Scripts
ANTITRUST poster

2001

ANTITRUST script

Milo Connor, a brilliant young programmer, accepts a job at the powerful software company Outpost, led by the charismatic but obsessive Gary Boyd. Milo soon discovers that Outpost is secretly stealing code from independent programmers, including his best friend Teddy Chin, who is later murdered. Realizing the company's sinister nature, Milo teams up with fellow Outpost programmer Lisa to expose Gary's illegal activities and bring justice to those wronged. They plan to broadcast evidence of Outpost's corporate espionage and murders using a hidden satellite dish on the Outpost campus. Despite attempts by Outpost security to stop them, Milo and Lisa successfully transmit the incriminating data, leading to Gary Boyd's arrest and the dismantling of his corrupt empire.

Writer
Howard Franklin
IMDb ID (imdb_id)
tt0218817
Script date
2001
118Scenes
10Characters
84Pages
8Dialogue samples

Save the Cat beat sheet

ANTITRUST Save the Cat analysis

A young programmer, Milo, is lured into the world of tech giant Outpost and discovers its dark surveillance secrets after his friend’s suspicious death.

Open full beat sheet
80

Key characters

Milo Connor

Milo Connor is listed as Protagonist / Programmer. 21-year-old computer genius, clear-eyed and innocent. In the parsed data, Milo Connor is connected to 77 scenes, 109 dialogue lines, 109 text mentions, first appearing around scene 21.

77 scenes / 109 dialogue lines

Lisa

Lisa is listed as Outpost Programmer. Beautiful, mysterious, and highly skilled programmer. In the parsed data, Lisa is connected to 39 scenes, 59 dialogue lines, 60 text mentions, first appearing around scene 36.

39 scenes / 59 dialogue lines

Gary Boyd

Gary Boyd is listed as Antagonist / CEO of Outpost. Early 40s, brilliant, powerful, and obsessive software mogul. In the parsed data, Gary Boyd is connected to 23 scenes, 36 dialogue lines, 37 text mentions, first appearing around scene 5.

23 scenes / 36 dialogue lines

Alice Poulson

Alice Poulson is listed as Milo's girlfriend. 21-year-old artist, hiply dressed. In the parsed data, Alice Poulson is connected to 22 scenes, 26 dialogue lines, 26 text mentions, first appearing around scene 40.

22 scenes / 26 dialogue lines

Larry Lindholm

Larry Lindholm is listed as Milo's friend. Skeptical, anti-Outpost programmer. In the parsed data, Larry Lindholm is connected to 19 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 42.

19 scenes / 4 dialogue lines

Bob Shrot

Bob Shrot is listed as Head of Physical Security. 40, ex-cop, suspicious of the geeks. In the parsed data, Bob Shrot is connected to 13 scenes, 8 dialogue lines, 8 text mentions, first appearing around scene 57.

13 scenes / 8 dialogue lines

Phil Tate

Phil Tate is listed as Outpost Senior Manager. 40, bald, ruthless. In the parsed data, Phil Tate is connected to 12 scenes, 9 dialogue lines, 9 text mentions, first appearing around scene 38.

12 scenes / 9 dialogue lines

Teddy Chin

Teddy Chin is listed as Milo's best friend. Third-generation Chinese-American, brilliant coder. In the parsed data, Teddy Chin is connected to 10 scenes, 11 dialogue lines, 11 text mentions, first appearing around scene 37.

10 scenes / 11 dialogue lines

Lyle Barton

Lyle Barton is listed as DOJ Prosecutor. Asst. Prosecutor, Seattle Branch Office. In the parsed data, Lyle Barton is connected to 5 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 9.

5 scenes / 3 dialogue lines

Randy Grimes

Randy Grimes is listed as Outpost Senior Manager. 36, gray eyes. In the parsed data, Randy Grimes is connected to 5 scenes, 1 dialogue line, 1 text mention, first appearing around scene 51.

5 scenes / 1 dialogue lines

Scene outline

  1. 1. EXT. OUTPOST CAMPUS - DAY

    Outpost '98 launch event with balloons and employees.

  2. 2. INT. OUTPOST OFFICE - DAY

    Daryl discusses the company's perks.

  3. 3. INT. COLLEGE AUDITORIUM - EVENING

    Milo and Teddy attend an Outpost recruitment presentation.

    Milo Connor, Teddy Chin, Larry Lindholm
  4. 4. INT. HALLWAY OUTSIDE AUDITORIUM - CONTINUOUS

    Larry exits the auditorium and meets Alice.

    Alice Poulson, Larry Lindholm
  5. 5. INT. AUDITORIUM - CONTINUOUS

    Milo is approached by an Outpost recruiter and receives a call from Gary Boyd.

    Milo Connor, Gary Boyd, Teddy Chin
  6. 6. INT. UNIVERSITY AVENUE DINER - NIGHT

    Milo and friends discuss the job offer.

