Scripts
BAD DAY AT BLACK ROCK poster

Screenplay data

BAD DAY AT BLACK ROCK script

In 1945, one-armed veteran John J. Macreedy arrives in the isolated town of Black Rock, where hostile residents, led by rancher Reno Smith, refuse to help him find a Japanese-American farmer named Komako, whom Macreedy seeks to honor for saving his life. Macreedy discovers that Smith, fueled by anti-Japanese sentiment, murdered Komako and buried him, with the townspeople complicit in covering up the crime. After escalating confrontations, Smith ambushes Macreedy and Liz, killing Liz, but Macreedy manages to wound Smith and bring him back to town. With Smith captured and the truth exposed, Macreedy departs Black Rock, leaving the town to face the consequences of its dark secret.

Writer
Don McGuire and Millard Kaufman
IMDb ID (imdb_id)
tt0047849
Script date
SHOOTING DRAFT
44Scenes
11Characters
77Pages
8Dialogue samples

Save the Cat beat sheet

BAD DAY AT BLACK ROCK Save the Cat analysis

A lone stranger, Macreedy, arrives in the closed‐minded town of Black Rock searching for answers about a missing man.

Open full beat sheet
75

Key characters

John J. Macreedy

John J. Macreedy is listed as Protagonist. A granite-like man with calm, piercing eyes and a paralyzed left arm. In the parsed data, John J. Macreedy is connected to 31 scenes, 189 dialogue lines, 191 text mentions, first appearing around scene 1.

31 scenes / 189 dialogue lines

Reno Smith

Reno Smith is listed as Antagonist. Handsome, taut-faced, owner of the Triple-Bar ranch. In the parsed data, Reno Smith is connected to 17 scenes, 88 dialogue lines, 89 text mentions, first appearing around scene 9.

17 scenes / 88 dialogue lines

Doc Velie

Doc Velie is listed as Supporting. Elderly, untidy gentleman, assayer, notary, mortician, and veterinarian. In the parsed data, Doc Velie is connected to 16 scenes, 70 dialogue lines, 71 text mentions, first appearing around scene 7.

16 scenes / 70 dialogue lines

Pete

Pete is listed as Supporting. Hotel clerk, Liz's brother, soft features, uneasy. In the parsed data, Pete is connected to 16 scenes, 28 dialogue lines, 35 text mentions, first appearing around scene 4.

16 scenes / 28 dialogue lines

Hector David

Hector David is listed as Henchman. Enormous man, tall with a nasty, raw-boned tautness. In the parsed data, Hector David is connected to 13 scenes, 24 dialogue lines, 24 text mentions, first appearing around scene 9.

13 scenes / 24 dialogue lines

Coley Trimble

Coley Trimble is listed as Henchman. Enormous man, anthropoid type with long thick arms and a round belly. In the parsed data, Coley Trimble is connected to 11 scenes, 20 dialogue lines, 20 text mentions, first appearing around scene 3.

11 scenes / 20 dialogue lines

Tim Horn

Tim Horn is listed as Supporting. Sheriff of Black Rock, alcoholic. In the parsed data, Tim Horn is connected to 7 scenes, 39 dialogue lines, 39 text mentions, first appearing around scene 12.

7 scenes / 39 dialogue lines

Mr. Hastings

Mr. Hastings is listed as Supporting. Postal telegraph agent, man of middle years and exorbitant mediocrity. In the parsed data, Mr. Hastings is connected to 7 scenes, 18 dialogue lines, 20 text mentions, first appearing around scene 1.

7 scenes / 18 dialogue lines

Sam

Sam is listed as Supporting. Middle-aged proprietor of the restaurant. In the parsed data, Sam is connected to 7 scenes, 4 dialogue lines, 6 text mentions, first appearing around scene 31.

7 scenes / 4 dialogue lines

Liz Brooks

Liz Brooks is listed as Supporting. Attractive girl of twenty, runs the garage. In the parsed data, Liz Brooks is connected to 6 scenes, 27 dialogue lines, 27 text mentions, first appearing around scene 13.

6 scenes / 27 dialogue lines

T.J.

T.J. is listed as Minor. A boy of nine. In the parsed data, T.J. is connected to 1 scene, 7 dialogue lines, 8 text mentions, first appearing around scene 10.

1 scenes / 7 dialogue lines

Scene outline

  1. 1. EXT. Black Rock Railroad Station - DAY

    The streamliner train makes an unexpected stop at the dilapidated Black Rock station, and Macreedy disembarks.

    John J. Macreedy, Mr. Hastings, Tim Horn
  2. 2. INT. Postal Telegraph Office - DAY

    Hastings calls Pete to report the arrival of the stranger.

    Mr. Hastings, Pete
  3. 3. EXT. Main Street - DAY

    Macreedy walks toward the hotel while being watched by the townspeople.

