Scripts
44 Inch Chest poster

2008

44 Inch Chest script

After his wife Liz confesses an affair, Colin Diamond's friends kidnap her lover, intending to kill him for revenge. As Colin grapples with despair, his friends reveal their eccentricities while he confronts the bound lover about the affair and his failing marriage. In a surprising turn, Colin decides to release the lover, causing tension and disagreement among his friends. Liz then appears at the derelict house, confronting Colin and the gang, before Colin ultimately walks away, leaving his old life behind.

Writer
Louis Mellis & David Scinto
IMDb ID (imdb_id)
tt0914837
Script date
21st May 2008
66Scenes
11Characters
73Pages
8Dialogue samples

Save the Cat beat sheet

44 Inch Chest Save the Cat analysis

A tightly wound man, Colin, collapses after discovering his wife’s infidelity and is spirited away by friends who plan to confront her lover.

Open full beat sheet
65

Key characters

Colin Diamond

Colin Diamond is listed as Protagonist. Late 40s, husband of Liz, currently in a state of shock and despair. In the parsed data, Colin Diamond is connected to 37 scenes, 76 dialogue lines, 78 text mentions, first appearing around scene 16.

37 scenes / 76 dialogue lines

Archie

Archie is listed as Gang member. Aged 52, big, avuncular, wears a car coat. In the parsed data, Archie is connected to 30 scenes, 90 dialogue lines, 93 text mentions, first appearing around scene 3.

30 scenes / 90 dialogue lines

Meredith

Meredith is listed as Gang member. Late 40s, suave, immaculate, wears black Saville Row suit and cashmere roll neck. In the parsed data, Meredith is connected to 30 scenes, 61 dialogue lines, 69 text mentions, first appearing around scene 6.

30 scenes / 61 dialogue lines

Old Man Peanut

Old Man Peanut is listed as Gang member. Aged 80, skinny, wears a dark three-piece suit, gold watch chain, and black Homburg. In the parsed data, Old Man Peanut is connected to 26 scenes, 54 dialogue lines, 54 text mentions, first appearing around scene 16.

26 scenes / 54 dialogue lines

Mal

Mal is listed as Gang member. Mid-40s, wears a silver-grey suit. In the parsed data, Mal is connected to 25 scenes, 84 dialogue lines, 88 text mentions, first appearing around scene 12.

25 scenes / 84 dialogue lines

Liz

Liz is listed as Colin's wife. Aged 44, glamorous, unfaithful. In the parsed data, Liz is connected to 14 scenes, 12 dialogue lines, 38 text mentions, first appearing around scene 21.

14 scenes / 12 dialogue lines

Loverboy

Loverboy is listed as Liz's lover. Early 30s, handsome, beaten. In the parsed data, Loverboy is connected to 12 scenes, 4 text mentions, first appearing around scene 9.

12 scenes / 0 dialogue lines

Tippi Gordon

Tippi Gordon is listed as Associate. 60-ish, wears white mink coat, pink rinse hair. In the parsed data, Tippi Gordon is connected to 5 scenes, first appearing around scene 25.

5 scenes / 0 dialogue lines

Archie's Mum

Archie's Mum is listed as Archie's mother. Aged 80. In the parsed data, Archie's Mum is connected to 2 scenes, 1 dialogue line, 1 text mention, first appearing around scene 3.

2 scenes / 1 dialogue lines

Biggy Walpole

Biggy Walpole is listed as Acquaintance. Aged 58, wears tweed sports jacket, handlebar moustache. In the parsed data, Biggy Walpole is connected to 1 scene, 1 dialogue line, 2 text mentions, first appearing around scene 11.

1 scenes / 1 dialogue lines

Rosemary

Rosemary is listed as Biggy's dog. Wire-haired terrier. In the parsed data, Rosemary is connected to 1 scene, first appearing around scene 11.

