Scripts
ALL ABOUT STEVE poster

2006

ALL ABOUT STEVE script

Mary Horowitz, an eccentric and socially awkward crossword puzzle constructor, becomes obsessed with CNN cameraman Steve after a disastrous blind date. Convinced they are soulmates, Mary quits her job and begins following Steve and his news crew across the country, much to the dismay of her parents and Steve himself. Mary's relentless pursuit, often aided by her new friends Howard and Elizabeth, leads her to various news events, where she frequently causes chaos and inadvertently interferes with Steve's work. During a mine collapse rescue, Mary falls into the mine shaft, becoming a national news sensation and forcing Steve to confront his feelings as he reports on her perilous situation.

Writer
Kim Barker
IMDb ID (imdb_id)
tt0881891
Script date
November 2006
106Scenes
9Characters
81Pages
8Dialogue samples

Save the Cat beat sheet

ALL ABOUT STEVE Save the Cat analysis

Mary Horowitz, a quirky puzzle enthusiast, loses her job and becomes infatuated with news cameraman Steve.

Open full beat sheet
80

Key characters

Mary Horowitz

Mary Horowitz is listed as Protagonist. A crossword puzzle constructor with high intelligence, social awkwardness, and a tendency to talk incessantly. In the parsed data, Mary Horowitz is connected to 44 scenes, 51 dialogue lines, 52 text mentions, first appearing around scene 1.

44 scenes / 51 dialogue lines

Hartman Hughes

Hartman Hughes is listed as CNN Reporter. A self-absorbed, manipulative reporter who works with Steve. In the parsed data, Hartman Hughes is connected to 23 scenes, 10 dialogue lines, 11 text mentions, first appearing around scene 13.

23 scenes / 10 dialogue lines

Steve

Steve is listed as Love Interest. A CNN cameraman who is the subject of Mary's obsession. In the parsed data, Steve is connected to 21 scenes, 10 dialogue lines, 13 text mentions, first appearing around scene 21.

21 scenes / 10 dialogue lines

Howard

Howard is listed as Friend. An apple sculptor who becomes one of Mary's traveling companions. In the parsed data, Howard is connected to 18 scenes, 1 dialogue line, 1 text mention, first appearing around scene 25.

18 scenes / 1 dialogue lines

Angus McCormack

Angus McCormack is listed as CNN Producer. A producer for the CNN news crew. In the parsed data, Angus McCormack is connected to 15 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 24.

15 scenes / 2 dialogue lines

Mrs. Horowitz

Mrs. Horowitz is listed as Mary's Mother. Concerned mother who wants Mary to have a normal life. In the parsed data, Mrs. Horowitz is connected to 12 scenes, 1 dialogue line, 2 text mentions, first appearing around scene 45.

12 scenes / 1 dialogue lines

Mr. Horowitz

Mr. Horowitz is listed as Mary's Father. Professorial and often exasperated by Mary's behavior. In the parsed data, Mr. Horowitz is connected to 12 scenes, 1 dialogue line, 1 text mention, first appearing around scene 5.

12 scenes / 1 dialogue lines

Elizabeth

Elizabeth is listed as Friend. A protestor who becomes one of Mary's traveling companions. In the parsed data, Elizabeth is connected to 9 scenes, 1 dialogue line, 1 text mention, first appearing around scene 10.

9 scenes / 1 dialogue lines

Jim Soloman

Jim Soloman is listed as Editor. Editor at the Atlanta Citizen newspaper. In the parsed data, Jim Soloman is connected to 2 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 4.

2 scenes / 3 dialogue lines

Scene outline

  1. 1. INT. Kitchen - DAY

    Mary Horowitz works on a crossword puzzle while narrating her philosophy on life, then accidentally spills soda on it.

    Mary Horowitz
  2. 2. INT. School Hallway - DAY

    Mary waits for her Career Day presentation, struggling with nerves and mumbling to herself.

    Mary Horowitz
  3. 3. INT. Classroom - DAY

    Mary gives a disastrous Career Day presentation to a group of 10-year-olds.

    Mary Horowitz, Mrs. Horowitz
  4. 4. INT. CNN Atlanta Office - DAY

    Soloman fires Mary from the Atlanta Citizen.

    Mary Horowitz, Jim Soloman
  5. 5. EXT. Horowitz House - DAY

    Mary returns home and talks to her father about her firing and Steve.

    Mary Horowitz, Mr. Horowitz
  6. 6. INT. CNN Atlanta - DAY

    Corbitt reprimands Steve and Hartman for poor camera work.