    John J. Macreedy, Coley Trimble, Hector David
  4. 4. INT. Hotel Lobby - DAY

    Macreedy attempts to check into the hotel, but Pete is uncooperative.

    John J. Macreedy, Hector David, Pete
  5. 5. INT. Hotel Room - DAY

    Macreedy finds Hector waiting in his room.

    John J. Macreedy, Hector David
  6. 6. INT. Hotel Lobby - DAY

    Macreedy comes downstairs and asks Pete about renting a car.

    John J. Macreedy, Doc Velie, Pete, Sam
  7. 7. INT. Hotel Lobby - DAY

    Macreedy asks for a rental car, is directed to the garage by Doc, and leaves while being watched by the locals.

    John J. Macreedy, Doc Velie, Pete
  8. 8. EXT. Street - DAY

    Macreedy encounters Coley and Reno Smith arriving in a station wagon.

    John J. Macreedy, Reno Smith, Coley Trimble
  9. 9. INT. Hotel Lobby - DAY

    Smith discusses the stranger with his men and Doc Velie.

    Reno Smith, Coley Trimble, Hector David, Doc Velie, Pete, Sam
  10. 10. EXT. Liz's Garage - DAY

    Macreedy meets T.J. at the garage.

    John J. Macreedy, T.J.
  11. 11. INT. Hotel Lobby - DAY

    Hastings reports to Smith, who orders a background check on Macreedy.

    Reno Smith, Coley Trimble, Hector David, Doc Velie, Pete, Mr. Hastings
  12. 12. INT. Jail - DAY

    Macreedy questions Sheriff Tim Horn about Komako.

    John J. Macreedy, Tim Horn
  13. 13. EXT. Street / Liz's Garage - DAY

    Smith confronts Macreedy; Macreedy rents a jeep from Liz.

    John J. Macreedy, Reno Smith, Liz Brooks
  14. 14. INT. Jail - DAY

    Smith pressures Tim to remain passive.

    Reno Smith, Tim Horn
  15. 15. INT. Telegraph Office / Jail - DAY

    Hastings receives a wire stating there is no record of Macreedy.

    Reno Smith, Coley Trimble, Hector David, Doc Velie, Pete, Tim Horn
  16. 16. EXT. RAILROAD TRACKS - DAY

    Smith, Coley, and Pete discuss the threat posed by Macreedy while others watch from a distance.

    Reno Smith, Coley Trimble, Pete, Hector David, Sam, Mr. Hastings
  17. 17. INT. JAIL - DAY

    Tim struggles with his conscience and his past failures as a sheriff, while Doc tries to encourage him.

    Tim Horn, Doc Velie
  18. 18. EXT. ADOBE FLAT - DAY

    Macreedy visits the ruins of a ranch house and finds a patch of flowers.

    John J. Macreedy
  19. 19. EXT. CLIFF - DAY

    Coley watches Macreedy from a distance using binoculars.

    Coley Trimble
  20. 20. EXT. ROAD - DAY

    Coley pursues Macreedy in a car chase, attempting to run him off the road.

    John J. Macreedy, Coley Trimble
  21. 21. EXT. BLACK ROCK MAIN STREET - DAY

    Macreedy returns to town and confronts Coley in front of the hotel.

    John J. Macreedy, Reno Smith, Coley Trimble
  22. 22. INT. HOTEL LOBBY - DAY

    Macreedy attempts to check out of the hotel, but finds there is no transportation available.

    John J. Macreedy, Pete, Reno Smith
  23. 23. INT. LIZ'S GARAGE - DAY

    Macreedy confronts Liz about the jeep and the town's behavior.

    John J. Macreedy, Liz Brooks
  24. 24. EXT. HOTEL PORCH - DAY

    Smith invites Macreedy to sit and talk, questioning him about his background.

    John J. Macreedy, Reno Smith
  25. 25. EXT. Main Street - DAY

    Macreedy and Smith discuss the nature of men, the war, and the disappearance of Komako.

    John J. Macreedy, Reno Smith
  26. 26. EXT. Doc's Office Exterior - DAY

    Macreedy approaches Doc's office while Hector David watches from an alley.

    John J. Macreedy, Hector David
  27. 27. INT. Doc's Lab - DAY

    Macreedy asks Doc for help, but Doc warns him to leave town.

    John J. Macreedy, Doc Velie
  28. 28. INT. Telephone Operator's Office - DAY

    Pete blocks Macreedy's call under Smith's supervision.

    Reno Smith, Pete
  29. 29. EXT. Rear of Doc's Office - DAY

    Hector sabotages the hearse, preventing Macreedy from leaving.

    John J. Macreedy, Hector David, Doc Velie
  30. 30. INT. Telegraph Agent's Office - DAY

    Macreedy tries to send a telegram to the state police.

