Scripts
AMERICAN SPLENDOR poster

Screenplay data

AMERICAN SPLENDOR script

Harvey Pekar, a curmudgeonly file clerk and aspiring writer, struggles with his mundane life in Cleveland, Ohio, finding an outlet by writing autobiographical comic books illustrated by his friend, Robert Crumb. After a series of failed relationships and a period of profound loneliness, Harvey begins a correspondence with Joyce Brabner, an intelligent but depressive woman from Delaware, leading to an awkward first meeting and their eventual marriage. Their relationship is a constant push and pull between Harvey's stubbornness and Joyce's anxieties, further complicated by Harvey's growing fame, including contentious appearances on the David Letterman show. Harvey's life takes a serious turn when he is diagnosed with cancer, forcing him and Joyce to confront their mortality and deepen their bond as they navigate his treatment and continue to create comics about their experiences.

Writer
Robert Pulcini and Shari Springer Berman
IMDb ID (imdb_id)
tt0305206
Script date
PRODUCTION DRAFT
88Scenes
9Characters
64Pages
8Dialogue samples

Save the Cat beat sheet

AMERICAN SPLENDOR Save the Cat analysis

American Splendor follows Harvey Pekar’s ordinary life as a file clerk turned underground comic writer, his partnership with Robert Crumb, and a late-in-life romance with Joyce that leads to unexpected challenges.

Open full beat sheet
78

Key characters

Harvey Pekar

Harvey Pekar is listed as Protagonist. A schlumpy, curmudgeonly file clerk who writes autobiographical comic books. In the parsed data, Harvey Pekar is connected to 82 scenes, 171 dialogue lines, 182 text mentions, first appearing around scene 1.

82 scenes / 171 dialogue lines

Joyce Brabner

Joyce Brabner is listed as Harvey's third wife. An intelligent, controlling, and depressive woman obsessed with negative things. In the parsed data, Joyce Brabner is connected to 42 scenes, 90 dialogue lines, 91 text mentions, first appearing around scene 1.

42 scenes / 90 dialogue lines

Toby Radloff

Toby Radloff is listed as Harvey's friend. A socially awkward, monotone, robotic nerd who loves White Castle. In the parsed data, Toby Radloff is connected to 10 scenes, 22 dialogue lines, 22 text mentions, first appearing around scene 15.

10 scenes / 22 dialogue lines

Danielle

Danielle is listed as Adopted daughter. A young girl who becomes part of Harvey and Joyce's family. In the parsed data, Danielle is connected to 10 scenes, 10 dialogue lines, 13 text mentions, first appearing around scene 71.

10 scenes / 10 dialogue lines

Fred

Fred is listed as Comic artist. A tough-looking but sensitive artist. In the parsed data, Fred is connected to 5 scenes, 6 dialogue lines, 9 text mentions, first appearing around scene 71.

5 scenes / 6 dialogue lines

Mr. Boats

Mr. Boats is listed as Co-worker. A portly, philosophical African-American maintenance worker. In the parsed data, Mr. Boats is connected to 5 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 5.

5 scenes / 4 dialogue lines

Robert Crumb

Robert Crumb is listed as Comic artist. A shy, odd, and talented underground cartoonist. In the parsed data, Robert Crumb is connected to 5 scenes, 4 dialogue lines, 4 text mentions, first appearing around scene 8.

5 scenes / 4 dialogue lines

Alice Quinn

Alice Quinn is listed as Acquaintance. A weary woman from Harvey's college days. In the parsed data, Alice Quinn is connected to 3 scenes, 11 dialogue lines, 12 text mentions, first appearing around scene 11.

3 scenes / 11 dialogue lines

Lana

Lana is listed as Ex-wife. A hippyish woman with a bad attitude. In the parsed data, Lana is connected to 1 scene, first appearing around scene 4.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. HARVEY'S BEDROOM - NIGHT

    Harvey wakes up in the middle of the night, delirious and questioning his existence, before collapsing in front of his wife Joyce.

    Harvey Pekar, Joyce Brabner
  2. 2. EXT. CLEVELAND ROW HOUSE - DAY

    A young Harvey Pekar goes trick-or-treating with other boys, feeling alienated and refusing to dress up as a superhero.

    Harvey Pekar
  3. 3. INT. EXAMINATION ROOM - DAY

    Harvey visits a doctor regarding his lost voice and marital issues, fearing he has cancer.

    Harvey Pekar
  4. 4. INT. HARVEY'S LIVING ROOM - DAY

    Harvey's second wife, Lana, leaves him while he is unable to speak.

    Harvey Pekar, Lana
  5. 5. INT. FILE ROOM - DAY

    Harvey interacts with his co-worker Mr. Boats at the V.A. Hospital.

