INT. Empty Apartment - NIGHT

    Mrs. Esteves shows Abby a vacant apartment.

    Abby, Mrs. Esteves, Mr. Garcia
  15. 15. INT. Strip Bar - NIGHT

    Abby asks Meurice to keep an eye on Marty and Ray.

    Abby, Meurice
  16. 16. INT. Ray's Bedroom - NIGHT

    Abby and Ray talk in bed.

    Abby, Ray
  17. 17. INT. Ray's Bungalow - NIGHT

    Visser breaks into the house.

    Loren Visser
  18. 18. EXT. Phone Booth - DAY

    Visser confirms the job is done to Marty.

    Loren Visser, Julian Marty
  19. 19. INT. Marty's Office - NIGHT

    Visser meets Marty at his office.

    Loren Visser, Julian Marty
  20. 20. INT. Marty's Office - NIGHT

    Visser meets Marty to confirm the job is done, shows him a fake photograph of the corpses, and receives payment.

    Julian Marty, Loren Visser
  21. 21. INT. Marty's Bar - LATER

    Ray arrives at the bar, finds Marty shot, and attempts to cover up the crime.

    Ray, Meurice
  22. 22. INT/EXT. Ray's Car / Highway / Field - NIGHT

    Ray drives to a field to bury Marty, but Marty is still alive.

    Ray, Julian Marty
  23. 23. INT. Abby's Apartment - DAWN

    Ray returns to Abby's apartment.

    Ray, Abby
  24. 24. INT. Abby's Apartment - DAY

    Ray and Abby discuss the events of the previous night, with Ray acting erratically and Abby becoming increasingly suspicious.

    Ray, Abby
  25. 25. INT. Ray's Bungalow - DAY

    Visser is in Ray's bungalow, going through Abby's belongings.

    Loren Visser
  26. 26. INT. Meurice's Apartment - DAY

    Meurice listens to messages on his answering machine, including one from Marty.

    Meurice
  27. 27. INT/EXT. Ray's Bungalow - DAY

    Meurice confronts Ray about the missing money and the blood in his car.

    Ray, Meurice
  28. 28. INT. Marty's House - DAY

    Opal the dog is alone in Marty's house, whining at the door.

  29. 29. INT/EXT. Marty's Bar - DUSK

    Abby enters the bar and discovers evidence of a violent struggle.

    Abby
  30. 30. INT. Abby's Apartment - NIGHT

    Abby has a nightmare about Marty returning to the apartment.

    Abby, Julian Marty
  31. 31. INT/EXT. Ray's Bungalow - PRE-DAWN

    Abby confronts Ray, who admits he buried Marty alive.

    Ray, Abby
  32. 32. INT. Meurice's Apartment - DAY

    Abby seeks help from Meurice, who claims he is retired and wants no part of the situation.

    Abby, Meurice
  33. 33. EXT. Highway - NIGHT

    Ray drives alone on a foggy highway.

    Ray
  34. 34. EXT. HIGHWAY - NIGHT

    Ray stops at a deserted intersection and waits for a car behind him to pass before making a U-turn.

    Ray
  35. 35. INT. MARTY'S LIVING ROOM - NIGHT

    Meurice enters the house and checks the rooms.

    Meurice
  36. 36. INT. MARTY'S BEDROOM - NIGHT

    Meurice checks the bedroom.

    Meurice
  37. 37. INT. MARTY'S OFFICE - NIGHT

    Ray searches Marty's office and finds photographs.

    Ray
  38. 38. INT. RAY'S CAR - NIGHT

    Ray drives.

    Ray
  39. 39. INT. MARTY'S KITCHEN - NIGHT

    Meurice enters the kitchen.

    Meurice
  40. 40. INT. MARTY'S BILLIARD ROOM - NIGHT

    Meurice encounters the dog.

    Meurice
  41. 41. INT. MEURICE'S APARTMENT - NIGHT

    Meurice tells Abby to go home.

    Meurice, Abby
  42. 42. INT. ABBY'S APARTMENT - NIGHT

    Ray and Abby argue about being watched.

    Ray, Abby
  43. 43. INT. MOTEL LOBBY - DAY

    Ray tries to get a room at a motel.

    Ray, Dusty Rhodes, Kyle

Dialogue examples

Listen asshole, you know who this is. I just got back from Corpus and there's a lot of money missing from the safe... I'm not saying you took it but the place was your responsibility and I told you to keep an eye on your asshole friend. Don't--uh, don't come to the bar tonight, I've got a meeting. But tomorrow I want to have a word with you, and with Ray--if you can find him.

Meurice / Scene 26

You know a friend of mine broke his hand a while back. Put in a cast. Very next day he takes a fall, protects his bad hand, falls on his good one, breaks that too. So now he's got two busted flippers and I say to him "Creighton, I hope your wife loves you. 'Cause for the next five weeks you cannot wipe your own goddamn ass..."

Loren Visser / Scene 13

Ray, I mean you ain't even acting like yourself. First you call me at five in the A.M. saying all kinds of nice things over the telephone and then you come charging in here scaring me half to death without even telling me what it is I'm supposed to be scared of. I gotta tell you it's extremely rattling.

Abby / Scene 24

I cleaned it all up, but that ain't important... What's important is what we do now; I mean we can't go around half-cocked. What we need is some time to think about this, figure it out...

Ray / Scene 24

I'll take care of the money, you just make sure those bodies aren't found... There's a... If you want, there's a big incinerator behind my place...

Julian Marty / Scene 13

How 'bout it, gentlemen, let's show out appreciation for Lorraine up there, a registered nurse from Bolton, Texas, how 'bout it gentlemen, yeah...

Loren Visser / Scene 15

See, Wednesday's the special on RC Cola. I don't know if I explained about the TV option. If there's a TV in the room, you got to pay the option.

Dusty Rhodes / Scene 43

I just wanted to let you know that everything was all right. I took care of everything. Now all we have to do is keep our heads.

Ray / Scene 24

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