Scripts
A Million Miles Away poster

Screenplay data

A Million Miles Away script

Young Jose Hernandez, a migrant farmworker in 1960s California, dreams of becoming an astronaut after watching the moon landing, despite his family's transient life and his father's insistence on hard work and education. After graduating college, Jose begins working at Lawrence Livermore Labs, where he faces skepticism from his boss, Clint Logan, and repeatedly applies to NASA, receiving twelve rejections while marrying Adela and starting a family. Adela encourages Jose to identify what he lacks compared to successful astronaut candidates, leading him to pursue flight training, scuba diving, and Russian language skills, which he utilizes during a demanding assignment in Siberia. After a final, impassioned application delivery to NASA Program Director CJ Sturckow, Jose is accepted into the astronaut program, but his training is fraught with challenges, including simulator failures and a near mid-air collision, while his family struggles with his absence and their new life in Houston.

IMDb ID (imdb_id)
tt21940010
176Scenes
26Characters
39Pages
8Dialogue samples

Save the Cat beat sheet

A Million Miles Away Save the Cat analysis

A Million Miles Away follows Jose Hernandez’s journey from a migrant farmworker boy in Mexico to becoming a NASA astronaut.

Open full beat sheet
45

Key characters

Jose Hernandez

Jose Hernandez is listed as Protagonist / Astronaut. A determined, intelligent man who overcomes his background as a migrant farmworker to become a NASA astronaut. In the parsed data, Jose Hernandez is connected to 85 scenes, 288 dialogue lines, 297 text mentions, first appearing around scene 3.

85 scenes / 288 dialogue lines

Adela Hernandez

Adela Hernandez is listed as Wife. Jose's wife, a strong and ambitious woman who supports his dreams while managing their family and her own aspirations. In the parsed data, Adela Hernandez is connected to 28 scenes, 116 dialogue lines, 116 text mentions, first appearing around scene 33.

28 scenes / 116 dialogue lines

CJ Sturckow

CJ Sturckow is listed as NASA Program Director. A stern and demanding leader of the astronaut selection program. In the parsed data, CJ Sturckow is connected to 17 scenes, 39 dialogue lines, 42 text mentions, first appearing around scene 78.

17 scenes / 39 dialogue lines

Salvador Hernandez

Salvador Hernandez is listed as Father. A hardworking, stoic man who instills the value of goal-setting and perseverance in his children. In the parsed data, Salvador Hernandez is connected to 14 scenes, 55 dialogue lines, 55 text mentions, first appearing around scene 3.

14 scenes / 55 dialogue lines

Clint Logan

Clint Logan is listed as Director at Lawrence Livermore Labs. A demanding and skeptical boss who eventually recognizes Jose's talent. In the parsed data, Clint Logan is connected to 7 scenes, 38 dialogue lines, 40 text mentions, first appearing around scene 20.

7 scenes / 38 dialogue lines

Beto

Beto is listed as Cousin. Jose's cousin who remains in the fields, representing the path Jose left behind. In the parsed data, Beto is connected to 7 scenes, 31 dialogue lines, 76 text mentions, first appearing around scene 3.

7 scenes / 31 dialogue lines

Julia Hernandez

Julia Hernandez is listed as Mother. A supportive and hardworking mother who keeps the family together during their migrations. In the parsed data, Julia Hernandez is connected to 7 scenes, 17 dialogue lines, 17 text mentions, first appearing around scene 2.

7 scenes / 17 dialogue lines

WEISSBERG

WEISSBERG is identified from the parsed character and dialogue data. In the parsed data, WEISSBERG is connected to 7 scenes, 16 dialogue lines, 33 text mentions, first appearing around scene 21.

7 scenes / 16 dialogue lines

Kalpana Chawla

Kalpana Chawla is listed as Astronaut / Instructor. A mentor and fellow astronaut who provides guidance and friendship to Jose. In the parsed data, Kalpana Chawla is connected to 6 scenes, 29 dialogue lines, 33 text mentions, first appearing around scene 89.

6 scenes / 29 dialogue lines

NEWSCASTER

NEWSCASTER is identified from the parsed character and dialogue data. In the parsed data, NEWSCASTER is connected to 6 scenes, 11 dialogue lines, 13 text mentions, first appearing around scene 110.

