HIROKO
HIROKO is identified from the parsed character and dialogue data. In the parsed data, HIROKO is connected to 70 scenes, 179 dialogue lines, 409 text mentions, first appearing around scene 17.
70 scenes / 179 dialogue lines249Scenes
26Characters
48Pages
8Dialogue samples
Save the Cat beat sheet
Aliens vs. Predator Save the Cat analysis
Predator opens with a title sequence in deep space, quickly establishing the intergalactic Predators and their Alien quarry.
Open full beat sheetKey characters
GUTTIEREZ
GUTTIEREZ is identified from the parsed character and dialogue data. In the parsed data, GUTTIEREZ is connected to 31 scenes, 72 dialogue lines, 151 text mentions, first appearing around scene 23.
31 scenes / 72 dialogue linesPARSONS
PARSONS is identified from the parsed character and dialogue data. In the parsed data, PARSONS is connected to 24 scenes, 60 dialogue lines, 91 text mentions, first appearing around scene 16.
24 scenes / 60 dialogue linesCASSIE
CASSIE is identified from the parsed character and dialogue data. In the parsed data, CASSIE is connected to 24 scenes, 56 dialogue lines, 97 text mentions, first appearing around scene 16.
24 scenes / 56 dialogue linesKAMEN
KAMEN is identified from the parsed character and dialogue data. In the parsed data, KAMEN is connected to 21 scenes, 70 dialogue lines, 156 text mentions, first appearing around scene 19.
21 scenes / 70 dialogue linesDE VRIES
DE VRIES is identified from the parsed character and dialogue data. In the parsed data, DE VRIES is connected to 20 scenes, 53 dialogue lines, 104 text mentions, first appearing around scene 61.
20 scenes / 53 dialogue linesYORK
YORK is identified from the parsed character and dialogue data. In the parsed data, YORK is connected to 11 scenes, 33 dialogue lines, 100 text mentions, first appearing around scene 20.
11 scenes / 33 dialogue linesTHOMAS
THOMAS is identified from the parsed character and dialogue data. In the parsed data, THOMAS is connected to 9 scenes, 17 dialogue lines, 48 text mentions, first appearing around scene 68.
9 scenes / 17 dialogue linesDILLER
DILLER is identified from the parsed character and dialogue data. In the parsed data, DILLER is connected to 8 scenes, 20 dialogue lines, 58 text mentions, first appearing around scene 23.
8 scenes / 20 dialogue linesURIOSTE
URIOSTE is identified from the parsed character and dialogue data. In the parsed data, URIOSTE is connected to 7 scenes, 18 dialogue lines, 37 text mentions, first appearing around scene 19.
7 scenes / 18 dialogue linesMATT
MATT is identified from the parsed character and dialogue data. In the parsed data, MATT is connected to 7 scenes, 7 dialogue lines, 19 text mentions, first appearing around scene 105.
7 scenes / 7 dialogue linesDRISCOLL
DRISCOLL is identified from the parsed character and dialogue data. In the parsed data, DRISCOLL is connected to 6 scenes, 11 dialogue lines, 26 text mentions, first appearing around scene 114.
6 scenes / 11 dialogue linesCOMPUTER VOICE
COMPUTER VOICE is identified from the parsed character and dialogue data. In the parsed data, COMPUTER VOICE is connected to 6 scenes, 8 dialogue lines, 10 text mentions, first appearing around scene 121.
6 scenes / 8 dialogue linesACKLAND
ACKLAND is identified from the parsed character and dialogue data. In the parsed data, ACKLAND is connected to 5 scenes, 31 dialogue lines, 94 text mentions, first appearing around scene 20.
5 scenes / 31 dialogue linesREVNA
REVNA is identified from the parsed character and dialogue data. In the parsed data, REVNA is connected to 3 scenes, 13 dialogue lines, 38 text mentions, first appearing around scene 51.
3 scenes / 13 dialogue linesBEAUVAIS
BEAUVAIS is identified from the parsed character and dialogue data. In the parsed data, BEAUVAIS is connected to 3 scenes, 11 dialogue lines, 27 text mentions, first appearing around scene 21.