1 scenes / 0 dialogue lines

Scene outline

  1. 1. INT. LIVING ROOM DETACHED SUBURBAN VILLA - NIGHT

    Colin is found in a state of shock in his devastated living room after a violent incident.

    Colin Diamond
  2. 2. EXT. DETACHED SUBURBAN VILLA - NIGHT

    Liz crashes through an upstairs window to escape the house.

    Liz
  3. 3. INT. LIVING ROOM SMALL TERRACED HOUSE - NIGHT

    Archie eats soup with his mother, then receives a distressing phone call from Colin.

    Archie, Archie's Mum, Colin Diamond
  4. 4. INT. LIVING ROOM DETACHED SUBURBAN VILLA - NIGHT

    Archie tries to comfort a catatonic Colin in the wrecked living room.

    Archie, Colin Diamond
  5. 5. INT. LUXURIOUS THAMESIDE PENTHOUSE - NIGHT

    Meredith receives a phone call.

    Meredith
  6. 6. INT. LIVING SPACE PENTHOUSE - NIGHT

    Meredith speaks to Archie on the phone.

    Meredith, Archie
  7. 7. INT. VAN - DAY

    The gang travels in a van with a sobbing Colin.

    Archie, Mal, Meredith, Colin Diamond, Old Man Peanut
  8. 8. EXT/INT. VAN HIGH STREET - DAY

    The gang watches an Italian restaurant from the van.

    Meredith, Old Man Peanut, Colin Diamond
  9. 9. INT. FRENCH RESTAURANT - DAY

    Mal and Archie forcibly remove a waiter from the restaurant.

    Mal, Archie, Loverboy
  10. 10. EXT/INT. VAN HIGH STREET - DAY

    The waiter is bundled into the van.

    Meredith, Old Man Peanut, Mal, Loverboy, Archie
  11. 11. EXT. STREET OUTSIDE CORNER SHOP - DAY

    Archie talks to Biggy Walpole about Colin and Liz.

    Archie, Biggy Walpole, Rosemary
  12. 12. INT. ROOM IN DERELICT HOUSE - NIGHT

    Archie and Mal discuss the situation while waiting.

    Mal, Archie
  13. 13. EXT. DARK RAIN SOAKED DESERTED OLD STS & ALLEYS - NIGHT

    Colin walks the streets alone.

    Colin Diamond
  14. 14. INT. ROOM IN DERELICT HOUSE - NIGHT

    Archie and Mal discuss Colin's mental state.

    Archie, Mal
  15. 15. EXT. DARK RAIN SOAKED DESERTED OLD STS & ALLEYS - NIGHT

    Colin continues his walk.

    Colin Diamond
  16. 16. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin arrives at the house and joins the others.

    Colin Diamond, Archie, Mal, Old Man Peanut
  17. 17. EXT. GRASS VERGE BY ELEVATED MOTORWAY - NIGHT

    Liz struggles to climb an embankment.

    Liz
  18. 18. INT. ROOM IN DERELICT HOUSE - NIGHT

    Meredith arrives at the house.

    Meredith, Old Man Peanut, Mal, Colin Diamond, Archie
  19. 19. INT. ROOM IN DERELICT HOUSE - NIGHT

    The group discusses Biggy Walpole.

    Archie, Meredith, Old Man Peanut, Colin Diamond
  20. 20. EXT. DRIVEWAY DETACHED SUBURBAN VILLA - DUSK

    Colin arrives home with groceries and gifts.

    Colin Diamond
  21. 21. INT. HALLWAY DETACHED SUBURBAN VILLA - EVE

    Colin enters his home and talks to his wife Liz, who is distant.

    Colin Diamond, Liz
  22. 22. INT. HALLWAY DETACHED SUBURBAN VILLA - EVE

    Colin reacts to Liz's confession.

    Colin Diamond, Liz
  23. 23. INT. HALLWAY DETACHED SUBURBAN VILLA - EVE

    Colin struggles to comprehend the situation.