6 scenes / 11 dialogue lines

Miss Young

Miss Young is listed as Teacher. A supportive elementary school teacher who encourages Jose's academic potential. In the parsed data, Miss Young is connected to 5 scenes, 21 dialogue lines, 35 text mentions, first appearing around scene 5.

5 scenes / 21 dialogue lines

Julio Hernandez

Julio Hernandez is listed as Son. Jose and Adela's son who shares his father's interest in science. In the parsed data, Julio Hernandez is connected to 5 scenes, 21 dialogue lines, 22 text mentions, first appearing around scene 74.

5 scenes / 21 dialogue lines

LAUNCH CONTROL

LAUNCH CONTROL is identified from the parsed character and dialogue data. In the parsed data, LAUNCH CONTROL is connected to 4 scenes, 9 dialogue lines, 9 text mentions, first appearing around scene 1.

4 scenes / 9 dialogue lines

STACEY

STACEY is identified from the parsed character and dialogue data. In the parsed data, STACEY is connected to 3 scenes, 5 dialogue lines, 13 text mentions, first appearing around scene 23.

3 scenes / 5 dialogue lines

UNKNOWN

UNKNOWN is identified from the parsed character and dialogue data. In the parsed data, UNKNOWN is connected to 3 scenes, 5 dialogue lines, first appearing around scene 47.

3 scenes / 5 dialogue lines

MOM

MOM is identified from the parsed character and dialogue data. In the parsed data, MOM is connected to 2 scenes, 7 dialogue lines, 24 text mentions, first appearing around scene 38.

2 scenes / 7 dialogue lines

CABANA

CABANA is identified from the parsed character and dialogue data. In the parsed data, CABANA is connected to 2 scenes, 6 dialogue lines, 12 text mentions, first appearing around scene 126.

2 scenes / 6 dialogue lines

GROUND CONTROL

GROUND CONTROL is identified from the parsed character and dialogue data. In the parsed data, GROUND CONTROL is connected to 2 scenes, 5 dialogue lines, 8 text mentions, first appearing around scene 94.

2 scenes / 5 dialogue lines

ASCAN 1

ASCAN 1 is identified from the parsed character and dialogue data. In the parsed data, ASCAN 1 is connected to 2 scenes, 5 dialogue lines, 5 text mentions, first appearing around scene 105.

2 scenes / 5 dialogue lines

LETY

LETY is identified from the parsed character and dialogue data. In the parsed data, LETY is connected to 2 scenes, 3 dialogue lines, 15 text mentions, first appearing around scene 9.

2 scenes / 3 dialogue lines

INSTRUCTOR

INSTRUCTOR is identified from the parsed character and dialogue data. In the parsed data, INSTRUCTOR is connected to 2 scenes, 3 dialogue lines, 6 text mentions, first appearing around scene 57.

2 scenes / 3 dialogue lines

ASCAN 2

ASCAN 2 is identified from the parsed character and dialogue data. In the parsed data, ASCAN 2 is connected to 2 scenes, 3 dialogue lines, 3 text mentions, first appearing around scene 105.

2 scenes / 3 dialogue lines

STAFF

STAFF is identified from the parsed character and dialogue data. In the parsed data, STAFF is connected to 2 scenes, 2 dialogue lines, 13 text mentions, first appearing around scene 139.

2 scenes / 2 dialogue lines

RUSSIAN ENGINEER

RUSSIAN ENGINEER is identified from the parsed character and dialogue data. In the parsed data, RUSSIAN ENGINEER is connected to 2 scenes, 2 dialogue lines, 2 text mentions, first appearing around scene 71.

2 scenes / 2 dialogue lines

Scene outline

  1. 1. UNKNOWN SCENE

    This scene block begins with title page information and writer credits for "A Million Miles Away," followed by a note about Spanish dialogue translation, and concludes with Launch Control's voice-over wishing good luck and godspeed.

    LAUNCH CONTROL
  2. 2. EXT. LA PIEDAD, MICHOACAN, MEXICO - DAY

    In 1968 Mexico, a young boy named Jose plays in a cornfield, imagining an ear of corn is a rocket launching into space, until he is called by Julia.

    Julia Hernandez, LAUNCH CONTROL
  3. 3. EXT. FAMILY SHACK, MEXICO - DAY

    The Hernandez family bids an emotional farewell to their home in Mexico and embarks on a long, arduous journey to California, where they begin a new life as migrant farmworkers and Jose grapples with the changes.