    John J. Macreedy, Mr. Hastings
  31. 31. INT. Sam's Bar & Grill - DAY

    Macreedy is confronted by Smith and Coley at the restaurant.

    John J. Macreedy, Reno Smith, Coley Trimble, Sam
  32. 32. INT. Restaurant - DAY

    Macreedy confronts Coley and Smith, eventually fighting and defeating Coley before challenging Smith.

    John J. Macreedy, Reno Smith, Coley Trimble, Sam
  33. 33. INT. Hotel Lobby - DAY

    Macreedy waits for a telegram, Smith strips Tim of his badge, and Macreedy confronts Pete about the past.

    John J. Macreedy, Reno Smith, Hector David, Doc Velie, Pete, Tim Horn
  34. 34. INT. HOTEL LOBBY - NIGHT

    Pete calls Liz to arrange for her to pick up Macreedy, while Doc and Macreedy listen.

    John J. Macreedy, Doc Velie, Pete, Liz Brooks
  35. 35. INT. HOTEL LOBBY - NIGHT

    Pete, Doc, and Hector wait in the lobby before Hector leaves.

    Hector David, Doc Velie, Pete
  36. 36. EXT. ALLEY BEHIND HOTEL - NIGHT

    Hector sees a jeep arrive and approaches it.

    Hector David
  37. 37. INT. REAR HALLWAY OF HOTEL - NIGHT

    Pete and Doc prepare an ambush for Hector.

    Hector David, Doc Velie, Pete
  38. 38. INT. LOBBY - NIGHT

    Pete signals Macreedy.

    Pete
  39. 39. INT. REAR STAIRS - NIGHT

    Macreedy meets Doc and heads for the alley.

    John J. Macreedy, Doc Velie
  40. 40. EXT. ALLEY - NIGHT

    Macreedy escapes in Liz's jeep.

    John J. Macreedy, Liz Brooks
  41. 41. EXT. ROAD - NIGHT

    Macreedy and Liz drive toward the desert.

    John J. Macreedy, Liz Brooks
  42. 42. EXT. ADOBE FLAT - NIGHT

    Smith ambushes Macreedy and Liz.

    John J. Macreedy, Reno Smith, Liz Brooks
  43. 43. EXT. BLACK ROCK - DAWN

    Macreedy returns with Smith and the body of Liz.

    John J. Macreedy, Reno Smith, Doc Velie, Pete, Tim Horn
  44. 44. EXT. HOTEL / STATION - DAY

    Macreedy leaves Black Rock.

    John J. Macreedy, Doc Velie

Dialogue examples

You killed Komako. Sooner or later you'll go up for it. Not because you killed him -- in this town you probably could have gotten away with it -- but because you didn't even have the guts to do it alone. You put your trust in guys like him... and Hector -- they're not the most dependable of God's creatures. Sooner or later they'll get the idea you're playing them for saps. What'll you do then -- peel them off, one by one? And in the meantime if any one of them breaks, you'll go down hard. Because they got something on you. Something to use when things get tough.

John J. Macreedy / Scene 32

I don't know. People are always looking for something in this part of the West. To the historian, it's the "Old West." To the book writers, it's the "Wild West." To the businessmen, it's the "Undeveloped West." They all say we're backward and poor, and I guess we are. We don't even have enough water. But this place, to us, is our West. I just wish they'd leave us alone.

Reno Smith / Scene 25

I can't let you alone! I can't let myself alone! Don't you understand that? Four years ago something terrible happened here. We did nothing about it. Nothing. The whole town fell into a sort of settled melancholy, and the people in it closed their eyes and held their tongues and failed the test with a whimper.

Doc Velie / Scene 33

Liz, Liz... There's not much of me left any more, but however little it is I won't waste it! I'm telling you because we need your help. No matter about the past -- you've got to do this! You'd be saving two lives, Liz. Macreedy's, and mine. All right. Yeah... I've told him everything.

Pete / Scene 34

When you wear that badge, you're the Law. And when something happens, against the Law, you're supposed to do something about it. It's your job. Me... I did nothin'. And that's what's eatin' me.

Tim Horn / Scene 17

Something's buried out there. See these wild flowers? That means a grave. I've seen it overseas. I figure it isn't a man's grave or someone would have marked it. Sort of a mystery, isn't it?

John J. Macreedy / Scene 25

Wasn't he a Jap? Look, Macreedy, there's a law in this county against shooting dogs. But if I see a mad dog loose, I don't wait for him to bite me. I swear, you're beginning to make me mad.

Reno Smith / Scene 25

I don't know. Maybe he figures, needle me enough and I'll crack. Maybe I'll even fight back. Then he or Hector -- your other ape -- would beat me to death and cop a plea of self-defense.

John J. Macreedy / Scene 32

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