    Steve, Hartman Hughes, Angus McCormack
  7. 7. INT. Horowitz House Bathroom - NIGHT

    Mary decides to pursue Steve.

    Mary Horowitz
  8. 8. INT. Horowitz House Hallway/Living Room - NIGHT

    Mary announces her plan to follow Steve to her parents.

    Mary Horowitz, Mrs. Horowitz, Mr. Horowitz
  9. 9. EXT. Greyhound Bus Station - DAY

    Mary leaves for Dallas.

    Mary Horowitz, Mrs. Horowitz, Mr. Horowitz
  10. 10. EXT. OKLAHOMA PROTESTORS CAMP - DAY

    Mary joins Elizabeth at the protestor camp and learns about the pro-leg vs anti-leg factions.

    Mary Horowitz, Elizabeth
  11. 11. INT. HOROWITZ HOUSE - NIGHT

    Mr. and Mrs. Horowitz watch the news and spot Mary on TV.

    Mrs. Horowitz, Mr. Horowitz
  12. 12. EXT. OKLAHOMA MEDIA CAMP - NIGHT

    Steve and Angus discuss Mary's presence while Hartman eavesdrops.

    Steve, Hartman Hughes, Angus McCormack
  13. 13. EXT. OKLAHOMA PROTESTORS CAMP - NIGHT

    Hartman approaches Mary and manipulates her into believing Steve loves her.

    Mary Horowitz, Hartman Hughes
  14. 14. EXT. OKLAHOMA MEDIA CAMP - NIGHT

    The news crew learns the surgery is cancelled.

    Steve, Hartman Hughes, Angus McCormack
  15. 15. EXT. OKLAHOMA CITY CHILDREN'S HOSPITAL - NIGHT

    Hartman reports live on the cancelled surgery.

    Steve, Hartman Hughes, Angus McCormack
  16. 16. INT. RENTAL VAN - NIGHT

    The crew drives away while Mary chases them.

    Mary Horowitz, Steve, Hartman Hughes, Angus McCormack
  17. 17. EXT. OKLAHOMA PROTESTORS CAMP - NIGHT

    Mary recruits Elizabeth and Howard for a road trip.

    Mary Horowitz, Howard, Elizabeth
  18. 18. INT. HOWARD'S CAR - NIGHT

    The trio drives toward New Mexico.

    Mary Horowitz, Howard, Elizabeth
  19. 19. EXT. SANTA FE FEDERAL COURT HOUSE - DAY

    The group arrives at the Cloris Leachman trial.

    Mary Horowitz, Howard, Elizabeth
  20. 20. INT. MEDIA TENT - DAY

    Mary plays poker with the journalists.

    Mary Horowitz, Steve, Hartman Hughes, Angus McCormack
  21. 21. EXT. MEDIA TENT - DAY

    Steve and Hartman fight.

    Mary Horowitz, Steve, Hartman Hughes
  22. 22. EXT. SANTA FE FEDERAL COURT HOUSE - DAY

    Hartman reports live on the violent fans of Cloris Leachman while Steve and Angus prepare to leave.

    Hartman Hughes, Steve, Angus McCormack
  23. 23. INT. CNN ATLANTA - DAY

    Corbitt watches the live feed and hears Mary screaming on the phone.

    Mary Horowitz
  24. 24. EXT. SANTA FE FEDERAL COURT HOUSE - DAY

    Steve talks to Mary on the phone, then Angus tells him they are moving.

    Steve, Angus McCormack
  25. 25. EXT. SANTA FE FEDERAL COURT HOUSE - FAN CAMP - DAY

    Clyde the Shaman gives Mary advice before she spots the news crew.

    Mary Horowitz, Howard
  26. 26. EXT. SANTA FE MEDIA CAMP - DAY

    Mary confronts Steve, who tells her to go home.

    Mary Horowitz, Steve, Hartman Hughes, Angus McCormack
  27. 27. EXT. SANTA FE STREET - DAY

    Mary resolves to follow Steve after watching the truck drive away.

    Mary Horowitz
  28. 28. INT. GREYHOUND BUS STATION - LOS ANGELES - NIGHT

    Mary calls her parents to explain she is going to Galveston.

    Mary Horowitz, Mrs. Horowitz, Mr. Horowitz
  29. 29. EXT. GREYHOUND BUS STATION - LOS ANGELES - NIGHT

    Mary meets Elizabeth and Howard to leave for the storm.