    Beto, Salvador Hernandez, Julia Hernandez, Jose Hernandez
  4. 4. EXT. HERNANDEZ HOME - DUSK

    The Hernandez family arrives at their new humble home in a rough barrio, with Jose and Lety feeling hopeful, though Chava warns them not to get too excited as they won't be there long, before a transition to a child writing in a notebook.

    CHAVA
  5. 5. INT. FILLMORE ELEMENTARY, CLASSROOM - MORNING

    Jose returns to Miss Young's elementary class, where he impresses with his math skills in both Spanish and English, leading Miss Young to teach a lesson about math as a universal language, before his cousin Beto arrives and reveals he's been absent due to work.

    Beto, Miss Young, Jose Hernandez, CLASS
  6. 6. INT. HERNANDEZ HOME, STOCKTON -- NIGHT

    Jose wakes up late at 4:14 AM, quickly gets dressed, and finds his family already ready to leave for the fields, apologizing for his alarm not going off before Salvador tells everyone to go.

    Salvador Hernandez, Jose Hernandez
  7. 7. EXT. FIELDS, STOCKTON -- DAY

    Jose, exhausted from working in the fields with his family, has a meltdown, prompting his father Salvador to teach him about perseverance and setting goals. Salvador explains that their hard work is for building a better life and a house in Michoacan, then provides Jose with a "recipe" for success, which Jose then applies to his work.

    Salvador Hernandez, Jose Hernandez
  8. 8. INT. FILLMORE ELEMENTARY, CLASSROOM - DAY

    In a classroom, Miss Young assigns a composition homework, but Jose informs her he cannot complete it as his family is leaving for "pepino season," leading him to ask a profound question about stars, which Miss Young encourages him to answer himself.

    Miss Young, Jose Hernandez
  9. 9. INT. HERNANDEZ HOME, STOCKTON -- DAY

    In their half-packed home, the Hernandez family gathers to watch the first moon landing, an event that deeply captivates Jose and is noticed by his father, Salvador.

    LETY, GIL, Jose Hernandez
  10. 10. EXT. HERNANDEZ HOME - NIGHT

    Jose plays with a corncob ship on the porch under the stars, while his mother Julia watches him from the doorway and decides to let him be.

  11. 11. INT. HERNANDEZ HOME, STOCKTON - DAY

    The Hernandez family packs their last belongings, and Julia opens the door to find Miss. Young.

  12. 12. INT. HERNANDEZ HOME - MOMENTS LATER

    Miss Young expresses concern to the Hernandez family about their children's education due to their frequent travel for work, with Jose acting as a translator, and Salvador defends their need to work by explaining they are building a house.

    Salvador Hernandez, Miss Young, Jose Hernandez
  13. 13. EXT. SIDEWALK -- MOMENTS LATER

    Miss Young, feeling crestfallen, is approached by Jose who gives her his homework, a drawing titled "ASTRONAUT." She is touched by his work and encourages him, but then walks away, leaving Jose feeling small and defeated.

    Miss Young, Jose Hernandez
  14. 14. I/E. SALVADOR'S CAR/FIELDS, STOCKTON -- DAY

    Salvador, frustrated by short pay and a car that won't start, initially tells his children that their future is the hard labor in the fields, but then softens his message, emphasizing the dignity of their work and the importance of education. The scene ends with the car finally starting and Salvador driving back, presumably to take the children to school.

    Julia Hernandez, Salvador Hernandez, Jose Hernandez
  15. 15. INT. SALVADOR'S CAR, MOVING -- CONTINUOUS

    Jose experiences a moment of happiness and triumph while riding in Salvador's car, feeling the breeze, before the scene cuts to a close-up of the car's spinning wheel.

  16. 16. EXT. UNIVERSITY OF THE PACIFIC - DAY

    In 1985, a lowrider Chevrolet Impala 64' parks at the University of the Pacific, and 25-year-old Jose, dressed in a graduation gown, steps out and walks towards campus as graduates cheer.

  17. 17. EXT. UNIVERSITY OF THE PACIFIC - DAY

    Jose, Salvador, and Julia are at the University of the Pacific entrance, celebrating and taking a picture. Jose reveals a 'HI MOM' sign on his cap, which brings Julia to joyful tears, and Salvador comforts her.

