Scripts
Alien III poster

Screenplay data

Alien III script

On the isolated planetoid Arceon, medic monk Brother John rescues Ellen Ripley from a crashed escape pod, bringing her to his monastery where she suspects an Alien accompanied her. Ripley's fears are confirmed when an Alien chest-burster erupts from a sheep, leading the Abbot to condemn and imprison her, but John helps Ripley and the android Anthony escape, revealing the monastery is a library for dissidents. The Alien, having adapted, attacks the monks, killing the Abbot, while Ripley, John, and Anthony navigate booby-trapped corridors and an underground sea before defeating the creature in a burning glass factory. Ripley discovers she is impregnated, but John performs a ritual to transfer the Alien into himself, then sacrifices himself in the burning Abbey to destroy it, allowing Ripley to escape in the pod.

IMDb ID (imdb_id)
tt0103644
47Scenes
16Characters
47Pages
8Dialogue samples

Save the Cat beat sheet

Alien III Save the Cat analysis

On a monastic world where technology is forbidden, Brother John unearths a mysterious spacecraft and revives Ellen Ripley, triggering conflict between faith and science.

Open full beat sheet
30

Key characters

Brother John

Brother John is listed as Monk / Medic. Nearly forty, strong features, lacks inner confidence, compassionate. In the parsed data, Brother John is connected to 32 scenes, 233 dialogue lines, 247 text mentions, first appearing around scene 1.

32 scenes / 233 dialogue lines

Ripley

Ripley is listed as Survivor. Tough, traumatized, survivor of the Sulaco incident. In the parsed data, Ripley is connected to 28 scenes, 254 dialogue lines, 620 text mentions, first appearing around scene 4.

28 scenes / 254 dialogue lines

Anthony

Anthony is listed as Android / Spy. White-haired, synthetic, planted by The Company, suffers from hallucinations. In the parsed data, Anthony is connected to 11 scenes, 74 dialogue lines, 212 text mentions, first appearing around scene 21.

11 scenes / 74 dialogue lines

The Abbot

The Abbot is listed as Leader of the Monastery. In his seventies, stern, protective of the colony's isolationist ideology. In the parsed data, The Abbot is connected to 9 scenes, 96 dialogue lines, 175 text mentions, first appearing around scene 2.

9 scenes / 96 dialogue lines

Brother Kyle

Brother Kyle is listed as Monk / Glassblower. Black skinned, early fifties, cheerful, friend to John. In the parsed data, Brother Kyle is connected to 6 scenes, 29 dialogue lines, 35 text mentions, first appearing around scene 1.

6 scenes / 29 dialogue lines

Hysterical Monk

Hysterical Monk is listed as Worker. Distraught over his sheep. In the parsed data, Hysterical Monk is connected to 2 scenes, 8 dialogue lines, 28 text mentions, first appearing around scene 9.

2 scenes / 8 dialogue lines

SECOND MONK

SECOND MONK is identified from the parsed character and dialogue data. In the parsed data, SECOND MONK is connected to 2 scenes, 7 dialogue lines, 8 text mentions, first appearing around scene 3.

2 scenes / 7 dialogue lines

Bald Tribunal Monk

Bald Tribunal Monk is listed as Tribunal Member. Stern, suspicious of technology. In the parsed data, Bald Tribunal Monk is connected to 2 scenes, 6 dialogue lines, 14 text mentions, first appearing around scene 13.

2 scenes / 6 dialogue lines

THE ALIEN

THE ALIEN is identified from the parsed character and dialogue data. In the parsed data, THE ALIEN is connected to 2 scenes, 3 dialogue lines, 65 text mentions, first appearing around scene 7.

2 scenes / 3 dialogue lines

RIPLEY AND JOHN

RIPLEY AND JOHN is identified from the parsed character and dialogue data. In the parsed data, RIPLEY AND JOHN is connected to 2 scenes, 3 dialogue lines, 11 text mentions, first appearing around scene 32.