    Harvey Pekar, Mr. Boats
  6. 6. EXT. CLEVELAND GARAGE SALE - DAY

    Harvey meets Robert Crumb at a garage sale.

    Harvey Pekar, Robert Crumb
  7. 7. INT. HARVEY'S LIVING ROOM - DAY

    Harvey and Crumb hang out, with Crumb sketching Harvey.

    Harvey Pekar, Robert Crumb
  8. 8. EXT. BUS STOP - 1975 - DAY

    Harvey and Crumb sit on a park bench discussing Harvey's life, his divorce, his throat surgery, and his writing.

    Harvey Pekar, Robert Crumb
  9. 9. INT. V.A. HOSPITAL - 1975 - DAY

    Harvey works in the file room, accidentally drops files, and becomes depressed after reading a file of a deceased clerk.

    Harvey Pekar
  10. 10. INT. HARVEY'S APARTMENT - 1975 - MORNING

    Harvey struggles to find inspiration for his writing.

    Harvey Pekar
  11. 11. INT. SUPERMARKET - 1975 - DAY

    Harvey gets stuck in a checkout line behind an old lady, leading to a meta-commentary with his cartoon self.

    Harvey Pekar
  12. 12. INT. HARVEY'S KITCHEN - NIGHT

    Harvey begins storyboarding his first comic.

    Harvey Pekar
  13. 13. INT. HARVEY'S KITCHEN - 1975 - MORNING

    Harvey wakes up, proud of his work, and observes workers outside.

    Harvey Pekar
  14. 14. INT. CLEVELAND DINER - 1975 - DAY

    Harvey shows his comic mock-ups to Crumb, who agrees to illustrate them.

    Harvey Pekar, Robert Crumb
  15. 15. INT. V.A. HOSPITAL SNACK ROOM - DAY

    Harvey shows off the first issue of American Splendor to his co-workers.

    Harvey Pekar, Toby Radloff, Mr. Boats
  16. 16. EXT. STREET CORNER - 1975 - DAY

    Harvey hangs out with his friends who tease him about his new comic.

    Harvey Pekar
  17. 17. INT. SOUND STAGE - PRESENT - DAY

    Documentary footage of Harvey discussing the impact of his comics.

    Harvey Pekar
  18. 18. INT. HARVEY'S CUBICLE - 1980'S - DAY

    Harvey reflects on his life and routine in the 1980s.

    Harvey Pekar, Toby Radloff
  19. 19. INT. V.A. HOSPITAL SET - PRESENT - DAY

    Behind the scenes of the movie production.

    Harvey Pekar, Toby Radloff
  20. 20. INT. HARVEY'S BEDROOM - 1980'S - MORNING

    Harvey reflects on his loneliness.

    Harvey Pekar
  21. 21. EXT. PEDESTRIAN BRIDGE - DAY

    Harvey watches traffic from a bridge.

    Harvey Pekar
  22. 22. INT. BAKERY - 1980'S - MORNING

    Harvey runs into an old college acquaintance, Alice.

    Harvey Pekar, Alice Quinn
  23. 23. EXT. BAKERY - DAY

    Harvey and Alice discuss literature and their lives while walking to her car.

    Harvey Pekar, Alice Quinn
  24. 24. INT. HARVEY'S LIVING ROOM - NIGHT

    Harvey reflects on his loneliness and the book he just finished.

    Harvey Pekar
  25. 25. EXT. COSMIC COMICS STORE - DAY

    Establishing shot of the comic store in Delaware.

  26. 26. INT. COSMIC COMICS STORE - DAY

    Joyce is upset because the store sold out of American Splendor.

    Joyce Brabner
  27. 27. INT. JOYCE'S BEDROOM - NIGHT

    Joyce writes a letter to Harvey.

    Joyce Brabner
  28. 28. EXT. HARVEY'S APARTMENT VESTIBULE - DAY

    Harvey receives a letter from Joyce.

    Harvey Pekar
  29. 29. INT. HARVEY'S BATHROOM - DAY

    Harvey reads Joyce's letter.

    Harvey Pekar
  30. 30. INT. HARVEY'S BEDROOM - NIGHT

    Harvey and Joyce begin a correspondence and phone relationship.

    Harvey Pekar, Joyce Brabner
  31. 31. INT. AIRPORT ARRIVALS GATE - DAY

    Harvey and Joyce meet in person for the first time.

    Harvey Pekar, Joyce Brabner
  32. 32. INT. TGIF STYLE RESTAURANT - NIGHT

    Harvey and Joyce have an awkward first date.

    Harvey Pekar, Joyce Brabner
  33. 33. INT. HARVEY'S APARTMENT - NIGHT

    Harvey and Joyce return home and share an intimate moment interrupted by Joyce's illness.

    Harvey Pekar, Joyce Brabner
  34. 34. INT. HARVEY'S BEDROOM - DAY

    Harvey and Joyce discuss their future.