3 scenes / 11 dialogue linesMINH
MINH is identified from the parsed character and dialogue data. In the parsed data, MINH is connected to 3 scenes, 9 dialogue lines, 28 text mentions, first appearing around scene 21.
3 scenes / 9 dialogue linesPREDATOR
PREDATOR is identified from the parsed character and dialogue data. In the parsed data, PREDATOR is connected to 3 scenes, 4 dialogue lines, 111 text mentions, first appearing around scene 51.
3 scenes / 4 dialogue linesGREASE MONKEY
GREASE MONKEY is identified from the parsed character and dialogue data. In the parsed data, GREASE MONKEY is connected to 2 scenes, 3 dialogue lines, 6 text mentions, first appearing around scene 117.
2 scenes / 3 dialogue linesBROKEN TUSK
BROKEN TUSK is identified from the parsed character and dialogue data. In the parsed data, BROKEN TUSK is connected to 2 scenes, 2 dialogue lines, 75 text mentions, first appearing around scene 235.
2 scenes / 2 dialogue linesChaz Standard
Chaz Standard is listed as Captain. A leader and a politician. Believes that any action is better than no action.
0 scenes / 0 dialogue linesCleave Hunter
Cleave Hunter is listed as Mining Engineer. High-strung; came along to make his fortune.
0 scenes / 0 dialogue linesDell Broussard
Dell Broussard is listed as Navigator. Adventurer; brash glory-hound.
0 scenes / 0 dialogue linesJay Faust
Jay Faust is listed as Engine Tech. A worker. Unimaginative.
0 scenes / 0 dialogue linesScene outline
-
1. UNKNOWN SCENE
This scene block displays the title of the film, "Aliens vs. Predator," along with the production company credit "Dark Horse Prod. Presents" and the screenwriter credit "Screenplay by Peter Briggs," indicating an opening title sequence.
-
2. EXT. DEEP SPACE
The scene opens in deep space with total blackness and stars, as titles roll, three specks move, one accelerating towards and past the viewer, entering a brownish planet's atmosphere with friction sparks, revealing it to be manmade or artificial.
-
3. EXT. PLANET SURFACE - DAY
An object plummets through the wispy clouds of a barren, dead planet, crashing in the distance with a booming echo before an eerie silence settles.
-
4. EXT. FISSURE CANYON - DAY
The scene opens on a deep, wind-swept canyon where five large, camouflaged Predators, intergalactic hunters, materialize on the rock face. The perspective then shifts to their thermal vision, revealing the canyon's heat sources and a cave entrance.
-
5. INT. FISSURE NEST TUNNEL
Predator hunters, led by Broken Tusk, are ambushed by Alien Warriors in a biomechanical tunnel, resulting in a fierce battle, casualties, a mercy killing, and the activation of a self-destruct sequence before their departure.
-
6. EXT. PLANET SURFACE - DAY
A white-hot fireball erupts from a fissure due to the Predator's suicide-destruct mechanism, as a shuttlecraft quickly departs and disappears into the clouds.
-
7. EXT. SPACE
A large Predator Mothership is seen in orbit around a planet, and a shuttle approaches it.
-
8. INT. PREDATOR MOTHERSHIP - DOCKING BAY
Predators enter their Mothership's docking bay, which is a blend of ancient and advanced technology, as an Old Predator observes them.
-
9. INT. PREDATOR MOTHERSHIP - VIEWING GALLERY
Broken Tusk observes a captive Alien Queen in a mechanical viewing gallery, where the Queen's eggs are systematically scanned and loaded onto a pallet in an efficient assembly-line process.
-
10. EXT. SPACE
A pod is ejected from a Mothership and rockets into deep space, suggesting that Predators are seeding worlds with Aliens to hunt.
-
11. INT. PREDATOR MOTHERSHIP - VIEWING GALLERY
On the Predator Mothership, a blue beam identifies an Alien egg as a Queen's, causing the Queen to go berserk as the egg is swiftly destroyed in an energy furnace.
