Opening Image
Scene 1 / Page 1 / 1% target
Mortimer’s embarrassment at obtaining a marriage license establishes his bachelor persona and the film’s comic tone.
Arsenic and Old Lace script analysis
Arsenic and Old Lace follows Mortimer Brewster as he navigates the deadly secrets of his kindly aunts while planning his own marriage. What begins as a light romantic comedy spirals into farcical chaos when Mortimer uncovers a series of murders, his homicidal brother Jonathan, and his commitment-obsessed neighbour Teddy. The story tracks his struggle to protect Elaine and restore order to his family home.
Save the Cat is referenced as a story-analysis framework. SlugDB is not affiliated with Save the Cat or its rights holders.
Scene 1 / Page 1 / 1% target
Mortimer’s embarrassment at obtaining a marriage license establishes his bachelor persona and the film’s comic tone.
Scene 2 / Page 1 / 5% target
Mortimer’s line about being the ‘symbol of bachelorhood’ hints at the theme of commitment versus freedom.
Don't you understand ? How can I marry you ? Me, the symbol of bachelorhood.
Scene 3 / Pages 1-3 / 10% target
We meet Abby, Martha and Teddy, and learn of Mortimer’s comfortable domestic life before the first major twist.
Scene 4 / Pages 3-4 / 12% target
Mortimer’s announcement that he’s secretly married shocks his aunts and triggers the disruption of his ordered world.
Hold on to your bustles. We're married. Elaine and I are married.
Scenes 5-7 / Pages 4-7 / 20% target
Mortimer wrestles with awkward wedding plans and then discovers a corpse in the window-seat, questioning his sanity and his aunts’ motives.
But there's a body in the window-seat !
Scenes 7-8 / Pages 7-8 / 25% target
Confronted with undeniable evidence of murder, Mortimer decides to delve deeper into his aunts’ crimes rather than flee.
Scene 9 / Page 8 / 30% target
Mortimer’s attempts to calm Elaine and arrange Teddy’s commitment subplot bring in his romantic storyline.
Get out of here ! Do you want to be poisoned, do you want to be murdered, do...
Scenes 10-12 / Pages 8-12 / 40% target
A series of comic mishaps: hiding bodies, fleeing in cabs, and a brother’s dramatic arrival keep the tone darkly humorous.
Scene 12 / Page 12 / 50% target
Jonathan’s unexpected arrival raises the stakes; Mortimer’s world turns from eccentric to genuinely dangerous.
Aunt Abby. Aunt Martha. It's Jonathan.
Scenes 17-18 / Pages 17-18 / 65% target
Jonathan’s threats and the police scrutiny tighten the noose around Mortimer’s efforts to cover up the murders.
I'll take care of you, Mortimer, in just a little while.
Scene 27 / Page 27 / 75% target
O’Hara reveals Jonathan as an escaped lunatic, marking a low point where all seems hopeless.
Certainly, he's wanted somewhere. In Indiana ! He escaped from the prison for criminally insane. He's a lifer.
Scenes 28-29 / Pages 28-29 / 80% target
Witherspoon’s arrival underscores Mortimer’s isolation as he wrestles with how to save his aunts, himself and Elaine.
Scene 30 / Page 30 / 85% target
Mortimer secures the commitment papers, synthesizing all he’s learned into a plan to end the chaos.
Why-why... why not ? Why not, indeed ?
Scene 31 / Page 31 / 95% target
The aunts go to Happy Dale and Mortimer learns his true parentage, resolving both murder plot and identity arc.
I'm not really a Brewster ! I'm the son of a sea cook !
Scene 32 / Page 32 / 99% target
Mortimer departs happily with Elaine, bookending the story with domestic harmony restored.