Scripts
AT FIRST SIGHT poster

Screenplay data

AT FIRST SIGHT script

Amy Tremont, an architect, falls in love with Virgil Anderson, a blind massage therapist, and convinces him to undergo an experimental surgery to regain his sight. After the successful operation, Virgil struggles to adapt to the visual world, experiencing visual agnosia and difficulty recognizing objects and faces, which strains his relationship with Amy. As Virgil grapples with his new reality, he discovers his retinal disease is returning, leading to arguments with Amy and his eventual return to his childhood home and total blindness. Virgil ultimately embraces his blindness, finding peace and purpose by working with blind children, and he reunites with Amy, who accepts him completely.

Writer
Not specified
IMDb ID (imdb_id)
tt0132512
Script date
Not specified
99Scenes
12Characters
85Pages
8Dialogue samples

Save the Cat beat sheet

AT FIRST SIGHT Save the Cat analysis

A blind massage therapist, Virgil, meets Amy, a sighted architect, sparking a journey of love and self‐discovery.

Open full beat sheet
80

Key characters

Virgil Anderson

Virgil Anderson is listed as Protagonist. A blind massage therapist who undergoes an experimental surgery to regain his sight. In the parsed data, Virgil Anderson is connected to 82 scenes, 163 dialogue lines, 165 text mentions, first appearing around scene 6.

82 scenes / 163 dialogue lines

Amy Tremont

Amy Tremont is listed as Protagonist. An architect who meets Virgil at a health spa and falls in love with him. In the parsed data, Amy Tremont is connected to 67 scenes, 146 dialogue lines, 146 text mentions, first appearing around scene 2.

67 scenes / 146 dialogue lines

Dr. Richard Aaron

Dr. Richard Aaron is listed as Supporting. The eye surgeon who performs Virgil's operation. In the parsed data, Dr. Richard Aaron is connected to 10 scenes, 45 dialogue lines, 46 text mentions, first appearing around scene 24.

10 scenes / 45 dialogue lines

Jennie Anderson

Jennie Anderson is listed as Supporting. Virgil's older sister who is protective of him. In the parsed data, Jennie Anderson is connected to 10 scenes, 27 dialogue lines, 27 text mentions, first appearing around scene 12.

10 scenes / 27 dialogue lines

Duncan Roswell

Duncan Roswell is listed as Supporting. Amy's business partner and ex-husband. In the parsed data, Duncan Roswell is connected to 9 scenes, 1 dialogue line, 1 text mention, first appearing around scene 38.

9 scenes / 1 dialogue lines

Ray Webster

Ray Webster is listed as Supporting. A visual therapist at NYU. In the parsed data, Ray Webster is connected to 7 scenes, 13 dialogue lines, 15 text mentions, first appearing around scene 41.

7 scenes / 13 dialogue lines

Ethan Colvin

Ethan Colvin is listed as Minor. A young boy living in Amy's building. In the parsed data, Ethan Colvin is connected to 4 scenes, 6 dialogue lines, 6 text mentions, first appearing around scene 25.

4 scenes / 6 dialogue lines

Betsy Ernst

Betsy Ernst is listed as Minor. Assistant at Roswell-Tremont. In the parsed data, Betsy Ernst is connected to 2 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 38.

2 scenes / 2 dialogue lines

Carl Kipling

Carl Kipling is listed as Minor. An elderly bus driver. In the parsed data, Carl Kipling is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 16.

2 scenes / 1 dialogue lines

Caroline

Caroline is listed as Minor. Night manager at the Bear Mtn. Health Spa. In the parsed data, Caroline is connected to 2 scenes, first appearing around scene 4.

2 scenes / 0 dialogue lines

Nancy Bender

Nancy Bender is listed as Minor. The local librarian. In the parsed data, Nancy Bender is connected to 1 scene, first appearing around scene 10.

1 scenes / 0 dialogue lines

Susan

Susan is listed as Minor. A client of Virgil's at the spa. In the parsed data, Susan is connected to 1 scene, first appearing around scene 5.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. EXT. Valley - DUSK

    Virgil Anderson sits in a valley listening to the sounds of nature as the sun sets.

    Virgil Anderson
  2. 2. EXT. New York Turnpike - DUSK

    Amy Tremont drives while on the phone, getting lost and pulling over.

    Amy Tremont
  3. 3. INT. BMW - DUSK

    Amy watches Virgil ice skating on a pond from her car.

    Virgil Anderson, Amy Tremont
  4. 4. INT. Bear Mtn. Health Spa - Reception Desk - NIGHT

    Amy checks into the spa and requests a massage.

    Amy Tremont, Caroline
  5. 5. INT. Bear Mtn. - Massage Waiting Area - NEXT DAY

    Amy waits for her massage and hears Virgil finishing with a client.