  18. 18. INT. HERNANDEZ HOME, JOSE'S BEDROOM - NIGHT

    Jose is in his bedroom, secretly examining a NASA application form when his mother, Julia, calls him for dinner. He tries to leave, and when Julia asks about a girl, Jose jokingly invents a male cousin named Beto to deflect her questions.

    Julia Hernandez, Jose Hernandez
  19. 19. EXT. STOCKTON, FIELDS -- LATER

    Jose and his cousin Beto discuss Jose's new job at Lawrence Livermore Labs, contrasting Jose's promising future with Beto's difficult reality working in the fields, which is further emphasized by a foreman's interruption.

    Beto, FOREMAN, Jose Hernandez
  20. 20. EXT. LAWRENCE LIVEREMORE LABS, PARKING LOT - MOMENTS LATER

    Jose arrives at Lawrence Livermore Labs in his loud lowrider, drawing the attention of Clint Logan. Logan makes a brief, knowing comment about Jose's car, leaving Jose feeling self-conscious.

    Clint Logan
  21. 21. INT. LAWRENCE LIVEREMORE LABS, CONFERENCE ROOM - LATER

    Jose, a new lab engineer, arrives late to a conference where Logan, the director, is giving a dramatic lecture about the threat of nuclear missiles, and Jose's unexpected answer to a rhetorical question leads to him being assigned work immediately.

    WEISSBERG, SCIENTIST 2, SCIENTIST 1, Clint Logan, Jose Hernandez
  22. 22. INT. LAWRENCE LIVEREMORE LABS - LATER

    Weissberg leads Jose to a tiny, dark, windowless room, and Jose discovers that the overhead lights are not working and there are no outlets for the desk lamp.

    WEISSBERG
  23. 23. INT. LAWRENCE LIVEREMORE LABS, RECEPTION - MOMENTS LATER

    Jose, a new employee, approaches the reception desk looking for an extension cord, and the receptionist, Stacey, offers to show him the supply room.

    STACEY, Jose Hernandez
  24. 24. INT. LAWRENCE LIVEREMORE LABS, SUPPLY ROOM - MOMENTS LATER

    Stacey, mistaking Jose for a new cleaner, rapidly gives him a large key ring and cleaning instructions before being called away, leaving Jose to find an extension cord in the supply room.

    STACEY, WOMAN, Jose Hernandez
  25. 25. INT. LAWRENCE LIVEREMORE LABS, VARIOUS - NIGHT

    The scene opens in the Lawrence Livermore Labs at night, focusing on an extension cord in a hallway that leads around a corner.

  26. 26. INT. LAWRENCE LIVEREMORE LABS, JOSE'S OFFICE - NIGHT

    Weissberg enters Jose's office, which is now more welcoming, and gives him a stack of papers to read, leaving Jose frustrated.

    WEISSBERG
  27. 27. INT. HERNANDEZ HOME, KITCHEN - MOMENTS LATER

    Jose and his mother Julia discuss his difficult day and her concerns about his future, which is interrupted by a noise outside, leading to a misunderstanding about beers Jose is getting.

    Julia Hernandez, Jose Hernandez
  28. 28. EXT. HERNANDEZ HOME, GARDEN - MOMENTS LATER

    Jose and his father, Salvador, work in the garden and discuss Jose's career and the sacrifices made for him, leading to a tense conversation about past family struggles.

    Salvador Hernandez, Jose Hernandez
  29. 29. INT. LAWRENCE LIVEREMORE LABS, CONFERENCE ROOM - DAY

    Logan delivers an intense briefing to his engineers about an upcoming nuclear test, stressing the importance of a flawless execution to secure funding. Amidst the focused crowd, Jose appears distracted and out of pace, eventually drawn to a song playing on a radio.

    Clint Logan
  30. 30. INT. HERNANDEZ HOME, BEDROOM - NIGHT

    Jose finishes filling out his NASA application, then has a brief conversation with his sister Lety before going to bed.

    LETY, Jose Hernandez
  31. 31. INT. LAWRENCE LIVEREMORE LABS, CONFERENCE ROOM - NIGHT

    Jose, now conforming to the lab's style, attempts to contribute a solution to a scientific problem regarding X-ray diffusion, but his ideas are dismissed by Weissberg and another scientist, leaving him feeling unheard.