-
12. INT. PREDATOR MOTHERSHIP - LIVING QUARTERS
Broken Tusk inspects his formidable arsenal of weaponry and an Alien trophy in his living quarters on the Predator Mothership, seemingly coming to a decision before standing up.
-
13. INT. PREDATOR MOTHERSHIP - VIEWING GALLERY
Broken Tusk enters a dimly lit viewing gallery on the Predator Mothership, where he manipulates a control board to have an egg seized by a scanning mechanism, then provokes the Queen with a clicking sound, to which she responds with a venomous hiss.
-
14. EXT. SPACE
The scene opens in space, showing a green planet with nebulous clouds, followed by a large, rectangular satellite-construction moving across the frame, accompanied by filtered human voices.
-
15. EXT. RYUSHI STATION - MIDDAY
The scene describes the planet Ryushi, a world covered in treetop foliage, and introduces the Yutani-Templin Communications Relay Station, a facility built on platforms above a swamp, featuring cranes, buildings, a navigation beacon, a communications array, and a large haulage vehicle.
-
16. INT. RYUSHI STATION - COMMAND CENTER
In the Ryushi Station command center, technicians Cassie and Parsons monitor traffic; Cassie handles a freighter request, then Parsons reveals a concerning reading that hasn't changed after a second check, leading them to consider telling their boss and Parsons suggesting a coin toss to decide who does it.
CASSIE, PARSONS -
17. INT. RYUSHI STATION - EXECUTIVE OFFICE
Hiroko Noguchi practices sword fighting in a holographic simulation until a ringing tone interrupts her, after which she ends the simulation and takes a call from Cassie about an urgent Deep Space Tracking development.
CASSIE, HIROKO -
18. EXT. RYUSHI STATION - MIDDAY
An eight-wheeled crawler arrives at Ryushi Station, disturbing local rhinos, and Don Kamen exits the vehicle, adjusting his hat against the drizzle before entering a building.
-
19. INT. RYUSHI STATION - COMMAND CENTER
Kamen returns to the command center, learns about a market crash, and then joins his team in discovering two unidentified objects on a pre-programmed course towards their planet, prompting them to alert other bases.
CASSIE, URIOSTE, HIROKO, KAMEN, PARSONS -
20. EXT. LINSON'S RANGE - SWAMP - AFTERNOON
Two bikers, Ackland and York, hunt lemur-type creatures in a swamp, missing their initial shots. They decide to sweep the area to catch the creatures on the other side and speed off in pursuit.
ACKLAND, YORK -
21. EXT. LINSON'S RANGE - ENCAMPMENT - AFTERNOON
At an encampment on Linson's Range, Minh loads a large weapon while observing Ackland and York's antics. Beauvais strikes up a conversation with Minh, who expresses his desire for something on the planet that offers a challenge.
BEAUVAIS, MINH -
22. EXT. DEEP SPACE
Two identical metal shapes hurtle through deep space towards the viewer.
-
23. EXT. RYUSHI STATION - BIG BERTHA - AFTERNOON
Hiroko and Kamen discuss the deteriorating condition of the "Big Bertha" vehicle due to algae, with Kamen suggesting costly repairs and Hiroko proposing a rotation schedule, while two mechanics make inappropriate comments before Hiroko is called away to admin.
DILLER, GUTTIEREZ, KAMEN, HIROKO -
24. INT. RYUSHI STATION - COMMAND CENTER
In the Ryushi Station Command Center, Hiroko and her team discover that incoming objects, believed to be smart-missiles, are dangerously close to their communications platform, prompting urgent efforts to move the platform and send out a distress signal while Kamen questions the motive for such an attack.
CASSIE, KAMEN, PARSONS, HIROKO -
25. EXT. SPACE
A satellite's thruster rockets ignite, causing the darkened bulk of the satellite to begin moving in space.
-
26. EXT. DEEP SPACE
Two pods are seen roaring through deep space, approaching rapidly.
