Opening Image
Scene 1 / Page 1 / 1% target
Opens on Chance quietly working in the townhouse garden, establishing his peaceful, routine life.
Being There script analysis
Being There follows simple gardener Chance as he is thrust from his routine into the elite world of the Rands and ultimately becomes a political idol. Through his naiveté and gardening metaphors, the story explores themes of authenticity and perception. The emotional arc culminates in loss, introspection, and a return to Chance’s natural world.
Save the Cat is referenced as a story-analysis framework. SlugDB is not affiliated with Save the Cat or its rights holders.
Scene 1 / Page 1 / 1% target
Opens on Chance quietly working in the townhouse garden, establishing his peaceful, routine life.
Scene 5 / Page 5 / 5% target
Louise informs Chance the Old Man is failing, hinting at change and the inevitability of mortality.
... Good evening, Louise.
Scenes 1-4 / Pages 1-4 / 10% target
Introduces Chance’s daily routine—gardening, watching TV, and obedient service—establishing his innocence and stability.
Scene 6 / Page 6 / 12% target
Chance learns the Old Man has died, abruptly upsetting his world and triggering the plot.
He's dead, Chance! The Old Man's dead!
Scenes 7-8 / Pages 7-8 / 20% target
Chance visits the Old Man’s room and then says goodbye to Louise, facing uncertainty about his future.
Scene 13 / Page 13 / 25% target
Chance is struck by a limo and meets Eve Rand, crossing into the unfamiliar world of wealth and influence.
Scene 14 / Page 14 / 30% target
Eve introduces herself to Chance, planting the seed of their personal relationship amid the main plot.
Oh, by the way - I'm Eve Rand.
Scenes 15-23 / Pages 15-23 / 40% target
Chance navigates the Rand mansion: hospital visits, dinner conversations, and policy discussions showcase his charm and the absurdity of his elevation.
Scene 27 / Page 27 / 50% target
Chance advises the President using a gardening metaphor, marking his peak influence and complete acceptance.
You look much taller on television, Mr. President.
Scene 36 / Page 36 / 65% target
At Sophie’s party, the press and dignitaries swarm Chance, showing the pressures and scrutiny of fame.
I do not read any newspapers. I watch TV.
Scene 41 / Page 41 / 75% target
Benjamin Rand’s funeral represents the literal and symbolic end of Chance’s patronage and status.
Scene 42 / Page 42 / 80% target
Chance alone in the woods, tending a seedling, reflects his isolation and doubt after losing Rand.
Scene 44 / Page 44 / 85% target
Eve and Allenby find Chance on the roadside, signaling his return to connection and the real world.
Oh, Chauncey, darling... Where have you been? We thought we'd lost you - we've been looking all over!
Scene 44 / Page 44 / 95% target
Reunited with Eve, Chance moves from solitude back into human relationships, completing his emotional journey.
Scene 42 / Page 42 / 99% target
The seedling in the woods parallels the opening garden, showing Chance’s unchanging authenticity and cyclical renewal.