    Jose Hernandez, SCIENTIST 1, WEISSBERG
  32. 32. EXT. CAR DEALERSHIP, MAIN LOT - DAY

    Jose attempts to sell his cherished lowrider, "El Impala," despite his friend Beto's strong objections, who views the sale as a betrayal of Jose's identity; meanwhile, Jose shares a significant glance with Adela, a woman he previously met.

    Beto, SALESMAN, Jose Hernandez
  33. 33. INT. CAR DEALERSHIP, MAIN OFFICE - MOMENTS LATER

    Jose, a nervous customer, attempts to buy a car from Adela, a car dealership manager, but is clearly more interested in her than the vehicle. After some awkward flirting and a failed attempt by Jose to ask her out, Adela agrees to a date with conditions, including getting Jose's friend Beto to stop eating all the snacks.

    Adela Hernandez, Jose Hernandez
  34. 34. EXT. LAWRENCE LIVEREMORE LABS, PARKING LOT - DAY

    An 'americanized' Jose arrives at Lawrence Livermore Labs in his sporty Mazda RX-7, looking sharp and proud of his new American style.

  35. 35. INT. LAWRENCE LIVEREMORE LABS, JOSE'S OFFICE - LATER

    Weissberg delivers a NASA rejection letter to Jose, then assigns him a tedious task of Xeroxing thousands of pages, leaving Jose crushed by the news and the menial work.

    Jose Hernandez, WEISSBERG
  36. 36. INT. HERNANDEZ SHACK , STOCKTON -- NIGHT

    Jose tells his father, Salvador, that he is going out on a date, and before leaving, he expresses his love for his father.

    Salvador Hernandez, Jose Hernandez
  37. 37. EXT. ADELA'S FAMILY HOME - NIGHT

    Adela opens the door and apologizes for an impending event, asking the other person not to run, which prompts a confused response from Jose.

    Adela Hernandez, Jose Hernandez
  38. 38. INT. ADELA'S FAMILY HOME, LIVING ROOM - NIGHT

    Jose visits Adela's family home, where he is interrogated by Adela's mother and two uncles about his origins and intentions, culminating in a stern warning from Adela's father about dating his daughter.

    Adela Hernandez, MOM, Salvador Hernandez, Jose Hernandez
  39. 39. EXT. ADELA'S FAMILY HOME - LATER

    Adela apologizes to Jose for her family's intense questioning, and they share a tender, prolonged goodbye, hinting at their mutual affection before Adela's father calls her back inside.

    Adela Hernandez, Salvador Hernandez, Jose Hernandez
  40. 40. INT. LAWRENCE LIVEREMORE LABS, SUPPLY ROOM - LATER

    Jose, bored while making copies at Lawrence Livermore Labs, discovers a graph that piques his interest, leading him to collect related documents and experience an epiphany.

  41. 41. INT. LAWRENCE LIVEREMORE LABS, RECEPTION - MOMENTS LATER

    Jose attempts to share a discovery with Logan, who dismisses him, only for Jose to be assigned a cleaning task, leaving him visibly frustrated.

    Clint Logan, STACEY, Jose Hernandez
  42. 42. INT. LAWRENCE LIVEREMORE LABS, JOSE'S OFFICE - MOMENTS LATER

    Jose grabs a massive keychain in his office at Lawrence Livermore Labs.

  43. 43. INT. LAWRENCE LIVEREMORE LABS, MAIN LAB - MOMENTS LATER

    Jose, posing as a janitor, breaks into a supercomputer lab to run simulations on a scientific concern, only to be caught by Logan and his team. Jose explains his findings, convincing Logan to have his team verify the results.

    Clint Logan, Jose Hernandez, WEISSBERG
  44. 44. INT. LAWRENCE LIVEREMORE LABS, RECEPTION - MOMENTS LATER

    Jose introduces himself to Stacey at the reception desk, clarifying that he is an engineer and not the new janitor, then quickly departs.

    Jose Hernandez
  45. 45. INT. ADELA'S HOUSE/ KITCHEN - LATER

    Jose and Adela discuss their dreams and goals, with Adela revealing her ambition to open a Michoacana restaurant and Jose hesitantly admitting his dream of becoming an astronaut. Their conversation is interrupted by Adela's father, just as Jose attempts to hold her hand and asks about being alone with her.

    Adela Hernandez, MOM, Jose Hernandez
  46. 46. EXT. LARGE PATIO, WEDDING - DAY

    The scene opens at Jose and Adela's lively outdoor wedding, then transitions into a montage of their family life and historical news clips, culminating in Jose being interviewed about his work on X-ray technology at Livermore Labs.