-
27. INT. RYUSHI STATION - COMMAND CENTER
In the Ryushi Station Command Center, Parsons, Hiroko, and Cassie monitor two pods that have changed course. Parsons requests a specific burn to compensate for the change, which Cassie confirms is ready.
CASSIE, PARSONS, HIROKO -
28. EXT. SPACE
In space, Predator pods are rapidly approaching a communications platform, causing concern among Cassie, Hiroko, and Parsons, who fears they won't make it.
CASSIE, PARSONS, HIROKO -
29. EXT. DEEP SPACE
A pod speeds into deep space, blocking the camera's view.
-
30. INT. RYUSHI STATION - COMMAND CENTER
In the Ryushi Station Command Center, Parsons observes a blip vanish and monitors turn to static, indicating a lost downlink. He curses in frustration and confirms the connection is gone.
PARSONS -
31. EXT. SPACE
A damaged satellite tumbles in space, sparking and flashing internally, as a second pod accelerates away into the atmosphere.
-
32. EXT. LINSON'S RANGE - RIVERBANK - DUSK
York and Ackland witness an object crash nearby, but are puzzled by the lack of impact shock, leading Ackland to suspect something unusual.
ACKLAND, YORK -
33. EXT. LINSON'S RANGE - IMPACT SIGHT - DUSK
At dusk, a machine emerges from a charred crater, crushes a scorpion, deposits an alien egg, and then disappears into the reeds.
-
34. EXT. RYUSHI STATION - NIGHT
Hiroko and Kamen discuss her past and feelings of claustrophobia, then shift to the urgent matter of a missing party and the implications of a downed satellite, which has Hiroko feeling spooked.
KAMEN, HIROKO -
35. EXT. SPACE
A blue scanning beam inspects a damaged satellite in space, highlighting its structure and the extent of the damage, before a Predator shuttle departs towards a planet.
-
36. EXT. LINSON'S RANGE - IMPACT SITE - NIGHT
Two men, York and Ackland, investigate an impact site where they find a sedated rhino and a strange ovular "spore"; they then discover more metal fragments and another egg-like object in a crater, which opens to reveal a Facehugger that attacks and incapacitates Ackland, all while a Predator observes from a distance.
ACKLAND, YORK -
37. EXT. LINSON'S RANGE - RIVER BANK - NIGHT
York hears a mysterious ticking sound and sees a vague shimmering form in a tree while helping Ackland onto a bike, prompting him to quickly start the bike and roar off.
-
38. EXT. LINSON'S RANGE - IMPACT SITE - NIGHT
The scene opens with a Predator's thermal vision revealing an impact site with empty alien eggs and inert animals. A group of Predators, led by one, investigate a mutilated animal corpse, then use their vision to detect distorted human radio waves.
-
39. EXT. LINSON'S RANGE - ENCAMPMENT - NIGHT
Beauvais is alerted by movement sensors to find York arriving with an injured Ackland, who has a facehugger attached, and after York collapses from his own injury, Beauvais calls for help.
YORK, BEAUVAIS -
40. INT. TENT - NIGHT
Inside a tent, Minh, Beauvais, and York are in a tense discussion about how to remove a Facehugger from Ackland, with Beauvais pushing for immediate action despite York's caution, before Minh leaves to investigate a motion sensor alarm.
YORK, BEAUVAIS, MINH -
41. EXT. LINSON'S RANGE - ENCAMPMENT - NIGHT
Minh, York, and Beauvais are ambushed by Predators at their encampment; Minh and Beauvais are killed, but York manages to escape on a hover-bike.
MINH -
42. INT. TENT - NIGHT
The scene opens with a predator's vision focused on a facehugger attached to Ackland, but the extraterrestrial hunter observes without taking any action.
-
43. EXT. LINSON'S RANGE - ENCAMPMENT - NIGHT
The scene opens on a deserted encampment at Linson's Range at night, with no one present and only the eerie sound of wind whistling through the trees.