    Virgil Anderson, Amy Tremont, Susan
  6. 6. INT. Virgil's Massage Room - DAY

    Virgil gives Amy a massage, and they share an emotional moment.

    Virgil Anderson, Amy Tremont
  7. 7. EXT. Bear Mtn. Spa - LATE DAY

    Amy chases Virgil after his shift to talk to him.

    Virgil Anderson, Amy Tremont, Carl Kipling
  8. 8. INT. Virgil's Home - EVENING

    Virgil returns home and talks with his sister Jennie.

    Virgil Anderson, Jennie Anderson
  9. 9. INT. Amy's Room - EVENING

    Amy tries to simulate blindness, then Virgil visits her.

    Virgil Anderson, Amy Tremont
  10. 10. EXT. Main Street - EVENING

    Virgil and Amy walk through town, discussing their perspectives.

    Virgil Anderson, Amy Tremont, Nancy Bender
  11. 11. INT. Firehouse - NIGHT

    Virgil and Amy take shelter from the rain and share an intimate moment.

    Virgil Anderson, Amy Tremont
  12. 12. INT. Virgil's Cottage - DAY

    Jennie leaves Virgil and Amy after a tense moment; Virgil and Amy share a moment of awkwardness.

    Virgil Anderson, Amy Tremont, Jennie Anderson
  13. 13. INT. Bear Mtn. Health Spa - NIGHT

    Amy and Virgil have dinner at the spa and dance.

    Virgil Anderson, Amy Tremont
  14. 14. INT. Amy's Hotel Room - MORNING

    Amy calls her assistant to get information on an eye surgeon.

    Amy Tremont
  15. 15. INT. Bear Mtn. Gym - DAY

    Amy tells Virgil about the potential eye surgery; Virgil reacts negatively.

    Virgil Anderson, Amy Tremont, Caroline
  16. 16. INT. Locker Room - DAY

    Virgil vents his frustration in the locker room.

    Virgil Anderson
  17. 17. EXT. Jennie's School - DAY

    Amy confronts Jennie about Virgil's refusal to see the doctor.

    Amy Tremont, Jennie Anderson
  18. 18. EXT. Virgil's Cottage - LATE DAY

    Amy apologizes to Virgil; they discuss his life as a blind man.

    Virgil Anderson, Amy Tremont
  19. 19. EXT. Virgil's House - NIGHT

    Virgil and Amy share a quiet evening on the porch.

    Virgil Anderson, Amy Tremont
  20. 20. INT. Virgil's Home - NIGHT

    Virgil and Amy share an intimate moment in bed.

    Virgil Anderson, Amy Tremont
  21. 21. INT. Virgil's Bedroom - MORNING

    Amy wakes up to see Virgil and Jennie arguing.

    Virgil Anderson, Amy Tremont, Jennie Anderson
  22. 22. EXT. Porch - MORNING

    Virgil tells Amy he wants to see the doctor.

    Virgil Anderson, Amy Tremont
  23. 23. EXT. George Washington Bridge - MORNING

    Amy and Virgil travel to Manhattan.

    Virgil Anderson, Amy Tremont
  24. 24. INT. New York Eye Hospital - DAY

    Dr. Aaron examines Virgil and discusses the surgery.

    Virgil Anderson, Amy Tremont, Dr. Richard Aaron
  25. 25. EXT. Amy's Loft - DAY

    Virgil and Amy arrive at her loft.

    Virgil Anderson, Amy Tremont, Ethan Colvin
  26. 26. INT. Amy's Loft - LATE DAY

    Amy gives Virgil a tour of her loft.

    Virgil Anderson, Amy Tremont
  27. 27. INT. Revival Theater - NIGHT

    Amy and Virgil watch a movie.

    Virgil Anderson, Amy Tremont
  28. 28. INT. Subway Car - NIGHT

    Virgil and Amy dance on the subway.

    Virgil Anderson, Amy Tremont
  29. 29. INT. New York Eye Hospital - DAY

    Virgil undergoes surgery.

    Virgil Anderson, Dr. Richard Aaron
  30. 30. INT. New York Eye Hospital Waiting Room - DAY

    Amy and Jennie wait for news.

    Amy Tremont, Jennie Anderson
  31. 31. INT. New York Eye Hospital - DAY

    Virgil's bandages are removed.

    Virgil Anderson, Amy Tremont, Jennie Anderson, Dr. Richard Aaron
  32. 32. INT. Hospital Room - DAY

    Virgil discovers his own reflection.

    Virgil Anderson
  33. 33. EXT. Hospital - LATE DAY

    Jennie and Amy discuss the future.

    Amy Tremont, Jennie Anderson
  34. 34. EXT. Amy's Loft - DUSK

    Virgil struggles with the stairs.

