Opening Image
Scene 1 / Page 1 / 1% target
Melvin’s cruelty disposing of a neighbor’s dog establishes his misanthropy and obsessive control from the first scene.
Come here, sweetheart... come on.
AS GOOD AS IT GETS script analysis
A misanthropic novelist, Melvin, lives a life of rigid routines and loathing until he becomes unwillingly involved with his neighbor’s dog and later a single mother, Carol. His cold world is cracked open as he cares for Verdell and begins a tentative relationship with Carol and her ailing son, Spencer. A journey (both literal and emotional) to Baltimore with his neighbor Simon marks his midpoint change. Melvin’s worst fears manifest when Carol pushes him away, but he summons courage to fight for connection.
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Scene 1 / Page 1 / 1% target
Melvin’s cruelty disposing of a neighbor’s dog establishes his misanthropy and obsessive control from the first scene.
Come here, sweetheart... come on.
Scene 8 / Page 1 / 5% target
Carol’s warning that Melvin could lose privileges in her restaurant hints that kindness and flexibility lead to lasting rewards.
If you ever mention my son again, you will never be able to eat here again.
Scenes 1-7 / Page 1 / 10% target
We see Melvin’s routines, OCD rituals, and hostile relationships with neighbors and his solitary walks.
Scene 15 / Page 1 / 12% target
Frank leaves Verdell with Melvin, forcing him into unexpected responsibility.
Scenes 27-30 / Page 1 / 20% target
Melvin debates seeking professional help, causing confrontations at the psychiatrist’s office and restaurant.
Hey, elephant girl, call her or something... just let her do my one meal here. I'll pay whatever....
Scenes 32-34 / Page 1 / 25% target
Melvin breaks from isolation by following Carol to Brooklyn and attending to her son in crisis.
Scenes 32-36 / Page 1 / 30% target
Melvin’s relationship with Carol deepens as he helps her and her sick son Spencer.
Scenes 49-52 / Page 1 / 40% target
Melvin and Carol share personal moments in his apartment, and he struggles with intimacy and anxiety in humorous but tender ways.
I'm not going to sleep with you. I will never, ever sleep with you. Never. Not ever.
Scene 58 / Page 1 / 50% target
The trip to Baltimore with Simon marks a point of genuine connection where Carol offers support and Simon expresses independence.
I'm going back with you.
Scene 49 / Page 1 / 65% target
Carol bluntly rejects Melvin’s romantic advance, threatening his newfound hope.
I'm not going to sleep with you. I will never, ever sleep with you. Never. Not ever.
Scene 71 / Page 1 / 75% target
Carol tells Melvin their relationship cannot work, seemingly ending his chance at connection.
I'm sorry, Melvin -- but whatever this is -- is not going to work.
Scene 71 / Page 1 / 80% target
Melvin is left feeling defeated and alone after Carol’s final rebuff.
Scenes 68-70 / Page 1 / 85% target
Melvin musters the courage to visit Carol’s apartment, deciding to fight for their relationship.
Scenes 70-71 / Page 1 / 95% target
Melvin’s visit softens Carol and they reconcile enough to walk together, suggesting a path forward.
Scene 71 / Page 1 / 99% target
The final image of Melvin and Carol walking to a bakery contrasts with the lonely opening, showing Melvin’s transformation.