-
44. EXT. RAINFOREST AIRSPACE - DAWN
The scene opens at dawn in the rainforest airspace, where a heli-jet flies low above the mist-covered treetops as the sun rises.
-
45. INT. CHOPPER - DAWN
Kamen and Hiroko are in a chopper on autopilot when a beeping sound alerts Kamen that they have reached a navigation beacon, prompting him to wake Hiroko and take manual control to land the aircraft.
KAMEN -
46. EXT. LINSON'S RANGE - ENCAMPMENT - DAWN
At dawn, a chopper descends on a wrecked encampment, its searchlights sweeping the clearing as it makes a watery landing in the swamp and deploys all-terrain gear.
-
47. INT. CHOPPER - DAWN
Kamen and Hiroko are in a chopper at dawn, preparing for trouble. Kamen gives Hiroko a hand-pistol, and she confidently demonstrates her knowledge of the weapon before he warns her to be careful.
KAMEN, HIROKO -
48. EXT. LINSON'S RANGE - ENCAMPMENT - DAWN
Hiroko and Kamen arrive at a damaged encampment at dawn, observing mangled tripods and charred canvas, suggesting a recent conflict. They discuss the scene, and then split up to investigate further.
KAMEN, HIROKO -
49. INT. TENT - DAWN
Kamen checks on Ackland in the tent, finding him sweating heavily, but the facehugger is nowhere to be seen.
-
50. EXT. LINSON'S RANGE - ENCAMPMENT - DAWN
Hiroko discovers blood on Minh's 'howitzer' and then finds the skinned bodies of Beauvais and Minh hanging from a tree, prompting Kamen to react in shock.
KAMEN, HIROKO -
51. EXT. RYUSHI STATION - HELI-JET PAD - MORNING
At Ryushi Station, Kamen hands a preserved facehugger to Doc Revna for analysis while a newly arrived Predator observes the scene and analyzes Hiroko's voice.
KAMEN, HIROKO, REVNA, GUTTIEREZ, PREDATOR -
52. EXT. LINSON'S RANGE - IMPACT SIGHT - DAY
At Linson's Range, Predators display Alien skulls on spikes as trophies; one Predator adds a new trophy and is then alerted by his wrist computer.
-
53. INT. RYUSHI STATION - COMMAND CENTER
In the Ryushi Station command center, Hiroko and Kamen discuss a murder report and the potential fallout from I.C.C. Urioste interrupts to report a critical system failure (Three-Pump) that usually Beauvais fixes, but he is dead, prompting Hiroko to assign Urioste to find someone from the auto-shop to help, before Parsons answers an urgent call.
CASSIE, URIOSTE, KAMEN, HIROKO, PARSONS -
54. INT. RYUSHI STATION - INFIRMARY
Ackland, recovering in the infirmary, is questioned by Revna, Kamen, and Hiroko about a recent incident, but can only recall a meteor impact, despite his companions being dead or missing. He is shown a dead facehugger he doesn't recognize and is informed that York is the prime suspect for the deaths and disappearance.
ACKLAND, REVNA, KAMEN, HIROKO -
55. INT. RYUSHI STATION - COMMISSARY
Hiroko and Kamen discuss their trust in Ackland, with Hiroko eventually confirming she believes him. Later, Gutierrez returns Hiroko's jacket and reports to Kamen that the turbine tests were clear.
GUTTIEREZ, KAMEN, HIROKO -
56. EXT. RYUSHI STATION - PLATFORM - AFTERNOON
Diller and Cassie investigate a hoverbike crash at Ryushi Station, discovering an injured pilot and a Predator spear, while an unseen hunter observes them.
DILLER, CASSIE -
57. INT. RYUSHI STATION - INFIRMARY
In the Ryushi Station infirmary, Revna is working when Ackland's severe indigestion escalates into violent coughing, culminating in a chestburster erupting from his body. Revna seals the room, arms herself with a surgical blade, and prepares to confront the creature.