2 scenes / 3 dialogue lines

VOICE O/S

VOICE O/S is identified from the parsed character and dialogue data. In the parsed data, VOICE O/S is connected to 2 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 2.

2 scenes / 2 dialogue lines

Brother Philip

Brother Philip is listed as Librarian. Corpulent, stern, in his fifties. In the parsed data, Brother Philip is connected to 1 scene, 4 dialogue lines, 6 text mentions, first appearing around scene 2.

1 scenes / 4 dialogue lines

FIRST MONK

FIRST MONK is identified from the parsed character and dialogue data. In the parsed data, FIRST MONK is connected to 1 scene, 3 dialogue lines, 3 text mentions, first appearing around scene 4.

1 scenes / 3 dialogue lines

THIRD MONK

THIRD MONK is identified from the parsed character and dialogue data. In the parsed data, THIRD MONK is connected to 1 scene, 3 dialogue lines, 3 text mentions, first appearing around scene 4.

1 scenes / 3 dialogue lines

Burned Monk

Burned Monk is listed as Worker. Injured monk treated by John. In the parsed data, Burned Monk is connected to 1 scene, 2 dialogue lines, 10 text mentions, first appearing around scene 1.

1 scenes / 2 dialogue lines

Mattias

Mattias is listed as Pet. An old, worn-out dog belonging to Brother John. In the parsed data, Mattias is connected to 1 scene, 1 dialogue line, 69 text mentions, first appearing around scene 43.

1 scenes / 1 dialogue lines

Scene outline

  1. 1. UNKNOWN SCENE

    The scene opens in a medieval glass factory where monks are working; Brother John treats a burned monk while Brother Kyle teases him, then John goes upstairs to his room where his dog, Mattias, is waiting.

    Brother Kyle, Brother John, Burned Monk
  2. 2. INT. LIBRARY

    Monk John, after secretly reading a forbidden book to his dog Mattias, is granted permission by the Abbot to take it outside, leading him to the surface of their planetoid, Arceon, where he witnesses a spaceship crash and, defying warnings from other monks, enters the mysterious vessel.

    Brother Kyle, KYLE O/S, Brother Philip, The Abbot, VOICE O/S, Brother John
  3. 3. INT. SULACO ESCAPE POD #4 - DAY

    John explores a dark escape pod, discovering a broken hypersleep tube with bloodstains and a child's doll, then finds a functional tube containing Ripley, whose recorded message reveals the fate of the Sulaco and a Xenomorph infestation. As Kyle and other monks arrive, warning John against the forbidden technology, John ignores them and activates Ripley's tube.

    Brother Kyle, WOMAN, COMPUTER VOICE, Brother John, SECOND MONK
  4. 4. EXT. SPACE SHIP - ON THE SEA - DAY

    Ripley is brought back to shore unconscious by John and several monks after being rescued from a spaceship, leading to a discussion among the monks about the mysterious vessel. Ripley briefly awakens, sees her surroundings and the ship, and tries to speak before losing consciousness again.

    FIRST MONK, THIRD MONK, Brother Kyle, Ripley, Brother John, SECOND MONK
  5. 5. INT. THE ABBEY - RIPLEY'S ROOM - DAY

    The scene opens with streaks of light and shadow moving across the wooden walls of Ripley's room, accompanied by the distant, muted sounds of the Abbey, before focusing on Ripley sleeping restlessly in her handmade bed.

  6. 6. EXT. ARCEON SEA - DUSK

    At dusk, the Archeon Sea grows rough as a dozen monks lash their boats to Ripley's ship with thick hemp ropes, beginning to tow it to shore.

  7. 7. INT. RIPLEY'S ROOM - NIGHT

    Ripley experiences a terrifying nightmare where the Alien appears in her room and approaches her while John sleeps, causing her to wake up screaming; John then comforts her and reads to her until she falls back asleep.

    Brother John, Ripley, THE ALIEN
  8. 8. EXT. SURGACE OF ARCEON - DAY

    Amidst a howling dust storm, monks wearing goggles and rags work a block and tackle system to lift Ripley's ship and swing it towards a large portal.

