Opening Image
Scene 1 / Page 1 / 1% target
Establishes Henry’s reverence for Fitzgerald and his own writing aspirations.
This is where where F. Scott Fitzgerald died on December 21, 1940.
AUTHORS ANONYMOUS script analysis
Henry, a struggling writer, delivers pizzas by day while secretly attending a writers’ group. His unrequited admiration for fellow writer Hannah intensifies when she lands an agent, forcing him to confront his own talent and ambitions. As the group’s dynamics shift with each member’s success and failure, Henry must overcome his self-doubt to finally break through.
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Scene 1 / Page 1 / 1% target
Establishes Henry’s reverence for Fitzgerald and his own writing aspirations.
This is where where F. Scott Fitzgerald died on December 21, 1940.
Scene 3 / Page 1 / 5% target
Henry warns against wasting one’s talent—foreshadowing his own struggle.
But he wasted it. He wasted his talent.
Scenes 4-9 / Pages 1-2 / 10% target
Introduces the writing group, key players, and Henry’s precarious life with rejection letters.
I have two unpublished novels. Working on my third, Pizza to Go. These are my rejection letters. Rejected...
Scene 5 / Page 2 / 12% target
First real group critique reveals the high stakes and exposes Henry’s insecurities.
...consumed totally, completely, absolutely, by endless thoughts of Yuri fondling her breast, his other hand groping her womanhood,...
Scenes 6-12 / Pages 2-3 / 20% target
Henry struggles with writer’s block and whether to continue pursuing his novel.
This new novel Pizza to Go is about Scott, a pizza delivery guy in LA. He comes across...
Scene 29 / Page 3 / 25% target
Hannah’s announcement of having an agent propels Henry into a new act of active ambition.
I wonder what happened to Hannah.
Scenes 14-17 / Pages 3-4 / 30% target
Henry’s growing feelings for Hannah emerge, setting up the romantic B-story.
...I keep thinking about her. She's all I think about. Really would like to ask her out.
Scene 31 / Page 4 / 40% target
The group revels in Hannah’s success, showcasing the camaraderie and competitive energy.
I'm merely the first one to get signed. But we're all going to have an agent soon.
Scene 45 / Page 5 / 50% target
Hannah’s book sale marks a false victory that raises the stakes.
Brian sold Sleeping on the Moon!
Scene 56 / Page 6 / 65% target
Colette’s pages are discarded by Keller, illustrating external obstacles to success.
Scene 85 / Page 7 / 75% target
William’s bitter exit signals group unity shattering and Henry’s lowest point.
Christ. You and your stupid recorder. And your stupid ideas. And your stupid character names.
Scene 92 / Page 7 / 80% target
Hannah admonishes Henry to prioritize his writing, deepening his crisis of confidence.
Listen to me, Henry Obert. Your writing must come first. Take this passion you have. Put it on...
Scene 111 / Page 8 / 85% target
Henry finds inspiration and affirmation in a new connection with Eudora over Fitzgerald.
--Tomorrow we will run faster, stretch out our arms further...
Scene 107 / Page 9 / 95% target
Henry’s public support of Hannah marks his emergence as a confident, published author.
Henry. Ohhhhh. Thank you. Thank you. Thank you so much for coming.
Scene 120 / Page 10 / 99% target
Hannah’s acknowledgment of Henry’s success mirrors the opening reverence with role reversal.
Turns out I do have one. Mr. Henry Obert. He's become a great writer. A published author.