Opening Image
Scene 1 / Page 1 / 1% target
Rocco’s monologue establishes the film’s moral dichotomy of talkers versus doers.
There's two kinds of people in this world when you boil it all down. You got your talkers...
ALL SAINTS DAY script analysis
ALL SAINTS DAY follows two Irish‐American brothers, Connor and Murphy MacManus, as they return from exile to Boston to avenge a murdered priest. Alongside rookie agent Eunice Bloom, they wage a holy war against mob boss Concezio Yakavetta and ultimately confront a larger conspiracy.
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Scene 1 / Page 1 / 1% target
Rocco’s monologue establishes the film’s moral dichotomy of talkers versus doers.
There's two kinds of people in this world when you boil it all down. You got your talkers...
Scene 2 / Pages 1-2 / 5% target
Connor’s remark about an oncoming storm foreshadows the incoming violence and tests of faith.
Looks like a storm's comin'.
Scenes 1-8 / Pages 1-10 / 10% target
We see the brothers’ life in Ireland, the family farm, and the threat of wolves before news of the murdered priest interrupts.
Scene 10 / Page 11 / 12% target
Sibeal tells the brothers about the murdered priest in Boston, forcing them to act.
The priest. Did they release his name?
Scenes 10-16 / Pages 11-16 / 20% target
The brothers wrestle with Poppa M’s refusal and weigh whether to return to Boston for vengeance.
Scene 19 / Page 17 / 25% target
They save Romeo on the ship, committing fully to the violent journey ahead.
Just protectin' our investment. Ya made us fifty bucks.
Scenes 15-18 / Pages 13-18 / 30% target
Eunice Bloom arrives and begins investigating the priest’s murder, providing the emotional and procedural counterpoint.
You hafta be Detectives Dolly and Duffy. Am I right?
Scenes 20-34 / Pages 18-40 / 40% target
The brothers execute warehouse raids, gather intel, and bond with Romeo, showcasing the ‘fun’ of vigilante justice.
...as the terrible hand of the Lord struck upon the earth.
Scene 42 / Page 41 / 50% target
At the auto body meeting, George rallies the mob, raising the stakes and marking a false victory for the antagonists.
Spread the word to all the brugliones. No bullshit. From your mouth to their ears.
Scenes 49-53 / Pages 45-48 / 65% target
Confrontations with George accelerate, and the police tighten their net on both sides.
Lovely voice. We'd like ya ta sing for us. What do ya say?
Scene 57 / Page 50 / 75% target
The ambush at El Cava culminates in heavy losses and the illusion that the Saints are finished.
It's Irish for "You're fucked."
Scenes 65-66 / Pages 53-54 / 80% target
At McGinty’s, the brothers and detectives ponder the cost of their campaign and question their next move.
I'm glad we got the band back together... even though our new bass player's kind of a retard.
Scene 71 / Page 58 / 85% target
They commit to storming the Prudential Building, ready for the final showdown.
Scenes 74-76 / Pages 59-61 / 95% target
A slow‐motion gun battle leads to Yakavetta’s execution and the revelation of ‘The Roman,’ resolving major conflicts.
And that, gentlemen...is the sound of the fat lady singin'.
Scene 85 / Page 62 / 99% target
The brothers awaken in prison, mocking fellow inmates, illustrating their unbroken spirit despite defeat.