  9. 9. INT. RIPLEY'S ROOM - DAY

    Ripley awakens in a monastic colony within a man-made orbiter, where she discovers the 'sky' is an illusion and her escape ship is being dismantled. She learns from the Abbot that Earth no longer exists and her companion, Newt, was not found, leading her to realize an Alien might have come with her, but the Abbot dismisses her warnings and has her room bolted. Later, John, the medic, is disturbed by a hysterical monk seeking help for a sick sheep.

    The Abbot, Hysterical Monk, Brother John, Ripley
  10. 10. INT. HYSTERICAL MONK'S BARN - NIGHT

    John and the Hysterical Monk investigate a sick ewe in a barn, only for it to explode and reveal an alien chest-burster, which the Monk then kills by throwing it into a hay fire, leaving John in shock.

    Hysterical Monk, Brother John, THE CREATURE
  11. 11. EXT. HYSTERICAL MONK'S BARN - NIGHT

    A barn collapses and burns, filling with acrid smoke, as the camera pulls back and transitions into a window.

  12. 12. INT. RIPLEY'S ROOM - NIGHT

    Ripley, watching a burning barn, gets out of bed and begins to dress, but is interrupted when four burly monks burst into her room and forcibly grab her.

    Ripley
  13. 13. INT. HALLWAY - NIGHT

    Ripley is put on trial by a community of monks who accuse her of bringing evil technology and pestilence, not an alien, to their planet, leading to her condemnation and imprisonment despite her desperate warnings, while John, a sympathetic monk, is silenced by the Abbot when he questions the judgment.

    TRIBUNAL MEMBER, Bald Tribunal Monk, Ripley, ANOTHER TRIBUNAL MONK, The Abbot, Brother John
  14. 14. INT. PRISON LEVEL - NIGHT

    Ripley is confined to a cell, which is being boarded up by workers, mirroring the monks walling up the Sulacco escape ship, and after receiving Newt's doll head, she experiences a violent breakdown before noticing a man's face in a hole in her wall.

    WORKER, TWO ANCIENT WORKERS, VOICE O/S, Ripley
  15. 15. INT. LIBRARY - THE MEDIEVAL SECTION - NIGHT INTO DAWN

    John is in a medieval library, surrounded by books on devils, searching for a specific illustration. He finds a disturbing image, then forcefully removes the book from its chain to take it with him, leaving his sleeping dog.

    Brother John
  16. 16. INT. HALLWAY OUTSIDE ABBOT'S OFFICE - DAY

    John hides as Brother Graham is forcibly removed from the Abbot's office, then overhears the Abbot instructing a monk to find him, causing John to quickly flee the hallway.

    The Abbot, Brother John, THIRD BURLY MONK
  17. 17. INT. GLASS FACTORY - DAY

    An agitated John bursts into the glass factory, interrupting Kyle and other monks, to reveal a mysterious book he claims is from the 'Devil' and related to the Abbot. As other monks react with fear and suspicion, whispering about him being 'infected,' John, despite Kyle's attempts to calm him, flees with the book.

    WHISPERING MONK, Brother Kyle, SECOND WHISPERING MONK, THIRD WHISPERING MONK, Brother John, WHISPERING MONKS
  18. 18. INT. SHAFT ROOM - DAY

    John attempts to retrieve the cage from the shaft but discovers the ropes have been bitten through, prompting him to run frantically through the monastery past oblivious monks.

  19. 19. INT. ABBEY BASEMENT WORKROOM - DAY

    John enters a basement workroom, hides a book, and uncovers a hidden wooden door in the floor, revealing a vast underground system of ladders, viaducts, and a sea leading to cells where Ripley is held, before he begins his descent.

    Brother John
  20. 20. INT. ABBEY LAVATORY - NIGHT

    In a cold, dilapidated abbey lavatory, a Bald Tribunal Monk is violently attacked and dragged away by an unseen entity from his toilet, causing a bloody panic among the other monks before the scene transitions to an orb in space with Ripley's somber voiceover.