    Milo Connor, Alice Poulson, Teddy Chin, Larry Lindholm
  7. 7. INT. MILO & ALICE'S APARTMENT - MIDDLE OF THE NIGHT

    Milo and Alice discuss his feelings about Gary Boyd.

    Milo Connor, Alice Poulson
  8. 8. INT. GARY'S WORKROOM - DAY

    Milo visits Gary Boyd at his home.

    Milo Connor, Gary Boyd
  9. 9. INT. MILO & ALICE'S APARTMENT - DAY

    Milo is visited by a DOJ prosecutor.

    Milo Connor, Alice Poulson, Lyle Barton
  10. 10. EXT. OUTPOST CORPORATE CAMPUS - DAY

    Redmond gives Milo a tour of the Outpost campus, showing the facilities and explaining the company culture.

    Milo Connor, Larry Lindholm
  11. 11. EXT. BUILDING 20 QUAD - DAY

    Redmond and Milo arrive at Building 20 and discuss Gary's management style.

    Milo Connor, Larry Lindholm
  12. 12. INT. BLDG. 20 LOBBY - CONTINUOUS

    Milo receives his temporary ID pass.

    Milo Connor, Larry Lindholm
  13. 13. INT. HALLWAY - CONTINUOUS

    Redmond shows Milo the office environment and introduces him to Desi.

    Milo Connor, Larry Lindholm
  14. 14. INT. HALLWAY - MOMENT LATER

    Milo and Redmond pass Lisa's office.

    Milo Connor, Lisa, Larry Lindholm
  15. 15. INT. MILO'S OFFICE - MOMENT LATER

    Redmond shows Milo his new office.

    Milo Connor, Larry Lindholm
  16. 16. INT. OFFICE OF PHYSICAL SECURITY - LATER

    Bob Shrot issues Milo his permanent swipe card and explains security protocols.

    Milo Connor, Larry Lindholm, Bob Shrot
  17. 17. INT. HALLWAY - LATER

    Milo and Redmond discuss Shrot's tense demeanor.

    Milo Connor, Larry Lindholm
  18. 18. EXT. BUILDING 20/PARKING LOT - DAY

    Milo and Redmond discuss the construction of Building 21.

    Milo Connor, Larry Lindholm
  19. 19. INT. BLDG. 20 CAFETERIA - DAY

    Milo and Redmond have lunch; Milo notices Lisa again.

    Milo Connor, Lisa, Larry Lindholm, Phil Tate, Randy Grimes
  20. 20. INT. BLDG. 20 HALLWAY - CONTINUOUS

    Lisa sneaks into Milo's office.

    Lisa
  21. 21. INT. MILO'S OFFICE - LATER

    Gary visits Milo to introduce himself as his counselor.

    Milo Connor, Gary Boyd
  22. 22. EXT. QUAD - OUTSIDE MILO'S OFFICE - LATER

    Geeks observe Gary in Milo's office.

    Gary Boyd
  23. 23. INT. MILO'S OFFICE - CONTINUOUS

    Gary gives Milo advice on coding.

    Milo Connor, Gary Boyd
  24. 24. INT. EMPTY HOUSE - EVENING

    Milo and Alice visit their new home.

    Milo Connor, Alice Poulson
  25. 25. INT. OUTPOST CONFERENCE ROOM - DAY

    Gary is deposed by DOJ agents.

    Gary Boyd, Lyle Barton, Phil Tate
  26. 26. INT. AN OFFICE - A MOMENT LATER

    Phil gives Gary a page of code.

    Gary Boyd, Phil Tate
  27. 27. INT. MILO'S OFFICE - DAY

    Gary brings Milo new code.

    Milo Connor, Gary Boyd
  28. 28. INT. LISA'S APARTMENT - NIGHT

    Lisa watches a news report about a suicide.

    Lisa
  29. 29. INT. BUILDING 20 HALLWAY - DAY

    Lisa approaches Milo.

    Milo Connor, Lisa
  30. 30. INT. MILO'S OFFICE - DAY

    Lisa shows Milo her graphical interface work.

    Milo Connor, Lisa
  31. 31. INT. ANTEROOM - GARY'S OFFICE - DAY

    Milo waits to see Gary.

    Milo Connor, Gary Boyd
  32. 32. INT. GARY'S OFFICE - A MOMENT LATER

    Gary gives Milo more code.

    Milo Connor, Gary Boyd
  33. 33. INT. SEATTLE RESTAURANT - NIGHT

    Milo and Alice have dinner.

    Milo Connor, Alice Poulson
  34. 34. EXT. TERRACE OUTSIDE CAFETERIA - DAY

    Milo and Lisa have lunch.

    Milo Connor, Lisa
  35. 35. EXT. BLDG. 20 QUAD - DAY

    Milo and Lisa walk together; Brian interrupts.