    Mary Horowitz, Howard, Elizabeth
  30. 30. INT. HOWARD'S CAR - NIGHT

    Howard and Mary drive toward the storm.

    Mary Horowitz, Howard
  31. 31. EXT. GALVESTON WATERFRONT - DAY

    Hartman reports on the storm while Steve looks for Mary.

    Steve, Hartman Hughes, Angus McCormack
  32. 32. INT. HOWARD'S CAR ON 1-45 - DAY

    Mary and Howard drive through the storm.

    Mary Horowitz, Howard
  33. 33. EXT. GALVESTON PIER - DAY

    Hartman reports from a dangerous pier while Steve films.

    Steve, Hartman Hughes
  34. 34. EXT. 1-45 OVERPASS - DAY

    Mary and Howard take shelter as their car is destroyed.

    Mary Horowitz, Howard
  35. 35. EXT. GALVESTON WATERFRONT - NIGHT

    Steve is woken up by a prank.

    Steve, Hartman Hughes, Angus McCormack
  36. 36. EXT. 1-45 OVERPASS - NIGHT

    Mary and Howard wait out the storm.

    Mary Horowitz, Howard
  37. 37. EXT. 1-45 TO GALVESTON TX - DAY

    Mary and Howard recover their car.

    Mary Horowitz, Howard
  38. 38. EXT. 1-45 TO GALVESTON TX - DAY

    The news crew passes Mary and Howard, leaving a note.

    Mary Horowitz, Steve, Hartman Hughes, Angus McCormack, Howard
  39. 39. EXT. TRI-PARISH FAIR GROUNDS - DAY

    Hartman reports on the mine disaster.

    Steve, Hartman Hughes
  40. 40. EXT. TRI-PARISH FAIR GROUNDS - DAY

    The children are rescued.

    Mary Horowitz, Steve, Hartman Hughes, Howard
  41. 41. INT. CNN ATLANTA - DAY

    A monitor displays news of Mary Horowitz's accident in the abandoned mine.

  42. 42. INT. OFFICE - DAY

    A guy watches the news about Mary on his laptop.

  43. 43. INT. ATLANTA CITIZEN NEWSPAPER OFFICES - DAY

    Staff members watch the news report about Mary.

  44. 44. EXT. TRI-PARISH FAIR GROUNDS - MEDIA CAMP - DAY

    Steve, Hartman, and Angus react to the news of Mary's accident while dealing with Corbitt and Mrs. Horowitz.

    Steve, Hartman Hughes, Angus McCormack, Mrs. Horowitz
  45. 45. INT. HOROWITZ HOUSE - DAY

    Mrs. Horowitz cries while Mr. Horowitz prepares to leave.

    Mrs. Horowitz, Mr. Horowitz
  46. 46. INT. MINE SHAFT - DAY

    Mary is trapped in the dark and discovers she is not alone.

    Mary Horowitz
  47. 47. EXT. TRI-PARISH FAIR GROUNDS - PUBLIC VIEWING AREA - DAY

    Howard tries to reach the rescue site but is blocked by troopers.

    Howard
  48. 48. EXT. TRI-PARISH FAIR GROUNDS - RESCUE SITE - DAY

    Rescuers plan to lower a note to Mary; Hartman struggles to report.

    Hartman Hughes
  49. 49. EXT. TRI-PARISH FAIR GROUNDS - MEDIA CAMP - DAY

    Angus pressures Steve to do an interview.

    Steve, Angus McCormack, Hartman Hughes
  50. 50. INT. FOX NEWS - DAY

    A retired mine supervisor discusses the accident on Fox News.

  51. 51. INT. HOROWITZ HOUSE - DAY

    Mr. Horowitz is furious at the news coverage.

    Mr. Horowitz, Mrs. Horowitz
  52. 52. INT. HOROWITZ HOUSE - DAY

    Reporters swarm the Horowitz house.

    Mr. Horowitz
  53. 53. INT. MINE SHAFT - DAY

    Mary discovers a little deaf girl in the mine.

    Mary Horowitz
  54. 54. EXT. TRI-PARISH FAIR GROUNDS - RESCUE SITE - DAY

    Rescuers lower a note to Mary.

  55. 55. INT. MINE SHAFT - DAY

    Mary receives the note from the rescuers.

    Mary Horowitz
  56. 56. EXT. TRI-PARISH FAIR GROUNDS - RESCUE SITE - DAY

    Rescuers read Mary's reply.

