Opening Image
Scene 1 / Page 1 / 1% target
The voice-over and still-life tableaus of Lawford, N.H. establish the world’s tone and mood from the first scene.
Still-life tableaus. Lawford, N.H., a town of fifty buildings
Affliction script analysis
Wade Whitehouse, a small‐town cop and single father, grapples with his failing marriage, his young daughter’s well‐being, and suspicions surrounding a friend’s hunting “accident.” As he uncovers rumors of conspiracy and faces betrayals by his employer and community, his personal life unravels. Ultimately, Wade’s quest for truth and justice turns violent, leading to tragic final confrontations.
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Scene 1 / Page 1 / 1% target
The voice-over and still-life tableaus of Lawford, N.H. establish the world’s tone and mood from the first scene.
Still-life tableaus. Lawford, N.H., a town of fifty buildings
Scene 2 / Page 1 / 5% target
Jill’s remark “Who’s fault is it then if it’s not yours?” points to themes of responsibility and blame.
JILL Who's fault is it then if it's not yours? You're the one in charge, Daddy.
Scenes 2-5 / Pages 1-5 / 10% target
We meet Wade at home, see his strained relationship with Jill, his cop duties, and the town’s dynamics.
Scene 10 / Pages 5-6 / 12% target
Wade’s ex takes Jill away after a public confrontation, forcing him to confront his custody crisis.
WADE Me and Jill, we just had a little spat. She felt kind of left out, I guess,...
Scenes 11-16 / Pages 6-10 / 20% target
Wade questions how to handle work, weather, and the ex in calls with the principal and Twombley’s hunting job, doubting his next steps.
Scene 18 / Page 10 / 25% target
He steps into LaRiviere Co.’s world, taking the grader and entering a new phase of unofficial investigations.
LARIVIERE Told you the snow was coming down. Take the grader.
Scene 21 / Page 11 / 30% target
Wade’s conversation with Margie at Toby’s Inn introduces a potential love interest and emotional anchor.
Scenes 30-34 / Pages 15-17 / 40% target
Wade’s on-site questioning of Jack and his black-and-white theories of Twombley’s death provide the investigative intrigue.
JACK You heard the news.
Scene 43 / Page 20 / 50% target
Wade’s dinner-bedroom scene with Margie where he proposes marriage shifts stakes from investigation to personal commitment.
Scene 55 / Page 23 / 65% target
LaRiviere’s public confrontation with Jack and implied collusion with Mel Gordon raise the antagonistic forces around Wade.
LARIVIERE Put out that fucking cigarette!
Scene 72 / Page 29 / 75% target
Wade is fired by Gordon LaRiviere, stripped of his badge and keys—his lowest professional point.
LARIVIERE Wade, you're done. Let me have the shop keys.
Scene 74 / Page 30 / 80% target
Wade’s attempt to pull his own tooth in isolation marks his personal despair and loss of control.
WADE What do you mean, you can't take me today? I told you --
Scene 82 / Page 33 / 85% target
Wade’s violent confrontation with his father and subsequent dark humor foreshadow his final, decisive actions.
WADE I know you now. I love you too.
Scenes 84-85 / Pages 34-35 / 95% target
Wade ambushes and kills Jack on Parker Mountain, then disappears—resolving his quest but at tragic cost.
ROLFE (V.O.) It's how we keep from destroying in turn our own children and terrorizing the women who...
Scene 85 / Page 35 / 99% target
Rolfe’s voice-over over Wade’s unresolved fate and the town’s outcomes bookends the story with reflection.
ROLFE (V.O.) LaRiviere and Mel Gordon were indeed in business. The Parker Mountain Ski Resort is now advertised...