    Milo Connor, Lisa
  36. 36. INT. Milo's Office - DAY

    Milo talks to Brian, who asks for help with his programming. Lisa is present. Milo mentions his girlfriend.

    Milo Connor, Lisa
  37. 37. EXT. Gas Station - NIGHT

    Milo calls Teddy from a phone booth to discuss hacking and his new relationship.

    Milo Connor, Teddy Chin
  38. 38. EXT. Building #20 Quad - DAY

    Gary and Phil discuss Milo's work and Gary's desire to be liked by him.

    Gary Boyd, Phil Tate
  39. 39. EXT. Building #20 Parking Lot - EVENING

    Gary walks Milo to his car, appearing to apologize.

    Milo Connor, Gary Boyd
  40. 40. INT/EXT. Milo & Alice's House - EVENING

    Alice tells Milo that Teddy was killed in a hate crime.

    Milo Connor, Alice Poulson
  41. 41. INT. Teddy's Workspace - DAY

    Milo visits Teddy's workspace and finds a fiber optic filament.

    Milo Connor, Alice Poulson
  42. 42. EXT. Bluff Over the Pacific - DAY

    Milo attends Teddy's funeral and talks to Larry.

    Milo Connor, Alice Poulson, Larry Lindholm
  43. 43. INT. Milo's Office - DAY

    Milo returns to work and Gary approaches him to discuss Teddy.

    Milo Connor, Gary Boyd
  44. 44. EXT. Dining Room Terrace - DAY

    Gary shows Milo his code, which uses the same phrase Teddy used.

    Milo Connor, Gary Boyd, Lisa
  45. 45. INT/EXT. Milo & Alice's House - DAY

    Milo realizes the fiber optic filament is a camera and suspects Outpost.

    Milo Connor, Alice Poulson
  46. 46. INT. Physical Security Office - DAY

    Milo infiltrates the security office to manipulate the system.

    Milo Connor, Bob Shrot
  47. 47. INT. Building 21 - NIGHT

    Milo explores Building 21 and finds only a generator.

    Milo Connor
  48. 48. EXT. Building 20 Quad - NIGHT

    Milo realizes the dog sculpture is a satellite dish.

    Milo Connor
  49. 49. EXT. QUAD - CONTINUOUS

    Milo tracks a path to a bench, notices a dog sculpture that resembles a satellite dish, and realizes something is hidden in plain sight.

    Milo Connor
  50. 50. INT. DAY CARE CENTER - CONTINUOUS

    Milo enters the Day Care and discovers a secret computer room where he accesses surveillance data.

    Milo Connor
  51. 51. INT. PHIL'S OFFICE - CONTINUOUS

    Phil and Randy discuss their surveillance operations.

    Phil Tate, Randy Grimes
  52. 52. INT. DAY CARE - COMPUTER ROOM - CONTINUOUS

    Milo uses his swipe card to bypass security and watches disturbing surveillance footage.

    Milo Connor
  53. 53. INT. DAY CARE - COMPUTER ROOM - CONTINUOUS

    Milo hides under the table while Randy enters the room.

    Milo Connor, Randy Grimes
  54. 54. INT. DEPARTMENT OF JUSTICE - MORNING

    Milo visits Lyle Barton at the DOJ to report his findings.

    Milo Connor, Lyle Barton
  55. 55. INT. MILO & ALICE'S HOUSE - MORNING

    Alice reports to Phil about Milo's behavior.

    Alice Poulson, Phil Tate
  56. 56. EXT. CITY PARK - NIGHT

    Milo and Lisa meet in the rain to discuss the conspiracy.

    Milo Connor, Lisa
  57. 57. INT. PHYSICAL SECURITY OFFICE - MORNING

    Bob Shrot and Len Dietz discover an irregularity in the security camera system.

    Bob Shrot, Lisa
  58. 58. EXT. GAS STATION - CONTINUOUS

    Milo and Lisa discuss posting information about Gary on the internet.

    Milo Connor, Lisa
  59. 59. INT. PHYSICAL SECURITY OFFICE - CONTINUOUS

    Shrot and Len discuss the frozen cameras and decide to check card entries.

    Bob Shrot, Lisa
  60. 60. EXT. GAS STATION - CONTINUOUS

    Milo and Lisa discuss finding a media outlet to expose Gary.

    Milo Connor, Lisa
  61. 61. INT. PHYSICAL SECURITY OFFICE - DAY

    Shrot and Len watch the printer output swipe card entries.

    Bob Shrot, Lisa
  62. 62. INT. MILO'S OFFICE - DAY

    Gary visits Milo and questions him about his past.

    Milo Connor, Gary Boyd
  63. 63. EXT. PUBLIC LIBRARY - NIGHT

    Establishment of the library.