    The Abbot, Bald Tribunal Monk, Ripley, BALD TRIBUNAL MEMBER
  21. 21. INT. RIPLEY'S CELL - NIGHT

    Ripley, imprisoned in a cell, refuses food offered by Anthony, an android, and expresses her weariness of fighting and her desire for death before the Alien finds her. Their conversation about androids, the Alien's nature, and their captors is interrupted by distant knocking and a voice.

    Ripley, Anthony, WHITE-HAIRED MAN
  22. 22. INT. PRISON LEVEL CORRIDOR - NIGHT

    John walks down a prison corridor at night, hoarsely calling out for Ripley and banging his fist against the walls as he searches for a reply.

    Brother John
  23. 23. INT. ANTHONY'S CELL

    Anthony gets up from the floor and moves so that someone can see into his cell, which is covered with charcoal sketches of demons and the devil. He then crosses to his cell door and peers through it.

  24. 24. INT. PRISON LEVEL CORRIDOR HALLWAY - ANTHONY POV

    John finds Anthony in a prison cell, and after a brief exchange, Ripley's voice reveals John has "seen the devil." Anthony turns to look at Ripley, and when he turns back, John has vanished.

    Brother John, Anthony, Ripley
  25. 25. INT. THE CORRIDOR

    John works to break through a wall to reach Ripley, who, from behind the barrier, recounts her traumatic history with the Alien, expressing guilt over her crew's demise and despair after losing Newt, while repeatedly insisting she cannot help him.

    Brother John, Ripley
  26. 26. INT. CORRIDOR - PRISON LEVEL - NIGHT

    Ripley, John, and Anthony run through a prison corridor, discussing the alien's ability to adapt to its host's form. Ripley confronts John about his reasons for helping her, leading to a moment of honesty and reconciliation between them.

    Brother John, Ripley, Anthony
  27. 27. INT. SLOPING CORRIDOR - NIGHT

    Ripley, John, and Anthony discuss their current situation on the Arceon satellite, which John reveals is a "library" of ancient books and a "prison" for political dissidents who renounced technology. Anthony, an android, admits he was a Company spy, and Ripley challenges John's beliefs about the "New Plague" and the state of Earth, using her correct prediction about the Alien as leverage.

    Brother John, Ripley, Anthony
  28. 28. INT. TRANSOM SPACE - PRISON LEVEL

    Ripley, John, and Anthony discuss their dire situation in the "Hell" level of the orbiter, realizing their escape route is cut and they lack weapons against the Alien. After Ripley initially refuses to help, John convinces her, and Anthony reveals the existence of a "Technology room" which could be their only chance, leading Ripley to agree to help under her own terms.

    Brother John, Ripley, Anthony
  29. 29. INT. ARCEON - MONASTERY LEVEL - NIGHT

    Monks prepare for battle in a scorched monastery and then descend into an underground wheat field where an adapted Alien attacks them, causing chaos, fire, and friendly fire, before confronting the Abbot. As the Abbot faces the Alien, an off-screen voice reassures him.

    The Abbot, LEAD MONK, Brother John
  30. 30. INT. TRANSOM SPACE - SERIES OF SHOTS

    Ripley and John discuss Ripley's earlier "confession," with John suggesting it's survivor's guilt, which Ripley dismisses. Ripley then speculates that the alien is deliberately tormenting her because it remembers what she did to its "mother," a notion John seems to agree with.

    Brother John, Ripley
  31. 31. INT. LADDER-WELL - PRISON LEVEL - NIGHT

    Ripley leads the way up a warped wooden ladder in a ladder-well, climbing towards another block of cell corridors four stories above.

  32. 32. INT. END OF PRISON CORRIDOR - FOURTH LEVEL - NIGHT

    While exploring a prison corridor, Anthony, an android, suffers a violent hallucination that nearly causes him to fall, prompting Ripley and John to save him, and he later explains his 'dreams' are actually sleep-deprivation-induced visions of monsters.