ACKLAND, REVNA -
58. INT. RYUSHI STATION - INFIRMARY CORRIDOR
A chestburster escapes from the infirmary, causing chaos and injury, before fleeing down the corridor, prompting Hiroko to organize a pursuit and discover a horrific scene inside the infirmary.
DILLER, CASSIE, GUTTIEREZ, HIROKO -
59. INT. RYUSHI STATION - COMMAND CENTER
Hiroko and her team discuss the creature's escape route through the sewage system and devise a plan to trap and destroy it within the station, offering a bonus for its demise while emphasizing caution and teamwork.
DILLER, KAMEN, HIROKO, GUTTIEREZ, PARSONS -
60. INT. RYUSHI STATION - EXECUTIVE OFFICE
York, visibly shaken, describes a brutal encounter with powerful, technologically advanced creatures to Kamen and Hiroko, after which Kamen expresses worry about their precarious situation if military reinforcements don't arrive promptly.
YORK, KAMEN, HIROKO -
61. EXT. RYUSHI STATION - PLATFORM - DUSK
Guttierez and De Vries, weary from a prolonged search, discuss the unnerving silence of their surroundings, which De Vries finds unnatural. Their conversation is punctuated by the agitated behavior of nearby rhinos, indicating an unseen disturbance.
GUTTIEREZ, DE VRIES -
62. EXT. RYUSHI STATION - SWAMP LEVEL - DUSK
The scene opens with a Predator's thermal vision, showing rhinos, a dog, and two humans on a platform above, before a group of camouflaged Predators are seen wading through the swamp towards the installation.
-
63. INT. RYUSHI STATION - PUMP ROOM
Diller and Urioste enter a dark pump room, where Urioste activates the lights and they search for something. After confirming the room is clean, Urioste uncovers a heavy metal plug in the floor, revealing murky water, which she then drains with hidden pumps, before asking Diller for a tripod.
DILLER, URIOSTE -
64. EXT. RYUSHI STATION - PLATFORM - DUSK
Guttierez and De Vries investigate a rhino pen, finding evidence of an escape and a fall into a swamp, but Guttierez's tracker then indicates a new reading.
GUTTIEREZ, DE VRIES -
65. INT. RYUSHI STATION - COMMAND CENTER
In a deserted command center, a tired Parsons monitors security cameras while Kamen brings him coffee and encourages him to rest before sundown.
PARSONS, KAMEN -
66. EXT. RYUSHI STATION - PLATFORM - DUSK
Guttierrez and De Vries are tracking something at Ryushi Station, with Guttierrez determined to climb a ladder to pursue it despite De Vries's strong aversion to heights, eventually convincing her to join him by appealing to a bonus, though she insists on going first.
GUTTIEREZ, DE VRIES -
67. EXT. RYUSHI STATION - ROOFTOP LEVEL - DUSK
De Vries and Guttierez carefully navigate a dark, junk-filled rooftop at Ryushi Station, using a flashlight to locate something or someone they believe they have cornered behind a large antenna.
GUTTIEREZ, DE VRIES -
68. EXT. RYUSHI STATION - PLATFORM - DUSK
At Ryushi Station, Hiroko and her team investigate a melted grating and a smashed food storage locker, suspecting something has escaped. Hiroko expresses concern that if it's out of the systems, it could be anywhere.
THOMAS, HIROKO -
69. EXT. RYUSHI STATION - ROOFTOP LEVEL - DUSK
Guttierez and De Vries cautiously explore a rooftop at dusk, where Guttierez detects an unknown signal that vanishes, only for them to hear sounds confirming a presence. A many-limbed creature then attacks, prompting De Vries to fire her weapon.
GUTTIEREZ, DE VRIES -
70. EXT. RYUSHI STATION - PLATFORM - DUSK
Hiroko is startled by gunfire and sees tracer fire on a rooftop, while Brewster barks furiously nearby.
-
71. INT. RYUSHI STATION - PUMP ROOM - PUMP SHAFT
Urioste is suspended in a pump shaft, bolting a machine part while avoiding gunge, when the sound of De Vries' weapon startles her, causing her to drop her flashlight.