    ANCHOR, Jose Hernandez
  47. 47. INT. JOSE AND ADELA'S HOME - DAY

    Jose and a very pregnant Adela navigate the morning chaos of their two young children, Julio and Karina, as Julio plays with and eventually breaks their wedding photo frame, leading to Adela's frustration.

    Adela Hernandez, Jose Hernandez
  48. 48. EXT. JOSE AND ADELA'S HOME, DRIVEWAY - MORNING

    Jose and Adela share a kiss, Jose checks the mail, and then Adela, Baby Karina, and Julio wave goodbye to Jose as he leaves for work.

  49. 49. INT. LAWRENCE LIVEREMORE LABS, CONFERENCE ROOM - DAY

    Jose's team celebrates the FDA approval of their project, and Jose thanks his team and Logan. Logan then approaches Jose to offer him a new, significant project involving the Highly Enriched Uranium Program in Siberia, which Jose is hesitant about due to family but Logan tempts him with the prospect of it helping his space program application.

    Clint Logan, Jose Hernandez, WEISSBERG
  50. 50. EXT. JOSE AND ADELA'S HOME -- DUSK

    Jose arrives home at dusk, steps out of his car, and checks the mail, finding nothing.

  51. 51. INT. JOSE AND ADELA'S HOME, VARIOUS - NIGHT

    Jose arrives home late at night, checks on his sleeping children, and then calls out for Adela, only to find the house empty, with a light coming from his studio.

    Jose Hernandez
  52. 52. INT. JOSE AND ADELA'S HOME, JOSE'S STUDIO - MOMENTS LATER

    Adela confronts Jose after discovering his six NASA rejection letters, revealing his secret ambition to join the Space Program. Their argument escalates, touching on trust and communication, before Adela shifts to a mundane request about diapers, acknowledging his recent professional success with a hint of sadness.

    Adela Hernandez, Jose Hernandez
  53. 53. EXT. STOCKTON -- NIGHT

    Jose and Beto discuss Jose's repeated rejections from a space program, with Beto ultimately encouraging Jose to appreciate his life and pursue his dream of leaving Earth, highlighting his unique perspective as a migrant.

    Beto, Jose Hernandez
  54. 54. INT. JOSE AND ADELA'S HOME - DAWN

    Jose enters his dark kitchen at dawn, places diapers on the table, and then stands idly staring at them.

    Jose Hernandez
  55. 55. INT. JOSE AND ADELA'S HOME -- NIGHT

    After a tense dinner, Adela surprisingly shifts from anger to support, encouraging Jose to open up about his "Space idea" and asking what he lacks compared to others who've succeeded in the Program.

    Adela Hernandez, Jose Hernandez
  56. 56. EXT. AIR ACADEMY, RUNWAY - DAY

    Jose arrives at a sketchy air academy airstrip, where he is greeted by a flight instructor and an old Cessna, while his voiceover describes the diverse backgrounds of the candidates.

    Jose Hernandez
  57. 57. INT. CESSNA, ON THE GROUND- LATER

    Jose is in a Cessna with an instructor, learning to fly, while his voiceover reflects on the qualities of good pilots and their success in high-performance hobbies.

    INSTRUCTOR, Jose Hernandez
  58. 58. EXT. JOSE AND ADELA'S HOME, DRIVEWAY - DAWN

    Jose stretches on his driveway at dawn, preparing for a run, while his voiceover describes various athletic activities, implying a competitive or observational context.

    Jose Hernandez
  59. 59. EXT. STREET - LATER

    Jose runs through the street, nearly getting hit by a car, while his voice-over discusses a professional deep sea diver.

    Jose Hernandez
  60. 60. INT. POOL - DAY

    Jose enters a pool with scuba gear, but his mouthpiece malfunctions underwater, causing him to panic and rise to the surface.

  61. 61. EXT. JOSE AND ADELA'S HOME -- DAY

    Jose receives a rejection letter from NASA in the mail, causing him to stop reading in anger.

  62. 62. INT. LAWRENCE LIVEREMORE LABS, PARKING LOT - DAWN

    Logan arrives at Lawrence Livermore Labs at dawn and observes Jose sprinting. Jose then approaches Logan, making a comment about language before asking about the Highly Enriched Uranium Program.