    Virgil Anderson, Amy Tremont, Ethan Colvin
  35. 35. INT. Amy's Apartment - DUSK

    Amy shows Virgil the decorated apartment.

    Virgil Anderson, Amy Tremont
  36. 36. INT. AMY'S APARTMENT - DUSK

    Virgil arrives at Amy's apartment, which is decorated for him, and they share an intimate moment.

    Virgil Anderson, Amy Tremont
  37. 37. INT. AMY'S LOFT - NIGHT

    Virgil and Amy discuss his fears and her sculpture work during a rainy night.

    Virgil Anderson, Amy Tremont
  38. 38. INT. ROSWELL-TREMONT - DAY

    Amy works on architectural designs and rushes out for an appointment.

    Amy Tremont, Duncan Roswell, Betsy Ernst
  39. 39. EXT. NYU CAMPUS - DAY

    Amy helps Virgil navigate the campus.

    Virgil Anderson, Amy Tremont
  40. 40. INT. NYU HALLWAY - DAY

    Amy and Virgil walk past a classroom for blind children.

    Virgil Anderson, Amy Tremont
  41. 41. INT. RAY WEBSTER'S OFFICE - DAY

    Virgil and Amy meet with Dr. Webster to discuss Virgil's visual agnosia.

    Virgil Anderson, Amy Tremont, Ray Webster
  42. 42. EXT. NYU - DAY

    Virgil and Amy leave the office and discuss his need to do this on his own.

    Virgil Anderson, Amy Tremont
  43. 43. INT. LECTURE HALL - DAY

    Dr. Aaron gives a lecture about Virgil's progress.

    Dr. Richard Aaron
  44. 44. EXT. NY CITY STREET - DAY

    Virgil struggles to navigate the city streets.

    Virgil Anderson, Amy Tremont
  45. 45. EXT. BROADWAY - DAY

    Virgil examines a toy cab at a street vendor.

    Virgil Anderson, Amy Tremont
  46. 46. EXT. STREET CORNER - DAY

    Virgil tries to identify a dog.

    Virgil Anderson, Amy Tremont
  47. 47. EXT. GARDEN MARKET - DAY

    Virgil struggles to scan a tree.

    Virgil Anderson, Amy Tremont
  48. 48. INT. AMY'S WORK - DAY

    Virgil struggles to read a sign.

    Virgil Anderson, Amy Tremont
  49. 49. INT. NEW YORK EYE HOSPITAL - LECTURE ROOM - DAY

    Aaron concludes his lecture.

    Virgil Anderson, Dr. Richard Aaron
  50. 50. INT. NEW YORK EYE HOSPITAL HALLWAY - DAY

    Virgil is confronted by reporters.

    Virgil Anderson, Amy Tremont
  51. 51. INT. HOME - LATE DAY

    Virgil's father sees him on the news.

    Virgil Anderson
  52. 52. INT. RESTAURANT - LITTLE ITALY - NIGHT

    Virgil and Amy have a tense dinner.

    Virgil Anderson, Amy Tremont
  53. 53. INT. ROSWELL-TREMONT - LATE DAY

    Duncan and Amy discuss her work and Virgil.

    Amy Tremont, Duncan Roswell
  54. 54. INT. AMY'S LOFT - DAY

    Virgil and Ethan play with kitchen utensils.

    Virgil Anderson, Ethan Colvin
  55. 55. EXT. CONSTRUCTION SITE - DAY

    Jennie takes Virgil to see their father.

    Virgil Anderson, Jennie Anderson
  56. 56. INT. AMY'S BUILDING - NIGHT

    Amy returns home.

    Amy Tremont
  57. 57. INT. AMY'S LOFT - NIGHT

    Virgil and Amy prepare for the party.

    Virgil Anderson, Amy Tremont
  58. 58. INT. LOFT - NIGHT

    The party for Duncan's birthday.

    Virgil Anderson, Amy Tremont, Duncan Roswell, Betsy Ernst
  59. 59. INT. AMY'S LOFT - NEXT MORNING

    Amy leaves for Atlanta.

    Virgil Anderson, Amy Tremont
  60. 60. INT. FALK BOARD ROOM - DAY

    Amy presents her designs.

    Amy Tremont, Duncan Roswell
  61. 61. EXT. NYU CAMPUS - DAY

    Virgil observes people.

    Virgil Anderson
  62. 62. INT. NYU HALLWAY - DAY

    Virgil visits Webster's lab.

    Virgil Anderson, Ray Webster
  63. 63. INT. HOTEL LOBBY - ATLANTA - DUSK

    Amy and Duncan arrive in Atlanta.

    Amy Tremont, Duncan Roswell
  64. 64. INT. WEBSTER'S LAB - LATER

    Webster finishes his class.

    Ray Webster
  65. 65. INT. STRIP CLUB - NIGHT

    Virgil and Webster talk.