    Harvey Pekar, Joyce Brabner
  35. 35. EXT. V.A. HOSPITAL PARKING LOT - DAY

    Harvey talks to Toby about his upcoming marriage and the movie Revenge of the Nerds.

    Harvey Pekar, Toby Radloff
  36. 36. EXT. MOVIE THEATER - NIGHT

    Harvey, Joyce, and Toby leave the theater after watching the movie.

    Harvey Pekar, Joyce Brabner, Toby Radloff
  37. 37. INT. REHEARSAL STUDIO - DAY

    Documentary footage of the director discussing the characters.

    Harvey Pekar, Joyce Brabner
  38. 38. INT. HARVEY'S LIVING ROOM - DAY

    Joyce cleans and tries to organize while Harvey resists getting rid of his 78 records, leading to an argument about their relationship and Harvey's personality.

    Harvey Pekar, Joyce Brabner
  39. 39. INT. CLEVELAND COMIC BOOK STORE - DAY

    Neurosis montage scene where Crumb interacts with a fan.

    Harvey Pekar, Joyce Brabner, Robert Crumb
  40. 40. EXT. PARKING LOT - V.A. HOSPITAL - DAY

    Joyce picks up Harvey from work and labels Mr. Boats.

    Harvey Pekar, Joyce Brabner, Mr. Boats
  41. 41. INT. HARVEY'S LIVING ROOM - DAY

    Harvey leaves a message on the machine about a play; Joyce labels him.

    Harvey Pekar, Joyce Brabner
  42. 42. INT. THEATER - EVENING

    Harvey and Joyce watch a play about their lives.

    Harvey Pekar, Joyce Brabner
  43. 43. INT. AIRPORT - DAY

    Harvey and Joyce walk through the terminal discussing the play.

    Harvey Pekar, Joyce Brabner
  44. 44. INT. AIRPORT - BAGGAGE CLAIM - DAY

    Joyce brings up the idea of having a family; Harvey refuses.

    Harvey Pekar, Joyce Brabner
  45. 45. INT. HARVEY'S LIVING ROOM - DAY

    Harvey and Joyce argue about the mess and her depression.

    Harvey Pekar, Joyce Brabner
  46. 46. INT. SUPERMARKET - DAY

    Harvey buys herbal tea for Joyce.

    Harvey Pekar
  47. 47. INT. HARVEY'S LIVING ROOM - DAY

    Harvey tries to cheer Joyce up; they receive a call from Letterman's producer.

    Harvey Pekar, Joyce Brabner
  48. 48. EXT. MANHATTAN SKYLINE - DAY

    Establishing shot of New York.

  49. 49. EXT. WASHINGTON SQUARE PARK - DAY

    Harvey and Joyce eat lunch in the park.

    Harvey Pekar, Joyce Brabner
  50. 50. INT. HOTEL HALLWAY - DAY

    Harvey walks down the hall in his underwear.

    Harvey Pekar
  51. 51. INT. NEW YORK HOTEL ROOM - DAY

    Harvey and Joyce prepare for the Letterman show.

    Harvey Pekar, Joyce Brabner
  52. 52. INT. GREEN ROOM - NBC STUDIOS - DAY

    Harvey and Joyce wait for the Letterman show.

    Harvey Pekar, Joyce Brabner
  53. 53. INT. WHITE CASTLE - DAY

    Toby films a commercial; Harvey visits the set.

    Harvey Pekar, Toby Radloff
  54. 54. INT. CLEVELAND DINER - DAY

    Harvey and Joyce eat breakfast; a fan approaches Harvey.

    Harvey Pekar, Joyce Brabner
  55. 55. INT. Harvey's Apartment - DAY

    Harvey and Joyce eat breakfast and argue about Joyce's plan to visit Jerusalem for a political comic project.

    Harvey Pekar, Joyce Brabner
  56. 56. EXT. Harvey's Apartment - DAY

    Harvey drops Joyce off at a cab for her trip to Jerusalem.

    Harvey Pekar, Joyce Brabner
  57. 57. INT. Harvey's Bedroom - NIGHT

    Harvey discovers a lump while alone in bed.

    Harvey Pekar
  58. 58. INT. V.A. Hospital - DAY

    Harvey gets into an argument with his co-worker Miguel.

    Harvey Pekar, Mr. Boats
  59. 59. INT. Harvey's Living Room - NIGHT

    Harvey struggles to draw comic ideas.

    Harvey Pekar
  60. 60. INT. Harvey's Bedroom - DAY

    Harvey is unable to sleep.

    Harvey Pekar
  61. 61. INT. Harvey's Living Room - DAY

    Harvey yells at Joyce over the phone.

    Harvey Pekar
  62. 62. INT. Back Stage - NBC Studios - DAY

    Harvey prepares for his Letterman appearance.