    Colin Diamond, Liz
  24. 24. INT. ROOM IN DERELICT HOUSE - NIGHT

    The gang discusses Colin's situation and the need to kill the lover.

    Old Man Peanut, Meredith, Archie, Mal, Colin Diamond
  25. 25. EXT. NASH CRESCENT LONDON - NIGHT

    Meredith recounts meeting Tippi Gordon.

    Meredith, Tippi Gordon
  26. 26. INT. ROOM IN DERELICT HOUSE - NIGHT

    The men listen to Meredith's story.

    Old Man Peanut, Meredith, Archie, Mal
  27. 27. EXT. NASH CRESCENT LONDON - NIGHT

    Tippi Gordon's manic behavior.

    Tippi Gordon
  28. 28. INT. ROLLS ROYCE CORNICHE - NIGHT

    Tippi and Meredith travel through London.

    Meredith, Tippi Gordon
  29. 29. EXT. BUSY WEST END STREET - NIGHT

    The Rolls Royce stops at a red light.

    Meredith, Tippi Gordon
  30. 30. INT. HIGH CLASS CASINO - NIGHT

    Meredith describes Tippi's gambling.

    Meredith, Tippi Gordon
  31. 31. INT. ROOM IN DERELICT HOUSE - NIGHT

    Meredith finishes his story and argues with Peanut.

    Old Man Peanut, Meredith, Archie
  32. 32. INT. KITCHEN DETACHED SUBURBAN VILLA - NIGHT

    Colin confronts Liz about her infidelity.

    Colin Diamond, Liz
  33. 33. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin confesses to hitting Liz.

    Old Man Peanut, Archie, Mal, Colin Diamond
  34. 34. INT. WARDROBE - NIGHT

    The lover is hidden inside the wardrobe.

    Loverboy
  35. 35. INT. ROOM IN DERELICT HOUSE - NIGHT

    The men discuss the next steps.

    Old Man Peanut, Meredith, Archie, Mal, Colin Diamond
  36. 36. EXT. DERELICT HOUSE - NIGHT

    Colin exits the house.

    Colin Diamond
  37. 37. INT. ROOM IN DERELICT HOUSE - NIGHT

    The men discuss Liz.

    Old Man Peanut, Meredith, Archie, Mal
  38. 38. EXT. RAINY, DESOLATE, STREETS - NIGHT

    Colin runs through the streets.

    Colin Diamond
  39. 39. EXT. RAINY, DESOLATE STREETS - NIGHT

    Colin runs through the streets in a state of despair and collapses against a wall.

    Colin Diamond
  40. 40. EXT. GRASS VERGE BESIDE ELEVATED MOTORWAY - NIGHT

    Liz lies in the scrub, regaining consciousness.

    Liz
  41. 41. INT. ROOM IN DERELICT HOUSE - NIGHT

    The gang discusses past acquaintances while waiting; Colin arrives and breaks down.

    Old Man Peanut, Meredith, Archie, Mal, Colin Diamond
  42. 42. INT. ROOM IN DERELICT HOUSE - NIGHT

    The gang stares at the captive lover; Colin prepares to confront him.

    Old Man Peanut, Meredith, Archie, Mal, Colin Diamond, Loverboy
  43. 43. INT. HALLWAY, DERELICT HOUSE - NIGHT

    The gang waits in the hallway while Colin is with the captive.

    Old Man Peanut, Meredith, Archie, Mal
  44. 44. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin confronts the captive lover about his marriage and his wife.

    Colin Diamond, Loverboy
  45. 45. INT. HALLWAY, DERELICT HOUSE - NIGHT

    The gang members discuss Archie's mother and reminisce about Samson and Delilah.

    Old Man Peanut, Meredith, Archie, Mal
  46. 46. INT. BED CHAMBER BC - NIGHT

    Delilah poisons Samson's wine.

  47. 48. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin confronts the gang and Loverboy, revealing his psychological breakdown and obsession with his past marriage.