    Clint Logan, Jose Hernandez
  63. 63. INT. JOSE AND ADELA'S HOME, JOSE'S STUDIO - NIGHT

    Jose reads a rejection letter while holding his baby, prompting a montage that depicts his family growing, his personal struggles and perseverance, and a series of further rejections, culminating in him preparing a new NASA application.

    Jose Hernandez
  64. 64. INT. JOSE AND ADELA'S HOME, KITCHEN - DAWN

    In Jose and Adela's kitchen at dawn, their children are having breakfast and loudly asking for their father.

    KIDS
  65. 65. EXT. STREET - NIGHT

    Jose runs down the street, quickly drops an application into a mailbox, and reflects in voice-over about the years it takes for people to achieve their goals.

    Jose Hernandez
  66. 66. EXT. POOL - DAY

    Jose scuba dives in a pool while his voice-over reflects on the lack of guarantees, even with skill.

    Jose Hernandez
  67. 67. INT. CESSNA, ON THE GROUND - DAY

    Jose is in a Cessna on the ground, practicing with an instructor who seems to be in a trance. Jose questions the instructor's state, and the instructor reassures him, leading Jose to reflect on his potential for improvement.

    INSTRUCTOR, Jose Hernandez
  68. 68. INT. JOSE AND ADELA'S HOME, JOSE'S STUDIO - NIGHT

    Jose receives another NASA rejection letter, adding it to a growing pile, and reflects on the current requirements for space travel to the International Space Station.

    Jose Hernandez
  69. 69. INT. JOSE AND ADELA'S HOME -- EVENING

    Jose and Adela discuss Jose's potential trip to Russia, which he is reluctant to take due to missing his family and their new baby, but Adela encourages him, emphasizing the sacrifices their families have made. The conversation is interrupted by a child crying, leaving Jose contemplative as he looks at a family photo.

    Adela Hernandez, Jose Hernandez
  70. 70. INT. AIRPORT - DAY

    The scene is set at an airport during the day, featuring an airplane in flight and a close-up of a Russian stamp on Jose's American passport.

  71. 71. EXT. MOVING CAR, SIBERIA - DAY

    Jose looks out a car window at the Siberian landscape as a Russian Engineer welcomes him to the High Enriched Uranium Transparency Program.

    RUSSIAN ENGINEER
  72. 72. INT. NUCLEAR CONTROL ROOM - DAY

    Jose arrives at a nuclear control room and is welcomed by a group of engineers, struggling to respond in Russian while appearing lost and confused.

    RUSSIAN ENGINEER, Jose Hernandez
  73. 73. EXT. SIBERIA - DAY

    Jose runs through a vast, snow-covered Siberian field while having a phone conversation with Adela, who discusses baby names and their agreement on a difficult situation, as Jose expresses regret.

    Adela Hernandez, Jose Hernandez
  74. 74. INT. NUCLEAR CONTROL ROOM, BACK ROOM - DAY

    Jose, in a nuclear control room, speaks on the phone with Adela and his son Julio about the birth of his new baby daughter, Karina, expressing guilt for his absence. He becomes visibly emotional hearing his family and the baby's sounds over the phone.

    Adela Hernandez, Julio Hernandez, Jose Hernandez
  75. 75. INT. JOSE AND ADELA'S HOME, KITCHEN - DAY

    Salvador tells Jose about Monarch butterflies' ability to survive by traveling together, a story Jose understands as a metaphor for family and support while holding his baby.

    Salvador Hernandez, Jose Hernandez
  76. 76. INT. HERNANDEZ HOME, BEDROOM - NIGHT

    Adela is breastfeeding their new baby while Jose fills out an application, and she suggests he shouldn't mail it in, prompting him to ask what she means.

    Adela Hernandez, Jose Hernandez
  77. 77. INT. NASA HEADQUARTERS, HALLWAY - LATER

    Jose rolls a rickety carry-on bag down a hallway in NASA Headquarters, amidst a bureaucratic and fluorescent environment.

  78. 78. INT. NASA HEADQUARTERS, PROGRAM SELECTION LOBBY - CONTINUOUS

    Jose Hernandez confronts CJ Sturckow, the head of the Astronaut Candidates Selection Program, to personally deliver his application for the twelfth time. Jose passionately explains all the significant life changes and achievements he has made over the past decade to qualify for the program, asserting his unwavering determination despite previous rejections.