    Virgil Anderson, Ray Webster
  66. 66. INT. HOTEL BAR - NIGHT

    Amy and Duncan dance and kiss.

    Amy Tremont, Duncan Roswell
  67. 67. INT. HOTEL ROOM - NIGHT

    Amy realizes her mistake.

    Amy Tremont, Duncan Roswell
  68. 68. EXT. AMY'S LOFT - DUSK

    Amy returns home.

    Amy Tremont
  69. 69. INT. AMY'S LOFT - DUSK

    Amy finds a note from Virgil.

    Amy Tremont
  70. 70. EXT. AMY'S ROOF - DUSK

    Amy finds Virgil on the roof.

    Virgil Anderson, Amy Tremont
  71. 71. EXT. ROOF - NIGHT

    Virgil and Amy reconcile on the roof, discussing Virgil's experience with sight and his feelings of inadequacy.

    Virgil Anderson, Amy Tremont
  72. 72. INT. LECTURE HALL - DAY

    Dr. Aaron presents Virgil's progress to an audience.

    Virgil Anderson, Dr. Richard Aaron
  73. 73. INT. DOWNTOWN ATHLETIC CLUB - DAY

    Virgil tours the gym and practices using his sight.

    Virgil Anderson
  74. 74. EXT. HEALTH CLUB - DAY

    Virgil exits the building and navigates the street.

    Virgil Anderson
  75. 75. INT. LECTURE HALL - DAY

    Virgil answers questions from the audience about his experience.

    Virgil Anderson, Amy Tremont, Dr. Richard Aaron, Ray Webster
  76. 76. INT. ROSWELL-TREMONT OFFICE - LATE DAY

    Virgil visits Amy's office and sees her work for the first time.

    Virgil Anderson, Amy Tremont
  77. 77. EXT. WORLD TRADE CENTER - LATE DAY

    Virgil and Amy look out over New York City.

    Virgil Anderson, Amy Tremont
  78. 78. INT. AMY'S LOFT - NIGHT

    Virgil and Amy share an intimate moment in the shower.

    Virgil Anderson, Amy Tremont
  79. 79. EXT. AMY'S LOFT - MORNING

    Virgil and Amy part ways for the day.

    Virgil Anderson, Amy Tremont
  80. 80. INT. DOWNTOWN ATHLETIC CLUB - DAY

    Virgil struggles with his vision while working.

    Virgil Anderson

Dialogue examples

To be whole. For just one month. For just one day or one minute. For one goddamned half a second. And not just to be able to run, or ride a bike, or drive a car. But for once not to have a bruise from bumping into something or to stand in a room and have to ask "is anyone here" and here that dead silence, knowing someone is there. Not to have food on my sweater, or have to put my finger in my glass to know when it's full. I just want to be whole. I went to see my father the other day.

Virgil Anderson / Scene 71

There have been a few cases of restored vision in adulthood to a patient blind since birth. The operation is delicate, I'll admit - but nothing as invasive as what you went through as a child. Of course there is always some risks with any operation - infection, swelling - long shot stuff. I would do both eyes at the same time - it's basically out patient surgery.

Dr. Richard Aaron / Scene 24

Yes you do and Virgil doesn't. He spent the first eight years of his life having his eyes prodded, pierced and poked by doctors, faith healers, spiritualists, shamans and medicine men. My father had them lined up out the door. It hurt and disappointed us all and it almost killed him. He doesn't need to go through that again. Now - maybe you understand.

Jennie Anderson / Scene 17

Virgil - look - you have to learn to see - just like you learned to speak. Only this is not like learning a new language - it's like learning language for the first time. Perception - sight - life, is about experience - about reaching out and exploring the world for yourself. It's not enough to just see Virgil -- we've got to look as well.

Ray Webster / Scene 41

Duncan - I know the additions to the mall will cost more.. look, I can't do this on the phone - I'll be in tomorrow.. yes, I remembered they're putting the fixtures in the lobby - I'll get there as well - I'm just asking for one more day.

Amy Tremont / Scene 33

She put me in touch with a Dr. Richard Aaron - the guy's the leading eye surgeon on the eastern seaboard - he's been working with techniques - I don't know all the jargon - but I spoke to him earlier on the phone at the Institute...

Amy Tremont / Scene 15

I prefer to think of it as not winning. I thought you would have been long gone after that outburst from my evil twin brother. We've had him committed you know. Rikers Island - hard time. Can I get you something - - Coke - beer?

Virgil Anderson / Scene 18

Now, you've every right to be upset. Maybe you didn't have the blood vessels to supply enough oxygen to the retinas. - Possibly some trauma - there are so many variables...(beat) to be honest, I don't know. I wish to God I did.

Dr. Richard Aaron / Scene 81

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