    Colin Diamond, Mal, Archie, Meredith, Old Man Peanut, Liz
  48. 49. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin talks to himself and Loverboy, comparing their lives.

    Colin Diamond, Loverboy
  49. 50. INT. MASTER BEDROOM DETACHED SUBURBAN VILLA - DAY

    Colin explores his old bedroom, finding mementos of his marriage.

    Colin Diamond
  50. 51. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin returns to the room where the gang members appear to have swapped bodies.

    Colin Diamond, Liz, Meredith, Archie, Mal, Old Man Peanut
  51. 52. EXT. ELEGANT STATELY HOME - DAY

    A flashback or vision of Meredith as a chauffeur and Liz at a window.

    Meredith, Liz, Colin Diamond, Mal
  52. 53. INT. ROOM IN DERELICT HOUSE - NIGHT

    The gang discusses hiring a gardener.

    Archie, Meredith, Mal, Old Man Peanut, Colin Diamond
  53. 54. INT. NARROW STONE STAIRCASE LEADING TO DUNGEON - NIGHT

    Old Man Peanut prepares to torture a figure in the dungeon.

    Old Man Peanut
  54. 55. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin confronts Liz about their relationship.

    Colin Diamond, Liz, Archie, Old Man Peanut, Meredith, Loverboy
  55. 56. EXT. GRASS VERGE BESIDE ELEVATED MOTORWAY - NIGHT

    A driver finds Liz on the side of the road.

    Liz
  56. 57. INT. KITCHEN/HALLWAY/LOUNGE DETACHED SUBURBAN VILLA - NIGHT

    Flashback of Colin attacking Liz.

    Colin Diamond, Liz
  57. 58. INT. ROOM IN DERELICT HOUSE - NIGHT

    Colin sobs while Loverboy comforts him.

    Colin Diamond, Loverboy
  58. 59. INT. HALLWAY DERELICT HOUSE - NIGHT

    The gang discusses a strange story about a man with a large head.

    Archie, Mal, Meredith, Old Man Peanut
  59. 60. INT. ROOM IN DERELICT HOUSE - NIGHT

    The gang enters the room to find Colin has decided to let Loverboy go.

    Mal, Archie, Old Man Peanut, Meredith, Colin Diamond, Loverboy
  60. 61. INT. Room - DAY

    Colin decides to let Loverboy go, causing tension among the gang members.

    Old Man Peanut, Meredith, Archie, Mal, Colin Diamond, Loverboy
  61. 62. INT. Loud Red Space - UNKNOWN

    Old Man Peanut recounts his death in a nursing home.

    Old Man Peanut
  62. 63. INT. Purple Space - UNKNOWN

    Meredith talks about his new boyfriend Ray and a suspicious encounter.

    Meredith
  63. 64. INT. ROOM IN DERELICT HOUSE - NIGHT

    Liz enters the room, confronting the gang and Colin.

    Old Man Peanut, Meredith, Archie, Mal, Colin Diamond, Liz
  64. 64. INT. Azure Blue Space - UNKNOWN

    Archie talks about his new partner Hazel and his mother.

    Archie, Archie's Mum
  65. 65. INT. Monochrome Space - UNKNOWN

    Mal appears briefly in the shadows.

    Mal
  66. 66. EXT. Street Outside House - NIGHT

    Colin walks away into his new life.