    RIPLEY AND JOHN, Brother John, Ripley, Anthony
  33. 33. INT. LADDER SHAFT

    The group climbs down a ladder and enters a serpentine corridor where they find blood mixed with seawater, indicating they are near the sea. They then confront the Abbot, who admits to lying to his followers to maintain order and reveals his fear of the "Devil," which Ripley identifies as the Alien.

    The Abbot, Brother John, Anthony, Ripley
  34. 34. INT. TECHNOLOGY ROOM CORRIDOR

    The refugees navigate a booby-trapped corridor filled with bear traps, using planks to spring them. As they reach the Technology Room door, an Alien, disguised as wood, attacks Anthony, blinding him. John fights the Alien while Ripley hot-wires the door's ancient keyboard, and they barely escape into the room, only to find it filled with primitive windmills, causing Ripley to collapse.

    The Abbot, Brother John, Ripley, Anthony
  35. 35. INT. SULACO ESCAPE SHIP #4 (DREAM)

    In a dream sequence aboard an escape ship, Ripley, armed with a flamethrower, finds Newt sleeping peacefully, but her weapon fails when she senses the Alien, leading to her capture and the horrifying discovery of Newt's doll's head in a pool of blood.

    Ripley
  36. 36. INT. TECHNOLOGY ROOM - REALITY - DAY

    Ripley awakens in the technology room, where the Abbot reveals their exile is a death sentence before an Alien head burster erupts from him, leading Ripley to realize the creature's adaptive nature and a terrifying connection to her own chest pain.

    The Abbot, Brother John, Anthony, Ripley
  37. 37. INT. TECHNOLOGY ROOM

    Ripley and John leave an injured Anthony, climb a ladder to an underground dock revealing a vast, illuminated sea with a waterfall, and prepare to cross it in small boats.

    Brother John, Ripley, Anthony
  38. 38. INT. TECHNOLOGY ROOM - DAY

    Anthony, injured, reflects on his newfound religion and senses an approaching presence. Meanwhile, John and Ripley row across an underground ocean, sharing personal stories about their pasts, including Ripley's tragic loss of her daughter, before discovering the ocean has turned to blood and an Alien creature is swimming beneath their boat.

    Brother John, Ripley, Anthony
  39. 39. INT. TECHNOLOGY ROOM - NIGHT

    The scene begins in a burning technology room with windmills ablaze and Anthony missing, then transitions to Ripley and John emerging from a coracle and embarking on a perilous climb up a tall, damaged ladder, noticing the rising heat and blackened surfaces as they ascend.

  40. 40. INT. UNDERGROUND WHEAT FIELDS - NIGHT

    Ripley and John enter the devastated underground wheat fields, discovering the gruesome aftermath of an Alien attack with charred crops and dead monks. They then move up to the Monastery level, which is also in ruins and burning, where they find more evidence of the Alien's destructive rampage.

    Brother John, Ripley
  41. 41. INT. GLASS FACTORY - NIGHT

    John and Ripley enter a chaotic glass factory where they find Brother Kyle, who is disoriented and singing nonsensically; realizing Kyle is beyond help, John strangles him to end his suffering, while Ripley prepares for their escape.

    Brother John, Ripley, Brother Kyle
  42. 42. INT. STAIRWELL - NIGHT

    Ripley and John ascend a stairwell, which is dimly lit by flickering orange light from below, with smoke and soot rising from the lower floors.

  43. 43. INT. LIBRARY - NIGHT

    John and Ripley enter a library to retrieve books, where they are surprised by John's dog, Mattias, and then confronted by a wounded Alien. After a chaotic fight that destroys the library floor, they fall into a glassworks, where they ultimately defeat the Alien by dousing it with water while it's covered in molten glass, causing it to explode.

    RIPLEY AND JOHN, Ripley, Mattias, Brother John, THE ALIEN
  44. 44. INT. LIBRARY - NIGHT

    Ripley and John are at the entrance of a burning library, with John attempting to save books and a character named Mattias. Ripley convinces John and Mattias that the books are lost and they must prioritize their own survival, then pulls Mattias into the hallway.