    Harvey Pekar
  63. 63. INT. Green Room - NBC Studios - DAY

    Harvey confronts Letterman on air.

    Harvey Pekar
  64. 64. INT. Toby's Living Room - DAY

    Toby watches Harvey on Letterman.

    Toby Radloff
  65. 65. INT. Mr. Boat's Kitchen - DAY

    Mr. Boats watches Harvey on Letterman.

    Mr. Boats
  66. 66. INT. Town Car - DAY

    Harvey rides in a car while hearing the show in his head.

    Harvey Pekar
  67. 67. INT. Harvey's Apartment - Bedroom - NIGHT

    Joyce returns and they discuss their relationship.

    Harvey Pekar, Joyce Brabner
  68. 68. INT. Hospital Room - DAY

    Harvey and Joyce receive a cancer diagnosis.

    Harvey Pekar, Joyce Brabner
  69. 69. INT. Harvey's Apartment - DAY

    Harvey and Joyce process the diagnosis.

    Harvey Pekar, Joyce Brabner
  70. 70. INT. Harvey's Bedroom - DAY

    Harvey and Joyce rest.

    Harvey Pekar, Joyce Brabner
  71. 71. INT. Harvey's Apartment - DAY

    Fred the artist arrives to work on the comic.

    Joyce Brabner, Danielle, Fred
  72. 72. EXT. Harvey's Apartment - DAY

    Harvey returns home and struggles to get in.

    Harvey Pekar, Joyce Brabner, Danielle, Fred
  73. 73. INT. Harvey's Apartment - DAY

    Harvey reviews Fred's sketches.

    Harvey Pekar, Joyce Brabner, Danielle, Fred
  74. 74. INT. Hospital Hallway - DAY

    Montage of Harvey's treatment.

    Harvey Pekar
  75. 75. INT. Harvey's Apartment - DAY

    Harvey, Joyce, and Fred work on the comic.

    Harvey Pekar, Joyce Brabner, Fred
  76. 76. INT. Harvey's Shower - DAY

    Harvey deals with hair loss.

    Harvey Pekar
  77. 77. INT. Harvey's Kitchen - DAY

    Harvey reviews more art.

    Harvey Pekar, Joyce Brabner, Danielle, Fred
  78. 78. INT. Harvey's Bathroom - DAY

    Harvey is depressed on the floor.

    Harvey Pekar
  79. 79. INT. Harvey's Bedroom - NIGHT

    Harvey has a delirious moment with Joyce.

    Harvey Pekar, Joyce Brabner
  80. 80. INT. Harvey's Bedroom - DAY

    Harvey has a surreal dream sequence.

    Harvey Pekar

Dialogue examples

Yes, I consider myself a nerd. And this movie has uplifted me. There's this one scene where a nerd grabs the microphone during a pep rally and announces that he is a nerd and that he is proud of it and stands up for the rights of other nerds. Then, he asks the kids at the pep rally who think they are nerds to come forward... So nearly everyone in the place does. That's the way the movie ends.

Toby Radloff / Scene 35

Yeah, so I guess comics brought me a lot. But don't think this is some sunny, happy ending. Every day is still a major struggle. Joyce an' I fight like crazy, an' she barely works. The kid's got A.D.D. and is a real handful. My expenses have gone up so much that I'm writin' freelance 'round the clock, just to make my bills. My life is total chaos.

Harvey Pekar / Scene 86

Hmm. I support and identify with groups like PETA, but unfortunately I'm a self-diagnosed anemic. Also, I have all these food allergies to vegetables that give me serious intestinal distress. I guess I have a lot of borderline health disorders that limit me politically when it comes to eating.

Joyce Brabner / Scene 32

Uh, she said something about next Tuesday, which is fine with me. Only thing is, I might have the kid again. My ex-wife's supposed to take her, but I don't have much faith in her showing up. She is in worse shape than me these days.

Fred / Scene 73

Listen, goily, dese glasses are six for $2.00 because I couldn't carry twelf... But I vanted twelf so today I'm buying six more... But you should only charge me $1.50 for dem... It's ok, you can esk de meneger.

Alice Quinn / Scene 11

Y'see, I wasn't even married a month and my old lady was already showin' signs a' trouble. Granted, I tend ta get married fast 'cause I'll take any woman that'll have me, but this time I really met my match...

Harvey Pekar / Scene 36

Sure, I'd be glad t'come. But if you really wanna do me a favor, introduce me to some a' your single girlfriends. I bet they're all smart like you. I'm no catch, though, so I'll take anything you can get me.

Harvey Pekar / Scene 23

But don't think I buy into this 'growth' crap. Everybody talks about how bad experiences can cause ya t'grow, an' all that clichéd stuff. I've had enough bad experiences and growth to last me plenty.

Harvey Pekar / Scene 8

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