  57. 57. INT. FOX NEWS DESK - DAY

    News reports that Mary is alive.

  58. 58. INT. HOROWITZ HOUSE - DAY

    Mr. and Mrs. Horowitz watch the news.

    Mr. Horowitz, Mrs. Horowitz
  59. 59. INT. CNN HEADLINE NEWS - DAY

    Nancy Grace reports on the story.

  60. 60. EXT. TRI-PARISH FAIR GROUNDS - MEDIA CAMP - DAY

    Steve and the crew react to the news.

    Steve, Angus McCormack, Hartman Hughes
  61. 61. EXT. TRI-PARISH FAIR GROUNDS - RESCUE SITE - DAY

    Rescuers discuss the urgency of the situation.

  62. 62. INT. FOX NEWS - DAY

    Retired mine supervisor gives a grim outlook.

  63. 63. EXT. TRI-PARISH FAIR GROUNDS - PUBLIC VIEWING AREA - NIGHT

    Crowd gathers for a vigil; Elizabeth finds Howard.

    Howard, Elizabeth
  64. 64. EXT. TIMES SQUARE - NIGHT

    Mary Watch headline on screen.

  65. 65. INT. TRAIN STATION - NIGHT

    Passengers watch the news ticker.

  66. 66. EXT. LOADING DOCK - NIGHT

    Newspapers with Mary Watch headline loaded.

  67. 67. INT. 24 HOUR LAUNDROMAT - NIGHT

    Laundry sorters watch the news.

  68. 68. INT. LIVING ROOM - DAY

    WAGA Cindy interviews a former teacher.

  69. 69. EXT. CITY STREET - DAY

    WAGA Cindy reports on Mary.

  70. 70. INT. WAL-MART - DAY

    Reporter discusses Mary's boots.

  71. 71. INT. TEENAGER'S ROOM - NIGHT

    Teenagers shop for Mary boots online.

  72. 72. INT. MINE SHAFT - NIGHT

    Mary talks to the little girl.

    Mary Horowitz
  73. 73. INT. TV REPAIR SHOP - DAY

    WAGA Cindy interviews a scientist.

  74. 74. INT. LIBRARY - DAY

    WAGA Cindy interviews a researcher.

  75. 75. EXT. CITY STREET - DAY

    WAGA Cindy continues her report.

  76. 76. INT. MINE SHAFT - NIGHT

    Mary talks about Archimedes.

    Mary Horowitz
  77. 77. EXT. TRI-PARISH FAIR GROUNDS - PUBLIC VIEWING AREA - NIGHT

    Crowd gathers with signs.

  78. 78. EXT. TRI-PARISH FAIR GROUNDS - RESCUE SITE - NIGHT

    Hartman interviews Steve.

    Hartman Hughes, Steve
  79. 79. EXT. TRI-PARISH FAIR GROUNDS - PUBLIC VIEWING AREA - NIGHT

    Spectators pray for Mary.

    Howard, Elizabeth
  80. 80. EXT. HOROWITZ HOUSE - NIGHT

    Candlelight vigil at the Horowitz house.

Dialogue examples

I'm not good at... silence. "Mary doesn't do quiet", that's how my grandmother always said it. "What's that hush?" she'd holler at a party. "It's Mary about to talk", then she'd laugh and laugh and laugh. Everybody would... But I knew something they didn't - that if you keep talking, if you keep on talking, you don't hear people telling you that you're different. You don't hear people saying they don't like you. And if you're talking, you just might not hear it when some kid... calls you a freak.

Mary Horowitz / Scene 83

And this time, the warnings were hard to ignore. One Galvestonian told us "tornados, we can handle. Hurricanes we can handle. Bugs we can handle. Put 'em all together and that's a storm I don't need to see". A wise man indeed.

Hartman Hughes / Scene 31

Mary Horowitz doesn't pretend to be anything she's not. She's passionate, beautiful, real... and she definitely doesn't deserve to be where she is now.

Steve / Scene 78

Consider yourself temporarily saved by the storm. It's worse than they thought. We've got to move.

Angus McCormack / Scene 24

I thought you knew better than to pull something like this. It's unprofessional, it's --

Jim Soloman / Scene 4

Grief too strong for words. That's the best way to describe this tragic, tragic scene.

Hartman Hughes / Scene 39

Paula, this pier was closed to the public twenty-four hours ago, and for good reason.

Hartman Hughes / Scene 33

Corbitt wants you to go on air to talk about Mary. An interview with the boyfriend.

Angus McCormack / Scene 49

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