    Colin Diamond

Dialogue examples

...recently painted... That's the bed... see the tangled sheets?!... (indicates a door. Opens it.)... Bathroom! - en suite look ... gold taps! - but never mind that... ignore all that... that's not why you're in `ere... It's that - that look - this - this look - this 'ere... (he has moved to a chest of drawers)... this chest of drawers... Inside here, mate, is tre as ure .. . (ca re ss es th e che st o f drawers). Treasure like you wouldn't fuckin' believe! - Should we have a look inside it?... Shall we?...We fuckin' shall!... (slowly opens a drawer)... What we got 'ere? 'S her underwear, look ... all s oft a n' wa rm .. . a n' p ret ty .. . (slowly turns to us. Stares darkly. Turns away. Shuts the drawer)... Shut that... 'Ow a bou t th is on e? (o pe ns an ot he r drawer ) My socks and pants ! (cl oses it)... What about this one? This could be interestin'... (slowly opens another drawer. His face lights up). Bingo! (He extracts an old document. holds it up for us to see) ... See this? See it? D'you know what this is? No?... I'll tell ya what this is - 's the contract!...'s the marriage contract! (stares smugly)... Lets see what it says, shall we? (READS) 'Mr and Mrs Colin Diamond!'... It's there in black and white. Plain as the broken nose on your face...'Married'! 'By law! 'Before God'!... There's no gettin' round that!... We must accept that!... So... this piece of paper's gonna be a bit trick y... yeah, diff icult ... hmm ... (MUSES) Tell ya what, lets lay it aside for a bit... (puts it back)...'Allo , what's this? (takes out a photograph) 'S a p ho to! T ha t's u s on ou r wed di ng ' day!... Don't laugh at-the suit ... pony 'aircut!.. (stares at it intently) But didn't she look lovely!....What else we got in 'ere? (rummages) The stuff you keep!...'Ere's 'er garter, look! (shows it to us) ... Blue, of course!... Wha t' s i n th is bo x? (o pe ns a sm al l box)... Oh, it's cake! Bit of cake! Still all right. . still moist - you could eat that!... (looks at it intently... then returns it to the drawer. Now his eye catches something inside and slowly he reaches in ... gently extracts a fancy, pearl handled, gleaming, 12" knife.) 'Ere's the knife we cut it with!... (he - confronts us. Holding it staring at us darkly. Murderously ... Eventually...) ... Best put this away, eh?. '. (slides the knife back into the drawer. Finds something else ... Something 2 inches tall. His face fills with wonder)... Ere's a little man, look ... off the top of the cake! Ain't he 'andsome! (looks closely at it)... In 'is little mornin' suit ... aahh!! - Top hat - spats 'n' al l ! . . . I t s m e ! ! . . . ( S u d d e n l y , violently, he thrusts the 2 inch groom towards us/camera. Holding. It. Shaking with rage) ... You've made me feel that sm a ll ! !! (p u ll s h i ms e lf to g et h er . Retracts the figure) ... He's goin' back in the drawer! (QUICKLY RETURNS IT) ... Safe! ... Away from you!!...

Colin Diamond / Scene 50

Two years later I was dead... I passed away in the small hours in a nursing `ome in Slough, with a drip in me arm, me gnashers in a mug by the bed and me boots most definitely on!... I'd done me hip in the spring and couldn't cope with meself no more at `ome, if you must know... I died in a `orrible fuckin' room they'd give me in the midst of a bunch of doddery, decrepit, dribbling old mongs!... Come the time, this dragon-witch-bitch of a nurse, arsked me if I wanted a fuckin' priest?! To make my peace!... I arsk you!!... I told `em where to get off!... Told `em all to fuck off out of it and leave me to meet my maker on my Jack Todd!... I lay on my pit like a scabby baby and waited for it... waited for it... waited for it to come... and get me! It came alright... The Reaper came, alright... in the middle of the fucking night -- Like a burglar -- Like a worry... I opened my milky mince's and saw... saw Death... The ugly brute of it... It's black mouth... it's cocky eyes... `ungry like the wolf... for me!... My time was up! I was wanted!... "I'll break you", it said... "I'll fucking' break you!"... I stared at it... hissed at it... spat at it... I raised myself up from the stainy cot with my weak, bony arm... got myself in a proud position -- my spine ramrod straight... It was reaching for me... grabbing at me... laughing at me... "FUCK YOU!", I said... `FUUUCCKK YOOUU!!!!!"