    Brother John, Ripley
  45. 45. EXT. MONASTERY - THE ROOF - NIGHT

    Ripley clears a path to the escape ship by kicking down burning planks, while John observes the devastated, burning Abbey and his medical bag containing the last remaining book, before Ripley calls them into the ship.

    Ripley
  46. 46. INT. SULACCO ESCAPE POD #4 - NIGHT

    Ripley discovers she is impregnated with an alien and locks John in a compartment to save him, planning to sacrifice herself. John, however, performs a ritual that transfers the alien into his own body, then sacrifices himself in the burning Abbey to destroy it, allowing Ripley to escape.

    Brother John, Ripley
  47. 47. INT. SULACCO ESCAPE POD #4 = DAY

    Ripley prepares for hypersleep in an escape pod, reading Brother John's parchment about the evil on Arceon and adding her own voice-over before the pod departs, with the scene concluding as a teenager in a movie theater shouts about the dog.

    Brother John, TEENAGER, Ripley

Dialogue examples

JOHN V.O. I, Brother John Goldman of the orbiter Arceon, Minorite abbey and gaol, know the Abbot was wrong. There is a great evil here. I have seen it. I put pen to paper now lest this plague - this creature stills my hand. I have gone down below - both to try to warn the others and get the woman - Ripley - get from her some clue as to how to battle this evil, or at least to make my peace for not defending her. She believes there is still and Earth and I hope she is right. I hope she will be able to find out. I hope she can find some rest for the devils that torment her.

Brother John / Scene 47

ABBOT When we left Earth seventy years ago, it was on the brink of a New Dark Age. Technology was on the verge of destroying the planet's environment. A computer virus was threatening to wipe away all recorded knowledge. There didn't seem to be any way it could be averted. In the almost forty years since we were towed out here in hypersleep, the news that came with occasional supply ships only got worse. Finally, the ships stopped coming. We had to resign ourselves to the fact that worst had come to pass, and the Earth no longer existed.

The Abbot / Scene 9

ANTHONY Right. Maybe they've fixed this on later models, but I don't. Do you know what happens to the human brain when it is deprived of sleep? It starts to run off the dreams while you're awake, as hallucinations. Same thing with me. For twenty years I absorbed data on this planetoid. A little after we lost contact with Earth the visions started. They thought I was insane. I had to explain that it was because I was an android. They liked that even less.

Anthony / Scene 32

RIPLEY No. On Earth. I never mentioned my daughter. My daughter. I have - had I guess, by now - a daughter on Earth. Kathy. She was nine when I signed on to the Nostromo. Mommy will be home before you know it I said. My shares would have set us up good. Then I lost sixty years floating around in a rescue pod. Thanks to the Alien. I came home to face a bitter, 70 year old woman. My daughter. A little girl who's mother never came home.

Ripley / Scene 38

WOMAN ...taking pod four. The Crew of the SS Sulaco and all Marine commandoes are dead. Ship's sensors have interrupted the hyper sleep cycle. An overlooked alien egg has hatched. Bishop and Hicks have been killed. Xenomorphs have infested the cruiser. Newt and I are taking pod four. The Crew of...

WOMAN / Scene 3

ABBOT Poetic justice for the anti-technologists. The Company's best work. You know, I used to be a corporate executive. Middle range V.P. Then my wife got hit by a speed craft. I chucked it all and joined the order. Be a monk -- see the world. Being here, being chairman of the board...

The Abbot / Scene 36

ABBOT I do what I have to do to keep the Brotherhood together. We all gave up believing in Earth a long time ago. How do you think they would feel if told their exiled was in vain? That the holocaust they were trying to avoid never occured? Those men up there have grown to live with it.

The Abbot / Scene 33

RIPLEY He was on the pod. He killed Newt but not me. Why not me? It's almost like he's playing with me. Maybe they have some sort of race memory. Maybe he knows what I did to his "mother." That's why he didn't just kill me. That would be too easy. He has to torment me.

Ripley / Scene 30

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