    CJ Sturckow, Jose Hernandez
  79. 79. EXT. JOSE AND ADELA'S HOME, BACKYARD - DAY

    At Julio's 8th birthday party, kids break open a piñata and play soccer, where Beto gets upset at Julio for scoring. Adela scolds Beto and then informs Jose about mail, holding a NASA envelope.

    Beto, Adela Hernandez
  80. 80. INT. JOSE AND ADELA'S HOME, JOSE'S STUDIO - MOMENTS LATER

    Jose tells Adela he got accepted, which she initially doesn't understand, but then they share a moment of happiness and laughter as the news sinks in.

    Adela Hernandez, Jose Hernandez

Dialogue examples

JOSE Sir, over the course of the last 10 years every single academic, professional and personal decision I've made, I've made with the Space Program in mind. I got a Masters in Electrical Engineering from Pacific University. I am now a pilot with over 100 hours under my belt. I got my scuba diving certificate. I am in the best shape of my life, I ran the San Francisco marathon not that long ago and I speak Russian. In fact, I volunteered to travel to Siberia as part of the Transparency Program of the US Department of Energy. I am the father of five perfect little children and the husband of the most incredible wife, who threatened to leave me if I didn't come see you. I have applied twelve times and I have been on the verge of giving up after each rejection. But here I am. So you can turn me down again. But rest assured I will be standing here again in a year.

Jose Hernandez / Scene 78

SALVADOR (CONT'D) Saben que las mariposas Monarca vuelan desde el mero norte, mas lejos que los Estados Unidos, hasta aca, hasta Michoacan? Vienen buscando mejor clima; cuando llega la primavera se regresan. Estos insectos que pesan un gramo hacen un viaje de 2,000 millas... Da que pensar no? SALVADOR (CONT'D) You know... Monarch butterflies migrate from up north to Michoacan. They come looking for a warmer weather; when spring comes, they go back. It is a journey of more than 2,000 miles taken by insects that weight one gram. Food for thought, huh?

Salvador Hernandez / Scene 3

STURCKOW If we want you here it is because you are one of the very few, highly skilled, extraordinary people on the planet that we deem capable of flying to space in a rocket. Today begins a journey that will change you forever in ways you didn't even think possible. It won't be easy. You will push yourselves past your own limits. You will work as a team, and you will struggle alone. And these are your new brothers and sisters. Kalpana?

CJ Sturckow / Scene 89

ADELA (CONT'D) Un uchepo is a soft tamal, from where our families are from, Michoacan. It's my childhood wrapped in a corn husk. It can be salty, but it can also be sweet. It can be a main course or a dessert. It is full of possibilities---- It's soft, tender, perfectly heated corn that melts in your mouth... I know it's not space travel but----

Adela Hernandez / Scene 105

LOGAN We're about to detonate a nuclear goddamn bomb and hope that X-ray laser shoots off rays at the right energies, correct amount and... in the precise direction that we want. If that sounds insane to the press it's because it is. So I want this test to run flawlessly. Prove the skeptics wrong... And keep our funding while we're at it.

Clint Logan / Scene 29

PAPA DAD Si quiere venir a visitarla If you want to come visit her aqu� es bienvenido. Eso s�, here, you're very welcome. I siempre y cuando este yo, as� have to be here, of course, que ojala que ya no se le so I trust you won't be early vuelva a hacer temprano. again.

Salvador Hernandez / Scene 38

JOSE Yes, they are small losses, but when you cascade your parts, these losses propagate over many interfaces and they become significant. What if we look at the man-made pad material, study their density homogeneity and select pads that have the best match at each interface thus minimizing disruption at the interfaces?

Jose Hernandez / Scene 31

LOGAN "Mid-flight"? Wrong. This is a godddamn missile at a speed of 5 miles per second. It carries a nuclear warhead capable of destroying Manhattan. -- Now, multiply that by two hundred, aimed towards sixty cities - all at the same time. Who is there to protect these 300 million people from such an attack?

Clint Logan / Scene 21

Use this structured screenplay data

SlugDB turns parsed screenplays into scene, character, dialogue, trivia, semantic search, Save the Cat, and API-ready analysis.

Use SlugDB when you need screenplay API data, movie dialogue search, character evidence, scene context, or MCP tools without building a scraper first.

Browse scripts API reference MCP setup Free API key