-
72. INT. RYUSHI STATION - PUMP ROOM
Diller hears something outside the access tunnel, prompting Urioste to ask what it was, to which Diller replies that it was something outside.
DILLER, URIOSTE -
73. EXT. RYUSHI STATION - ROOFTOP LEVEL - DUSK
On a rooftop at dusk, Guttierez and De Vries are startled by what De Vries identifies as a lemur, leading Guttierez to report a false alarm to Hiroko. However, a "Predator-Vision" sequence reveals an unseen Predator is present, mimicking De Vries's words.
GUTTIEREZ, PREDATOR, DE VRIES, HIROKO -
74. INT. RYUSHI STATION - PUMP ROOM - PUMP SHAFT
Urioste accidentally drops his flashlight into the water in the pump shaft and asks Diller, who is off-screen, for some slack to retrieve it.
DILLER, URIOSTE -
75. INT. RYUSHI STATION - PUMP ROOM
Diller operates a wall-mounted winch in the Ryushi Station pump room, extending a cable by 1.5 meters.
-
76. INT. RYUSHI STATION - PUMP ROOM - PUMP SHAFT
Urioste descends a dingy pump shaft until her feet almost touch water, then exclaims in surprise.
URIOSTE -
77. INT. RYUSHI STATION - PUMP ROOM
Diller operates a winch while Urioste, from below, tells him to stop, and the winch's noise ceases.
URIOSTE -
78. INT. RYUSHI STATION - PUMP ROOM - PUMP SHAFT
Urioste reaches for a floating lamp, but an alien emerges from the water, grabs her wrist, covers her mouth, and pulls her downwards.
-
79. INT. RYUSHI STATION - PUMP ROOM
Diller struggles to secure a winch as a powerful force from below pulls it apart, then calls out for Annie before discovering an alien emerging from the shaft and blasting it back down with his pulse-rifle.
DILLER -
80. EXT. RYUSHI STATION - ROOFTOP LEVEL - DUSK
Guttierez and De Vries hear gunfire from below, prompting Guttierez to question the sound, while a Predator's vision shifts to observe other people running towards the source of the shots.
GUTTIEREZ
Dialogue examples
YORK ...I mean, these... these mothers were... were huge. They look like bushmen, but they had all this hi-tech shit strapped all over 'em. They must've wasted Beauvais and Minh inside thirty seconds. Minh got off a couple of shots from that cannon of his, but he might as well have been using a B-B gun. I don't know how the hell I made it out of there alive.
DRISCOLL We had to. They were just too cumbersome for some of the conduits you're gonna have to negotiate. Besides, all the crap floating around reduces visibility to the extent where I doubt having helmet lights would have make that much difference, anyway. Maintenance lights down there oughta be enough to do the trick.
KAMEN Cornering it shouldn't be a problem. Each part of this station is basically a self-sufficient deep-space transport module running off external couplers. If we disconnect them and seal off every section, we've got a ceiling of about thirty-six hours on internal power. That should give us ample time to find it.
GUTTIEREZ (O.S., on speakers) De Vries put a round through the storage tanks over by the west pier on the way in here. Right now, the stuff sprayin' out is just burnin' up, but if we get a blow-back, a good part of the station could go with it.
CASSIE Ah, negative on that request commercial freighter 'Nan-Shan'. I've already got an inbound on that approach pending a beacon-fix. Hold on my mark until I get back with some confirmation. Rimward Traffic Control out.
HIROKO We haven't used Big Bertha since we relocated the generator module. That was four months ago. I can't ask for them to keep bringing spares in on the shuttle, it's already costing too much as it is.
HIROKO (CONT'D) Nobody wander off on their own until it's found. Keep in pairs. Diller, once the first team's done their sweep I want you to go down with Annie to Three-Pump while she replaces it.
KAMEN Relay station like us out in the middle of the boonies; why bother? All you're gonna do is punch a temporary hole in the traffic control net. That'd be small potatoes even for terrorists.
Use this structured screenplay data
SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.
Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.