  64. 64. INT. LIBRARY - NIGHT

    Milo and Lisa research media ownership to find a way to expose Gary.

    Milo Connor, Lisa
  65. 65. EXT. LIBRARY/PARK - NIGHT

    Milo and Lisa plan the broadcast and discuss the risks.

    Milo Connor, Lisa
  66. 66. INT. MILO'S OFFICE - NIGHT

    Milo's phone rings.

    Milo Connor
  67. 67. INT. ALICE'S STUDIO - CONTINUOUS

    Alice hangs up on Milo.

    Alice Poulson
  68. 68. INT. MOTEL ROOM - LATER

    Milo and Lisa discuss their situation and Milo's plan to release the code.

    Milo Connor, Lisa
  69. 69. INT. MILO & ALICE'S HOUSE - LATER

    Milo returns home and lies to Alice about where he was.

    Milo Connor, Alice Poulson
  70. 70. INT. PHYSICAL SECURITY OFFICE - MORNING

    Shrot and Len continue investigating the card entries.

    Bob Shrot, Lisa
  71. 71. INT. MILO & ALICE'S HOUSE - MORNING

    Milo sees a news report about Gary's party and confronts Alice about not being invited.

    Milo Connor, Alice Poulson
  72. 72. EXT. BUILDING 21 - DAY

    Lisa climbs the scaffolding to access the satellite dish.

    Lisa
  73. 73. EXT. SAINT CATHERINE'S DAY SCHOOL - DAY

    Establishment of the school.

  74. 74. INT. LIBRARY - SAINT CATHERINE'S - DAY

    Milo uses a computer at the school to work on the code.

    Milo Connor
  75. 75. INT. PHYSICAL SECURITY OFFICE - DAY

    Lisa visits Shrot to explain her presence at the building.

    Lisa, Bob Shrot
  76. 76. INT. SEATTLE MONORAIL CAR - NIGHT

    Milo and Lisa meet and discuss the progress.

    Milo Connor, Lisa
  77. 77. INT. BUILDING 20 CAFETERIA - DAY

    Gary invites Milo to his benefit party.

    Milo Connor, Gary Boyd
  78. 78. INT. PHYSICAL SECURITY OFFICE - DAY

    Shrot and Len question Delbert about the card entries.

    Bob Shrot, Lisa
  79. 79. INT. PUBLIC LIBRARY - DAY

    Milo and Lisa finalize the graphic interface for the broadcast.

    Milo Connor, Lisa
  80. 80. EXT. GARY'S HOUSE - NIGHT

    Milo and Alice arrive at Gary's party.

    Milo Connor, Alice Poulson

Dialogue examples

Time-Warner has a 40 per cent stake in Gary's set-top device. That also takes out CNN. "GE joins Outpost in new venture," which means NBC is out. "Disney joins Outpost," ABC is out. "Outpost and Newscorp in new deal," Fox is out. Any of these places could have a mole. Or all of 'em. It's like a a continuous loop. We can go to some alternative press place that 1,000 people read, get them and us killed. But anything big enough for this is a parent of or a subsidiary to something Gary's got a finger in!

Milo Connor / Scene 64

Beggar. We're at a disadvantage with Outpost. Our experts aren't as smart as theirs. Sometimes we can't tell which technologies pose the threat of a monopoly. We need a really smart guy to help us pick our fights. I'm taking a shot in the dark, here. I can offer you 32,000 a year, a Buick. I'm hoping you've got a feeling it's the right thing to do.

Lyle Barton / Scene 9

You'd have to start practically from scratch. But this is all you'd be working on. No marketing meetings, no product seminars. We can't waste the time. Half the Valley's working on convergence. So're media conglomerates, cable companies, phone companies. 'Can't finish second, Milo. There is no second... Now what would you like to ask me?

Gary Boyd / Scene 8

Not yet. 'Love to bust my ass cause I'm not in frigging Mensa. I swear to God, it's that kid Milo, I told 'em so in the first place, but they didn't even wanna hear about it. Let's run a printout on card entries.

Bob Shrot / Scene 59

One window'll be obits I downloaded, based on the scenarios you described. The other windows'll accommodate the surveillance stuff you told me about. The idea is, this works with anything, since we can't edit.

Lisa / Scene 79

I know you think I'm too attached to him, but still. I am close to Gary. And you're the most meaningful person in my life. I'm going back to the Comix place, why should I be killing myself.

Milo Connor / Scene 71

Milo, you told me those DOJ Agents are all over the place. How could they hope to hide a surveillance post? And how can you get in there, anyway? With the cameras and the swipe cards --

Alice Poulson / Scene 45

Okay, yeah. I did something naughty... There's this amazing Comix store in Seattle. To tell you the truth, I did it once or twice at Stanford. 'Guess I can't keep anything from you...

Milo Connor / Scene 69

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