Old Man Peanut / Scene 62

...Me?... No... but I'm quite lucky... because I'm different to you... I don't share your emotions... I don't love like you... like you do... Maybe I should... but I don't!... I'm not a family man - with me, sex is sex... no more... no less... Cold. Hard. Dark... and sweaty... Sudden. Excessive... When I've shot my wad, I leave the room... I put my coat on and I leave the room... No "thank you's"... no "I really enjoyed that" - I leave the room!... And I don't go back!... I can afford to do that... I've got that luxury... I'm charismatic... People are drawn to me . (PAUSE) Now maybe it's cowardly but I choose to live without turmoil... without entanglements... All that bores me! - With me it's the five Fs - find 'em, follow 'em, finger 'em, fuck 'em and forget 'em!... But you, Colin, you possess different qualities... that's what makes you you... You're more caring stroke sharing... Your capacity to love leaves you vulnerable - but that's admirable!... You care... and you should be proud of that!

Meredith / Scene 41

...Massive, it was... massive `ead! -- Size of it! -- Like a melon! Like a pumpkin! Grotesque! `Uge!... Well it wasn't so much `is `ead -- it was `is face!... It was just abnormally big -- An abnormality!... Like th e b o ne st r uc t ur e w a s o ut `e r e -- (indicates with his hands) Rhinoceroussy -- `ad grown out of all proportion to the rest of `im... Coz `is skull -- the skull itself -- the top -- it was in actuality quite small -- not much bigger than a co co n ut -- so r t o f po i nt y a n' al l ... Coroner's report said he'd never seen anythin' like it!... They thought they'd found the missin' link!

Archie / Scene 59

...And you a fucking waiter!... A fucking waiter!... frog waiter!... You cuntin' spunka!... You sorry fuck! You'll be fuckin' sorry!... If you thought yesterday was something... today's gonna be somethin' else!... Yesterday was nothin'!... I've been home... had a bath... had a kip... somethin' to eat... watched a bit of telly... I've got a life!... Been to the pub!... had a drink!... Had a laugh!... Had a dance!... And you?.... You stink!.. Locked in a wardrobe!... Chucked in like a puppet!... Like an unwanted toy!... Sack o' shit!... Where's that bottle opener?... where's that corkscrew?... Got a knife?

Mal / Scene 42

FUCKIN' SHUTUP YOU CUNT !!!... I'LL PULL YOUR FUCKIN' ARSEHOLE OUT IN A MI N U T E ! ! ! (Turns back to Liz, immediately loving again)... That we -- (trails off)... I love you, Liz... I just need you to understand -- that I love you!... (Getting desperate)... I'm a good bloke, Liz! -- A really good bloke!... (she is staring at him)... Liz, please -- you gotta give me somethin'... so me th i n' ... p le as e... I d es er ve somethin'... Twenty one years is a long -- that's a lotta life -- to dedicate -- surely -- please... Liz... somethin'...

Colin Diamond / Scene 55

Fucked his wife?! ... Fucked his fuckin' wife?! ... You fuckin' wife-fucker you!... You fuckin' fucked his wife you wife-fuckin' cunt!... (beat) Fuckin' his wife?!... Fuckin' his fuckin' wife?!... Another man's wife?!... Are you fuc ki n' th ic k? - Yo u cunt !... Fu ck another man's wife?... What's the matter with you?! You don't do that!... It' not done!... You do that - it ends in this! - Th i s! - T hi s i s w h er e i t e n ds ! I n this!... You hear me? ... you listenin'? Shitter!... Little shitter!

Mal / Scene 33

What a terrible waste!...What a waste of time!... Energy!... Everythin'!... What's it all mean?... Surely a marriage is somethin'?!... I mean, what's it all about? What is the fuckin' point! Twenny one fuckin' years, good times and bad - down the fuckin' plug 'ole! Up the fuckin' Swanee, eh?!!... We 'ad somethin' goin'!... Solid!... A life!...We were a family! - The Diamonds!.. What're they gonna say?... What am I gonna tell `em?... What does one tell the children? - This's gonna affect their studies!...

Colin Diamond / Scene 41

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