Opening Image
Scene 1 / Page 1 / 1% target
We meet Riggan levitating in meditation, establishing his unstable, surreal attempt at control.
Alchemillas. Or something soothing that smells nice. Listen I can't--
BIRDMAN script analysis
Fading star Riggan prepares his comeback on Broadway while battling self-doubt, critical reviews, and his own alter ego. As he casts the volatile Mike Shiner and reconnects with his daughter Sam, Riggan’s reality blurs between on-stage crisis and off-stage hallucinations, leading to a public meltdown and a redemptive epiphany in a hospital bed.
Save the Cat is referenced as a story-analysis framework. SlugDB is not affiliated with Save the Cat or its rights holders.
Scene 1 / Page 1 / 1% target
We meet Riggan levitating in meditation, establishing his unstable, surreal attempt at control.
Alchemillas. Or something soothing that smells nice. Listen I can't--
Scene 14 / Page 7 / 5% target
Sylvia tells Riggan he doesn’t have to be a great father, only present, stating the theme of authenticity and connection.
Riggan... You don't have to be a great father right now, you just have to be one.
Scenes 1-6 / Pages 1-3 / 10% target
We see Riggan juggling rehearsals, his daughter’s call, and media pressure, establishing his world and supporting characters.
Scene 3 / Page 2 / 12% target
A falling light injures Ralph during rehearsal, creating urgent stakes for Riggan’s production.
Scenes 4-7 / Pages 2-4 / 20% target
Riggan and Jake argue over recasting after the accident, and Lesley pushes Mike Shiner, provoking Riggan’s anxiety over control.
I'm the wrong person to ask, okay? I didn't even know the guy. So what's your point?
Scene 9 / Page 5 / 25% target
Mike Shiner arrives for rehearsal, shifting Riggan into the unpredictable world of working with a star known for chaos.
Okay, well, then I'm just standing here with my balls out.
Scene 20 / Page 10 / 30% target
Riggan’s fraught relationship with Sam comes to a head in the Green Room, grounding the emotional core as the B-story.
What're you still doing here?
Scenes 16-18 / Pages 8-9 / 40% target
Riggan and Mike bond over drinks and debates on fame, then Mike tangles with critic Tabitha in playful verbal sparring.
Nothing matters until she writes five hundred words about us in the New York Times.
Scene 23 / Page 12 / 50% target
Onstage, Riggan—embodying his Birdman persona—shoots himself, marking a shocking twist and raising the stakes.
Scene 31 / Page 13 / 65% target
Riggan reads a scathing New York Times review, intensifying his self-doubt and external opposition.
Scene 55 / Page 20 / 75% target
In the play’s climax Riggan shoots himself for real, a moment that seems like ultimate defeat.
I don't exist. I'm not even here. I don't exist. None of this matters.
Scene 50 / Page 17 / 80% target
Riggan collapses asleep on a bench and hallucinates encouragement from Birdman, wrestling with despair.
Scene 52 / Page 18 / 85% target
Sylvia visits before the second act, grounding Riggan with love and prompting him to push forward.
I love you. And I love Sam.
Scene 56 / Page 21 / 95% target
In the hospital, Riggan and Sam share a tender moment as she sets up his social media, symbolizing his genuine return.
I'm posting this picture on your Twitter page.
Scene 58 / Page 22 / 99% target
Riggan vanishes from his hospital window and Sam looks skyward, mirroring the opening levitation in a transcendent close.